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I Remember Miles (Shirley Horn Album)
''I Remember Miles'' is a 1998 studio album by Shirley Horn, recorded in tribute to Miles Davis. The album cover illustration was a drawing Davis had once done of them both.Adam Bernstein"Mesmerizing Jazz Singer and Pianist" ''The Washington Post'', October 22, 2005. Horn's performance on this album won her the Grammy Award for Best Jazz Vocal Performance at the 41st Grammy Awards. Reception The AllMusic review by Richard S. Ginell stated: "Horn's understated, laconic, deceptively casual ballad manner is a natural fit for the brooding Miles persona, and she doesn't have to change a thing in this relaxed, wistfully sung, solidly played collection...In a sad way, the very idea of a Miles tribute is an oxymoronic denial of the ever-restless spirit of this genius who didn't believe in looking backwards. But Shirley Horn certainly serves the man's sensitive side well". Track listing # "My Funny Valentine" (Lorenz Hart, Richard Rodgers) – 5:33 # " I Fall in Love Too Easily" (Sammy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shirley Horn
Shirley Valerie Horn (May 1, 1934 – October 20, 2005) was an American jazz singer and pianist. She collaborated with many jazz musicians including Miles Davis, Dizzy Gillespie, Toots Thielemans, Ron Carter, Carmen McRae, Wynton Marsalis and others. She was most noted for her ability to accompany herself with nearly incomparable independence and ability on the piano while singing, something described by arranger Johnny Mandel as "like having two heads", and for her rich, lush voice, a smoky contralto, which was described by noted producer and arranger Quincy Jones as "like clothing, as she seduces you with her voice". Biography Shirley Horn was born and raised in Washington, D.C. Encouraged by her grandmother, an amateur organist, Horn began piano lessons at the age of four. Aged 12, she studied piano and composition at Howard University, later graduating from there in classical music. Horn was offered a place at the Juilliard School, but her family could not afford to send her th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Evans
William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio. His use of impressionist harmony, interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continues to influence jazz pianists today. Born in Plainfield, New Jersey, United States, he was classically trained at Southeastern Louisiana University and the Mannes School of Music, in New York City, where he majored in composition and received the Artist Diploma. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, which in 1959, then immersed in modal jazz, recorded '' Kind of Blue'', the best-selling jazz album ever. In late 1959, Evans left the Miles Davis band and began his career as a leader, with bassist Scott LaFaro and drummer Paul Motian, a group now regarded as a se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue In Green
"Blue in Green" is the third tune on Miles Davis' 1959 album, ''Kind of Blue''. One of two ballads on the LP (the other being "Flamenco Sketches"), the melody of "Blue in Green" is very modal, incorporating the presence of the Dorian, Mixolydian, and Lydian modes. This is the only tune on which Cannonball Adderley sits out. Background It has long been speculated that pianist Bill Evans wrote "Blue in Green", even though the LP and most jazz fakebooks credit only Davis with its composition. In his autobiography, Davis maintains that he alone composed the pieces on ''Kind of Blue.'' The version on Evans' trio album ''Portrait in Jazz'', recorded in 1959, credits the tune to "Davis-Evans". Earl Zindars, in an interview conducted by Win Hinkle, stated that "Blue in Green" was indeed "100-percent Bill's." In a radio interview broadcast on May 27, 1979, Evans himself said that he had written the piece. On being asked about the issue by interviewer Marian McPartland, he said: "The t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Man's Gone Now
"My Man's Gone Now" is an aria composed by George Gershwin, with lyrics by DuBose Heyward, written for the opera ''Porgy and Bess'' (1935). Sung in the original production by Ruby Elzy, it has been covered by many singers, notably Ella Fitzgerald (on the 1958 ''Porgy and Bess'' album), Leontyne Price, Audra McDonald (who would later sing the part of Bess), Nina Simone, Sarah Vaughan, and Shirley Horn, among others. In the opera In the opera, the aria is sung by Serena, the grieving widow, at her husband Robbins's wake. He has been murdered by Crown, a drunken stevedore, during a crap game played in the courtyard of Catfish Row. She sings that she will no longer hear his footsteps coming up stairs and that "ol man sorrow" will be her companion from now on, telling her she is old. The aria's music and lyrics refer to popular African American spiritual songs and are accompanied by melodic wails which are picked up by the chorus. Versions *Leontyne Price, who regularly played Bess ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basin Street Blues
"Basin Street Blues" is a song often performed by Dixieland jazz bands, written by Spencer Williams in 1928 and recorded that year by Louis Armstrong. The verse with the lyric "Won't you come along with me / To the Mississippi..." was later added by Glenn Miller and Jack Teagarden. The Basin Street of the title refers to the main street of Storyville, the red-light district of early 20th-century New Orleans, north of the French Quarter. It became a red light district in 1897. Other recordings * Bob Wills and his Texas Playboys with Tommy Duncan * The Mills Brothers, first recorded in 1939 where they utilised their famous mouth trumpet/trombone trademark. * Margie Rayburn on 1956 single "Can I Tell Them That You're Mine?" * Shirley Bassey, on her 1957 album ''Born To Sing The Blues'' * The Hi-Lo's on their 1957 album ''Suddenly It's the Hi-Lo's'' * Louis Prima on his 1957 album ''The Wildest!'' * Dave Brubeck on his 1959 album ''Gone with the Wind'' * Ray Charles recorded this so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Got Plenty O' Nuttin'
"I Got Plenty o' Nuttin " is a song composed in 1934 by George Gershwin for the 1935 "folk-opera" ''Porgy and Bess'' (1934). The lyrics are by DuBose Heyward, the author of the novel '' Porgy'' on which the opera was based, and Ira Gershwin. It is one of the most famous songs from the opera (along with " Summertime", "It Ain't Necessarily So", and " Bess, You Is My Woman Now") and it has been recorded by hundreds of singers and music groups. The song expresses a cheerful acceptance of poverty as freedom from worldly cares. The singer says he has the most important things in life, " 'Cause de things dat I prize, / Like de stars in de skies / All are free". Most of all, he's "got my gal, got my Lord, got my song". ''Porgy and Bess'' Porgy sings the song in Act 2 after he and Bess have been living together, expressing his new happiness.Patrick M. Liebergen, "I Got Plenty of Nuttin' ", ''Singer's Library of Arias'', Alfred Music, 2008, pp. 22ff. Like several other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarence Williams (musician)
Clarence Williams (October 6, 1898 or October 8, 1893 – November 6, 1965) was an American jazz pianist, composer, promoter, vocalist, theatrical producer, and publisher. Biography Williams was born in Plaquemine, Louisiana, to Dennis, a bassist, and Sally Williams, and ran away from home at age 12 to join Billy Kersands' Traveling Minstrel Show, then moved to New Orleans. At first, Williams worked shining shoes and doing odd jobs, but soon became known as a singer and master of ceremonies. By the early 1910s, he was a well-regarded local entertainer also playing piano, and was composing new tunes by 1913. Williams was a good businessman and worked arranging and managing entertainment at the local African American vaudeville theater as well as at various saloons and dance halls around Rampart Street, and at clubs and houses in Storyville. Williams started a music publishing business with violinist/bandleader Armand J. Piron in 1915, which by the 1920s was the leading African-A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baby Won't You Please Come Home
"Baby Won't You Please Come Home" is a blues song written by Charles Warfield and Clarence Williams in 1919. The song's authorship is disputed; Warfield claims that he was the sole composer of the song. The song has been covered by many musicians and has become a jazz standard. The first hit version was Bessie Smith's 1923 recording, which stayed on the charts for four weeks peaking at No. 6. Renditions * Bessie Smith (1923) * Clarence Williams' Blue Five (1927) * George Thomas with McKinney's Cotton Pickers (1930) * Clarence Williams and His Orchestra (1930) * Clarence Williams and His Jazz Kings (1931) * The Mills Brothers (1932) * Django Reinhardt (1937) * Lionel Hampton (1938) * Louis Armstrong (1939) * Count Basie Orchestra (1944) * Bing Crosby with Eddie Heywood, recorded August 9, 1945. * Benny Goodman and His Orchestra (1945) * Jo Stafford with the Nat King Cole Trio (1946) * Sidney Bechet & His Feetwarmers (1949) * Ray Charles (1952) * Jack Teagarden (1954) * Frank ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as "I Got Rhythm", "Embraceable You", " The Man I Love" and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is an important source for studying t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera ''Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershwin inq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
