|
I Think We're Alone Now
"I Think We're Alone Now" is a song written and composed by Ritchie Cordell that was first recorded by Tommy James and the Shondells. It was a major hit for group, reaching number 4 on the US Hot 100 in April 1967. It finished at No. 12 on '' Billboard'' magazine's year-end singles chart for 1967. The song has been covered several times by other artists, most notably by Tiffany Darwish in 1987. The Tiffany recording reached number 1 on the charts of various countries including the US, UK, Canada, and New Zealand. Other cover versions have also charted, including those by The Rubinoos (number 45 US, 1977) and Girls Aloud (number 4 UK, 2006). Composition The writing of the song was credited to Ritchie Cordell, who wrote or co-wrote many songs for Tommy James, including the follow-up single to "I Think We're Alone Now", " Mirage" and its B-side "Run, Run, Baby, Run", and 1968's " Mony Mony". Cordell and his regular songwriting partner Bo Gentry gave the song to Tommy James, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy James And The Shondells
Tommy James and the Shondells are an American pop rock/psychedelic rock band, formed in Niles, Michigan, in 1964. They had two No. 1 singles in the U.S. – " Hanky Panky" (July 1966, their only RIAA Certified Gold record) and "Crimson and Clover" (February 1969) – and also charted twelve other top 40 hits, including five in the Hot 100's top ten: "I Think We're Alone Now", "Mirage", "Mony Mony", " Sweet Cherry Wine", and "Crystal Blue Persuasion". History Origins The band The Echoes formed in 1959 in Niles, Michigan, then evolved into Tom and the Tornadoes, with 12-year-old Tommy James (then known as Tommy Jackson) as lead singer. While attending Niles High School in Niles, Michigan, the group released its first single, "Long Pony Tail", in 1962.Tommy James and the Shondells. ''40 Years: The Complete Singles Collection (1966–2006)''. CD booklet. Aura Records, 2008. In 1964, James renamed the band the Shondells because the name "sounded good" and in honor of nearby F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kama Sutra Records
Kama Sutra Records was started in 1964 by Arthur "Artie" Ripp, Hy Mizrahi and Phil Steinberg as Kama Sutra Productions, a production house. The "Kama Sutra" is an ancient Sanskrit text.Alan Betrock ''Girl groups: the story of a sound'' 1982 p.148 "Back on the East Coast, Kama-Sutra Productions turned out a series of girl-group records with Stacy Cane, The Juliettes, Ann Marie, The Petites, and The Pussycats." In 1965, the company was joined by Art Kass and the record label itself was started. A distribution deal with MGM Records was later signed, which lasted from 1965 until 1969. From 1969 onward, distribution was then handled by co-owned Buddah Records. The record company ceased in mid-1976 but restarted in 1981 as Sutra Records. Under this moniker, Kass marketed and distributed Fever Records, Blue Dog Records, Baila Records, Becket Records, and signed and recorded the Cover Girls, the Fat Boys, Victor Willis, and many more before the company filed for Chapter 7 bankruptcy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Zealand Listener
The ''New Zealand Listener'' is a weekly New Zealand magazine that covers the political, cultural and literary life of New Zealand by featuring a variety of topics, including current events, politics, social issues, health, technology, arts, food, culture and entertainment. The Bauer Media Group closed ''The Listener'' in April 2020 as a result of the COVID-19 pandemic in New Zealand. In June 2020, Mercury Capital acquired the magazine as part of its purchase of Bauer Media's former Australia and New Zealand assets, which were rebranded as Are Media. History ''The Listener'' was first published in June 1939 as a weekly broadcasting guide for radio listeners, and the first issue was distributed free to 380,000 households. First edited by Oliver Duff then from June 1949 M. H. Holcroft, it originally had a monopoly on the publication of upcoming television and radio programmes. In the 1980s it lost that monopoly, but despite the increase in competition since that time, it w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
10 Cloverfield Lane
''10 Cloverfield Lane'' is a 2016 American science fiction psychological thriller film directed by Dan Trachtenberg in his directorial debut, produced by J. J. Abrams and Lindsey Weber and written by Josh Campbell, Matthew Stuecken, and Damien Chazelle. The second film in the ''Cloverfield'' franchise, it stars Mary Elizabeth Winstead, John Goodman, and John Gallagher Jr. The story follows a young woman who, after a car crash, wakes up in an underground bunker with two men who insist that an event has left the surface of Earth uninhabitable. The film was developed from a script titled ''The Cellar''; but under production by Bad Robot, it was turned into a spiritual successor to the 2008 film ''Cloverfield''. It is presented in a third-person narrative, in contrast to its predecessor's found-footage style. Principal photography took place under the title ''Valencia'' in New Orleans, Louisiana, from October 20 to December 15, 2014. ''10 Cloverfield Lane'' premiered in New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mother's Day (1980 Film)
''Mother's Day'' is a 1980 American rape and revenge slasher film directed, co-written and produced by Charles Kaufman, brother of Troma Entertainment co-founder Lloyd Kaufman (who acted as an associate producer of the film). The plot focuses on three women on a camping excursion who fall victim to two deranged, murderous young men and their unhinged mother. The film contains elements of the satire, thriller and slasher genres. Upon its release, ''Mother's Day'' received criticism for its depiction of violence and rape, and was banned in the United Kingdom by the British Board of Film Classification. While not a success during its release and receiving a negative reception from critics, the film has since developed a cult following. It has also been subject to critical analysis from film scholars for its subtextual commentary on consumerism and the proliferation of television in popular culture. A loose remake of the same name was released in 2010. Plot During a Growth Opportun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apotheosis
Apotheosis (, ), also called divinization or deification (), is the glorification of a subject to divine levels and, commonly, the treatment of a human being, any other living thing, or an abstract idea in the likeness of a deity. The term has meanings in theology, where it refers to a belief, and in art, where it refers to a genre. In theology, ''apotheosis'' refers to the idea that an individual has been raised to godlike stature. In art, the term refers to the treatment of any subject (a figure, group, locale, motif, convention or melody) in a particularly grand or exalted manner. Ancient Near East Before the Hellenistic period, imperial cults were known in Ancient Egypt ( pharaohs) and Mesopotamia (from Naram-Sin through Hammurabi). In the New Kingdom of Egypt, all deceased pharaohs were deified as the god Osiris. The architect Imhotep was deified after his death. Ancient Greece From at least the Geometric period of the ninth century BC, the long-deceased h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bubblegum Pop
Bubblegum (also called bubblegum pop) is pop music in a catchy and upbeat style that is considered disposable, contrived, or marketed for children and adolescents. The term also refers to a rock and pop subgenre, originating in the United States in the late 1960s, that evolved from garage rock, novelty songs, and the Brill Building sound, and which was also defined by its target demographic of preteens and young teenagers. The Archies' 1969 hit " Sugar, Sugar" was a representative example that led to cartoon rock, a short-lived trend of Saturday-morning cartoon series that heavily featured pop rock songs in the bubblegum vein. Producers Jerry Kasenetz and Jeffry Katz claimed credit for coining "bubblegum", saying that when they discussed their target audience, they decided it was "teenagers, the young kids. And at the time we used to be chewing bubblegum, and my partner and I used to look at it and laugh and say, 'Ah, this is like bubblegum music'." The term was then popula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lester Bangs
Leslie Conway "Lester" Bangs (December 14, 1948 – April 30, 1982) was an American music journalist, critic, author, and musician. He wrote for '' Creem'' and ''Rolling Stone'' magazines, and was known for his leading influence in rock music criticism. The music critic Jim DeRogatis called him "America's greatest rock critic". Early life Bangs was born in Escondido, California. He was the son of Norma Belle (''née'' Clifton) and Conway Leslie Bangs, a truck driver. Both of his parents were from Texas: his father from Enloe and his mother from Pecos County. Norma Belle was a devout Jehovah's Witness. Conway died in a fire when his son was young. When Bangs was 11, he moved with his mother to El Cajon, also in San Diego County. His early interests and influences ranged from the Beats (particularly William S. Burroughs) and jazz musicians John Coltrane and Miles Davis, to comic books and science fiction. He had a connection with '' The San Diego Door'', an underground newsp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby Gregg
Robert J. Gregg (born Robert Grego; April 30, 1936 – May 3, 2014) was an American musician who performed as a drummer and record producer. As a drum soloist and band leader he recorded one album and several singles, including one Top 40 single in the United States. But he is better known for his work as a drummer on several seminal 1960s songs, including Bob Dylan's "Like a Rolling Stone" and Simon and Garfunkel's " The Sound of Silence". He was also temporarily a member of the Hawks, who later became known as the Band. Early career Gregg first attracted attention by 1955 as the only white member of the otherwise all-black group Steve Gibson and the Red Caps. By 1962, he fronted Bobby Gregg and His Friends for an instrumental single, " The Jam - Part 1", which reached #14 on the Billboard R&B chart and #29 on the ''Billboard'' Hot 100 chart. The B-side of the single was "The Jam – Part 2". That same year, Gregg put out another instrumental single titled "Potato Peeler", w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Griffin (musician)
Paul Griffin (August 6, 1937 – June 14, 2000) was an American pianist and session musician who recorded with hundreds of musicians from the 1950s to the 1990s. Career Born in Harlem, New York, he began as the touring pianist in the backing band for King Curtis and eventually worked with Bob Dylan, Steely Dan, Don McLean, the Isley Brothers, Van Morrison, the Shirelles, and Dionne Warwick. He may be best known for his colourful and distinctive playing on the Bob Dylan albums ''Highway 61 Revisited'' and ''Blonde on Blonde'', and also on Steely Dan's '' Aja''. He is extensively featured playing a virtuoso performance of gospel piano on Don McLean's single, " American Pie" He is credited as co-author of the song "The Fez" on Steely Dan's '' The Royal Scam''. He was an arranger for '' The Warriors'' (1979) and '' Four Friends'' (1981) and performed in ''On Location: Robert Klein at Yale'' (1982) and on the soundtrack for '' Blue Sunshine'' (1976). He died of a heart attack ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Gorgoni
Al Gorgoni (born 1939) is an American guitarist, composer, arranger, and producer, known for his work as a studio musician during the 1960s and 1970s. Biography Growing up in Philadelphia, his family moved to The Bronx where he took up the guitar at age 14. His first recording sessions took place in 1959, playing on demo recordings with Brill Building songwriters Barry Mann, Cynthia Weil, Carole King, Gerry Goffin, and Phil Spector. Gorgoni eventually moved into proper sessions, appearing on hit singles such as "The Name Game" by Shirley Ellis, "Sherry," " Walk Like A Man" and "Big Girls Don't Cry" by The Four Seasons, " Leader of the Pack" by The Shangri-Las, and "Chapel of Love" by The Dixie Cups. Other hits featuring Gorgoni's playing are " The Sound of Silence" by Simon & Garfunkel, "Brown Eyed Girl" by Van Morrison, "I'm a Believer" by The Monkees, "At Seventeen" by Janis Ian, " Sugar Sugar" by The Archies, and "Brand New Key" by Melanie. Gorgoni worked with many othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ondioline
The Ondioline is an electronic keyboard musical instrument, developed and built by Frenchman Georges Jenny. Sometimes referred to as the "Jenny Ondioline," the instrument is considered a forerunner of the synthesizer. First conceived by Jenny in 1939, he continued refining and reconfiguring the device, producing dozens of variant models up until his death in 1975. Though monophonic, the Ondioline is capable of creating a wide variety of sounds. Its keyboard spans three octaves, but by adjusting a register knob a player can render up to eight octaves. The instrument's keyboard is suspended on custom-designed springs, which enables a natural vibrato if the player manipulates a key laterally (from side to side) as that key is depressed. The keyboard is pressure-sensitive, and volume is controlled by a knee lever. The foremost exponent and popularizer of the instrument was Jean-Jacques Perrey, who performed and recorded with it, composed for it, and served as the instrument's fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
