I Who Have Nothing
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I Who Have Nothing
"I (Who Have Nothing)" (sometimes billed as "I Who Have Nothing") is an English language cover of the Italian song "''Uno dei Tanti''" (English: "One of Many"), with music by Carlo Donida and lyrics by Giulio "Mogol" Rapetti. The initial version, "Uno dei Tanti", was performed by Joe Sentieri in 1961. The song first recorded in English by Ben E. King in 1963 with new lyrics by Jerry Leiber and Mike Stoller. Other successful cover versions were released by Shirley Bassey and Tom Jones, also by Status Quo. Ben E. King version The English lyrics for "I (Who Have Nothing)" were written by Jerry Leiber and Mike Stoller. The title is a translation of a line in the Italian lyrics "''Io, che non ho niente''", but otherwise the English lyrics were written afresh by the lyricists. Leiber and Stoller also produced the first English language release, performed by Ben E. King in 1963. Leiber and Stoller previously had co-written and produced the song " Stand by Me" with Ben E. King in ...
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Mogol (lyricist)
Giulio Rapetti (born 17 August 1936), in art Mogol (), is an Italian music lyricist. He is best known for his collaborations with Lucio Battisti, Gianni Bella, Adriano Celentano and Mango (singer), Mango. Career Mogol was born in Milan. His father, Mariano Rapetti, was an important director of the Casa Ricordi, Ricordi record label, and had been in his own time a successful lyricist of the 1950s. Young Giulio, who was likewise employed by Ricordi as a public relations expert, began his own career as a lyricist against his father's wishes. His first successes were "Il cielo in una stanza", set to music by Gino Paoli and sung by Mina (Italian singer), Mina; "Al di là", a piece that won the 1961 Sanremo Festival, performed by Luciano Tajoli and Betty Curtis; "Una lacrima sul viso", which was a huge hit for Bobby Solo in 1964. Another famous song from 1961 was "Uno dei tanti" (English: "One among many") which was rewritten by Jerry Leiber and Mike Stoller in 1963 for Ben E. King an ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ...
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Piccadilly Records
Pye Records was a British record label. Its best known artists were Lonnie Donegan (1956–1969), Petula Clark (1957–1971), the Searchers (1963–1967), the Kinks (1964–1971), Sandie Shaw (1964–1971), Status Quo (1968–1971) and Brotherhood of Man (1975–1979). The label changed its name to PRT Records (distributing as Precision Records & Tapes) in 1980, before being briefly reactivated as Pye Records in 2006. History The Pye Company originally manufactured televisions and radios. Its main plant was situated off what used to be Haig Road, in Cambridge, and it entered the record business when it bought Nixa Records in 1953. In 1955, the company acquired Polygon Records, a label that had been established by Leslie Clark and Alan A. Freeman to control distribution of the recordings of the former's daughter, Petula Clark. Pye merged it with Nixa Records to form Pye Nixa Records. Pye International In 1958, Pye International Records was established. The company licensed record ...
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John Schroeder (musician)
John Francis Schroeder (19 January 1935 – 31 January 2017) was a British pop and easy listening composer, arranger, songwriter and record producer. In 1961, Schroeder won an Ivor Novello Award for co-writing "Walkin' Back to Happiness". Life and career Schroeder worked as an A&R assistant to Norrie Paramor at Columbia Records. He was also a songwriter and, with Mike Hawker, wrote the song "Walkin' Back to Happiness", which in a version by Helen Shapiro reached number one in the UK Singles Chart during 1961. Schroeder also co-wrote two other hits for Shapiro, " Don't Treat Me Like a Child", a UK number 3 and " You Don't Know", which also reached number 1 in August 1961. Later he moved to independent British label, Oriole as A&R chief, and whilst he was there he brokered an early licensing deal with Motown for British distribution on the label. It subsequently issued such singles as The Contours' "Do You Love Me" and "Fingertips" by Little Stevie Wonder. In the mid 1960s, ...
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Terry Knight And The Pack
Terry Knight and the Pack (also known as The Pack and The Fabulous Pack) was an American garage rock band formed in Flint, Michigan in 1965. The band was signed to the Lucky Eleven label through most of its brief recording career. They produced one national hit with their cover version of the song, "I (Who Have Nothing)". Despite their inability to replicate their success, the band was a frequent attraction in the Michigan rock scene. The Pack was fronted by singer Terry Knight. In 1969 the group disbanded but two members, drummer/vocalist Don Brewer and guitarist Mark Farner, would go on to form another band, Grand Funk Railroad. History Origins 1964-1965 Former DJ, Knight was tenured in several radio stations before trying his hand at a solo musical career in 1964. As a DJ, he was an early advocate of The Rolling Stones, and imitated their style as soloist and later when he joined the band. His initial efforts, which included an unsuccessful single and local performances, ...
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Basing Street Studios
Basing Street Studios was a recording studio in a former 17th century chapel at 8–10 Basing Street, in Notting Hill, London, England. Originally established in 1969 as Island Studios by Chris Blackwell, the founder of Island Records, the studio's location also housed the offices for Island Records from 1969 until 1973, and was renamed Basing Street Studios in 1975. Island/Basing Street Studios produced many notable recordings in the 1970s from artists including Bob Marley and the Wailers, Led Zeppelin, Jethro Tull, Traffic, and Dire Straits. In 1982, the studios were acquired by Sarm Studio owners Jill Sinclair and her husband, producer Trevor Horn in 1982, and renamed Sarm West. History In 1969, Island Records co-founder Chris Blackwell and company directors David Belleridge and John Leftly acquired a deconsecrated 17th century church building at 8-10 Basing Street, in the Ladbroke Grove area of Notting Hill in West London and established new offices for Island Records. Two r ...
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You Make Me Feel (Mighty Real)
"You Make Me Feel (Mighty Real)" is a 1978 song by American disco/ R&B singer Sylvester. It was written by James Wirrick and Sylvester, and released as the second single from Sylvester's fourth album, ''Step II'' (1978). The song was already a largely popular dance club hit in late 1978, as the B-side of his previous single "Dance (Disco Heat)", before it was officially being released in December. Music critic Robert Christgau has said the song is "one of those surges of sustained, stylized energy that is disco's great gift to pop music". In 2003, ''Q Magazine'' included "You Make Me Feel (Mighty Real)" in their list of the "1001 Best Songs Ever". In 2019, the song was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant". Origins The song was originally recorded as a mid-tempo piano-driven gospel song; however, after producer Patrick Cowley saw a rehearsal of the song at San Fra ...
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Fantasy Records
Fantasy Records is an American independent record label company founded by brothers Max and Sol Stanley Weiss in 1949. The early years of the company were dedicated to issuing recordings by jazz pianist Dave Brubeck, who was also one of its investors, but in more recent years the label has been known for its recordings of comedian Lenny Bruce, jazz pianist Vince Guaraldi, the last recordings made on the Wurlitzer organ in the San Francisco Fox Theatre before the theatre was demolished, organist Korla Pandit, the 1960s rock band Creedence Clearwater Revival, bandleader Woody Herman, and Disco/R&B singer Sylvester. Formation In 1949, Jack Sheedy, owner of a San Francisco-based record label called Coronet, was talked into making the first recording of an octet and a trio featuring Dave Brubeck (not to be confused with either the Australian Coronet Records or the New York City-based Coronet Records of the late 1950s). Sheedy's Coronet Records had recorded area Dixieland bands. But he ...
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Disco
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music ...
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Sylvester (singer)
Sylvester James Jr. (September 6, 1947December 16, 1988), known mononymously as Sylvester, was an American singer-songwriter. Primarily active in the genres of disco, rhythm and blues, and soul, he was known for his flamboyant and androgynous appearance, falsetto singing voice, and hit disco singles in the late 1970s and 1980s. Born in Watts, Los Angeles, to a middle-class African-American family, Sylvester developed a love of singing through the gospel choir of his Pentecostal church. Leaving the church after the congregation expressed disapproval of his homosexuality, he found friendship among a group of black cross-dressers and transgender women who called themselves the Disquotays. Moving to San Francisco in 1970 at the age of 22, Sylvester embraced the counterculture and joined the avant-garde drag troupe the Cockettes, producing solo segments of their shows which were heavily influenced by female blues and jazz singers such as Billie Holiday and Josephine Baker. During t ...
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Cashbox (magazine)
''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1952–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were '' Billboard'' and '' Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 1 ...
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London Symphony Orchestra
The London Symphony Orchestra (LSO) is a British symphony orchestra based in London. Founded in 1904, the LSO is the oldest of London's orchestras, symphony orchestras. The LSO was created by a group of players who left Henry Wood's Queen's Hall Orchestra because of a new rule requiring players to give the orchestra their exclusive services. The LSO itself later introduced a similar rule for its members. From the outset the LSO was organised on co-operative lines, with all players sharing the profits at the end of each season. This practice continued for the orchestra's first four decades. The LSO underwent periods of eclipse in the 1930s and 1950s when it was regarded as inferior in quality to new London orchestras, to which it lost players and bookings: the BBC Symphony Orchestra and the London Philharmonic Orchestra in the 1930s and the Philharmonia Orchestra, Philharmonia and Royal Philharmonic Orchestra, Royal Philharmonic after the Second World War. The profit-sharing ...
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