I Love To Sing
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I Love To Sing
''I Love to Sing'' is Alma Cogan's first album, released in 1958 on the His Masters Voice an EMI Records label. All the tracks on the album were arranged by Frank Cordell. The original mono recording has been re-issued on compact disc by EMI Records in 2003, combined with her next album, '' With You in Mind''. All tracks were also included on the EMI Records 4-CD boxset ''The Girl with a Laugh in Her Voice'' in 2001. Track listing Side one #"I Love to Sing" (Paul Misraki, Michael Carr, Tommie Connor) #"Life Is Just a Bowl of Cherries" (Ray Henderson, Buddy G. DeSylva, Lew Brown) #"They Can't Take That Away from Me" (George Gershwin, Ira Gershwin) #"Taking a Chance on Love" (Vernon Duke, John Latouche, Ted Fetter) #"Ain't We Got Fun" (Richard A. Whiting, Raymond Egan, Gus Kahn) #"You Do Something to Me" (Cole Porter) Side two #"Today I Love Everybody" (Harold Arlen, Dorothy Fields) #" Cheek to Cheek" ( Irving Berlin) #"If This Isn't Love" (Burton Lane, E. Y. Harburg) #" ...
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Alma Cogan
Alma Angela Cohen Cogan (19 May 1932 – 26 October 1966) was an English singer of traditional pop in the 1950s and early 1960s. Dubbed the "Girl with the Giggle in Her Voice", she was the highest paid British female entertainer of her era. Childhood and early musical career Cogan was born on 19 May 1932 in Whitechapel, London. She was of Russian-Romanian Jewish descent. Her father's family, the Kogins, arrived in Britain from Russia, while her mother's family were refugees from Romania. Cogan's parents, Mark and Fay Cogan, had another daughter, the actress Sandra Caron, who went on to play "Mumsey" in ''The Crystal Maze'', and one son, Ivor Cogan. Mark's work as a haberdasher entailed frequent moves. One of Cogan's early homes was over his shop in Worthing, Sussex. Although Jewish, she attended St Joseph's Convent School in Reading. Her father was a singer, but it was Cogan's mother who had showbusiness aspirations for both her daughters (she had named Cogan after silent sc ...
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They Can't Take That Away From Me
"They Can't Take That Away from Me" is a 1937 popular song with music by George Gershwin and lyrics by Ira Gershwin. It was introduced by Fred Astaire in the 1937 film ''Shall We Dance'' and gained huge success. Overview The song is performed by Astaire on the lonely foggy deck of a ferry from New Jersey to Manhattan. It is sung to Ginger Rogers, who remains silent listening throughout. No dance sequence follows, which was unusual for the Astaire-Rogers numbers. Astaire and Rogers did dance to it later in their last movie ''The Barkleys of Broadway'' (1949) in which they played a married couple with marital issues. The song, in the context of ''Shall We Dance'', notes some of the things that Peter (Astaire) will miss about Linda (Rogers). The lyrics include "the way you wear your hat, the way you sip your tea", and "the way you hold your knife, the way we danced till three". Each verse is followed by the line "no, no, they can't take that away from me". The basic meaning of the s ...
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Harold Arlen
Harold Arlen (born Hyman Arluck; February 15, 1905 – April 23, 1986) was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film '' The Wizard of Oz'' (lyrics by Yip Harburg), including " Over the Rainbow", Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the RIAA and the NEA. Life and career Arlen was born in Buffalo, New York, the child of a Jewish cantor. His twin brother died the next day. He learned to play the piano as a youth, and formed a band as a young man. He achieved some local success as a pianist and singer before moving to New York City in his early twenties, where he worked as an accompanist in vaudeville and changed his name to Harold Arlen. Between 1926 and about 1934, Arlen appeared occasionally as a band vocalist on records by The Buffalodians, Red Nichols, Joe ...
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Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ...
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You Do Something To Me (Cole Porter Song)
"You Do Something to Me" is a song written by Cole Porter. It is notable in that it was the first number in Porter's first fully integrated-book musical ''Fifty Million Frenchmen'' (1929). In the original production, the song was performed by Genevieve Tobin and William Gaxton, performing the roles of Looloo Carroll and Peter Forbes, respectively. Background There are two verses and two rounds of the chorus. The song has been described as "a tender prequel" to "Let's Do It, Let's Fall In Love," Porter's first popular song Recorded versions The song has been revived and recorded by artists including: * Clicquot Club Eskimos, Harry Reser 1929 *Lena Horne on the album '' It's Love'' (1955) * Perry Como on "So Smooth" (RCA Victor album, 1955) * Howard McGillin and Susan Powell in 1991. *Mario Lanza *Frank Sinatra *Marlene Dietrich *Doris Day *Sonny Rollins *Susannah McCorkle *Bryan Ferry on '' As Time Goes By'' (1999) *Sinéad O'Connor on '' Red Hot + Blue'' (1990) *Ella Fitzgeral ...
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Gus Kahn
Gustav Gerson Kahn (November 6, 1886October 8, 1941) was an American lyricist who contributed a number of songs to the Great American Songbook, including "Pretty Baby", "Ain't We Got Fun?", "Carolina in the Morning", "Toot, Toot, Tootsie (Goo' Bye!)", " My Buddy" " I'll See You in My Dreams", " It Had to Be You", " Yes Sir, That's My Baby", " Love Me or Leave Me", "Makin' Whoopee", " My Baby Just Cares for Me", "I'm Through with Love", "Dream a Little Dream of Me" and "You Stepped Out of a Dream". Life and career Kahn was born in 1886 in Bruschied, in the Rhine Province of the Kingdom of Prussia, the son of Theresa (Mayer) and Isaac Kahn, a cattle farmer. The Jewish family emigrated to the United States and moved to Chicago in 1890. After graduating from high school, he worked as a clerk in a mail order business before launching one of the most successful and prolific careers from Tin Pan Alley. Kahn married Grace LeBoy in 1916 and they had two children, Donald and Irene. In hi ...
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Raymond B
Raymond is a male given name. It was borrowed into English from French (older French spellings were Reimund and Raimund, whereas the modern English and French spellings are identical). It originated as the Germanic ᚱᚨᚷᛁᚾᛗᚢᚾᛞ (''Raginmund'') or ᚱᛖᚷᛁᚾᛗᚢᚾᛞ (''Reginmund''). ''Ragin'' (Gothic) and ''regin'' (Old German) meant "counsel". The Old High German ''mund'' originally meant "hand", but came to mean "protection". This etymology suggests that the name originated in the Early Middle Ages, possibly from Latin. Alternatively, the name can also be derived from Germanic Hraidmund, the first element being ''Hraid'', possibly meaning "fame" (compare ''Hrod'', found in names such as Robert, Roderick, Rudolph, Roland, Rodney and Roger) and ''mund'' meaning "protector". Despite the German and French origins of the English name, some of its early uses in English documents appear in Latinized form. As a surname, its first recorded appearance in Bri ...
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Richard A
Richard is a male given name. It originates, via Old French, from Old Frankish and is a compound of the words descending from Proto-Germanic ''*rīk-'' 'ruler, leader, king' and ''*hardu-'' 'strong, brave, hardy', and it therefore means 'strong in rule'. Nicknames include "Richie", "Dick", "Dickon", " Dickie", "Rich", "Rick", "Rico", "Ricky", and more. Richard is a common English, German and French male name. It's also used in many more languages, particularly Germanic, such as Norwegian, Danish, Swedish, Icelandic, and Dutch, as well as other languages including Irish, Scottish, Welsh and Finnish. Richard is cognate with variants of the name in other European languages, such as the Swedish "Rickard", the Catalan "Ricard" and the Italian "Riccardo", among others (see comprehensive variant list below). People named Richard Multiple people with the same name * Richard Andersen (other) * Richard Anderson (other) * Richard Cartwright (other) * Ri ...
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Ain't We Got Fun
"Ain't We Got Fun" is a popular foxtrot published in 1921 with music by Richard A. Whiting, lyrics by Raymond B. Egan and Gus Kahn. It was first performed in 1920 in the Fanchon and Marco revue ''Satires of 1920'', then moved into vaudeville and recordings. "Ain't We Got Fun?" and its jaunty response to poverty and its promise of fun ("Every morning / Every evening," and "In the meantime, / In between time") have become symbolic of the Roaring Twenties, and it appears in some of the major literature of the decade, including ''The Great Gatsby'' by F. Scott Fitzgerald and in Dorothy Parker's award-winning short story of 1929, "Big Blonde." The song also contains variations on the phrase "The rich get richer and the poor get poorer" (substituting, ''e.g.'', "children" for "poorer"); though this phrase predates the song, its use increased with the song's popularity. Composition "Ain't We Got Fun" follows the structure of a foxtrot. The melody uses mainly quarter notes, and has ...
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Ted Fetter
Theodore Fetter (June 10, 1906 – March 13, 1996) was a Broadway lyricist who contributed material to such revues as ''The Show Is On'' (1936) and ''Billy Rose's Aquacade'' (1939), but is best remembered for co-writing the song "Taking a Chance on Love," introduced in the 1940 musical comedy '' Cabin in the Sky''. Biography Fetter started as an actor, appearing in the 1928 revival of '' Peter Pan'' and in Cole Porter's 1935 musical comedy, '' Jubilee''. Fetter was Porter's second cousin and later wrote additional lyrics for some of Porter's songs. Beginning in 1936, he wrote lyrics for a number of revues, melodramas and burlesques in collaboration with composers, Richard Lewine, Hoagy Carmichael and Vernon Duke. In 1940, Duke was working on ''Cabin in the Sky'' with lyricist John Latouche and needed a new number for star Ethel Waters. He pulled out an old "trunk song" that he had written years earlier with Fetter, called "Fooling Around With Love". With Fetter's permi ...
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John La Touche (musician)
John Treville Latouche (La Touche) (November 13, 1914, Baltimore, Maryland – August 7, 1956, Calais, Vermont) was a lyricist and bookwriter in American musical theater. Biography John Treville Latouche was born in Baltimore, Maryland. His family moved to Richmond, Virginia, when he was four months old. There he attended school, before going north to Columbia University. He became involved in music and theater, writing for the Varsity Show and joining the Philolexian Society. He did not graduate. In 1937 Latouche contributed two songs in the revue ''Pins and Needles''. For the show ''Sing For Your Supper'' (1939), he wrote the lyrics for "Ballad for Uncle Sam", later retitled "Ballad for Americans", with music by Earl Robinson. It was featured at both the 1940 Republican Convention and the convention of the American Communist Party, and was extremely popular in 1940s America. This 13-minute cantata to American democracy was written for a soloist and as well a full orchestra ...
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Vernon Duke
Vernon Duke ( 16 January 1969) was a Russian-born American composer/songwriter who also wrote under his birth name, Vladimir Dukelsky. He is best known for "Taking a Chance on Love," with lyrics by Ted Fetter and John Latouche (1940), "I Can't Get Started," with lyrics by Ira Gershwin (1936), " April in Paris," with lyrics by E. Y. ("Yip") Harburg (1932), and "What Is There To Say," for the ''Ziegfeld Follies'' of 1934, also with Harburg. He wrote the words and music for " Autumn in New York" (1934) for the revue '' Thumbs Up!'' In his book, ''American Popular Song, The Great Innovators 1900-1950'', composer Alec Wilder praises this song, writing, “The verse may be the most ambitious I’ve ever seen." Duke also collaborated with lyricists Johnny Mercer, Ogden Nash, and Sammy Cahn. Early life Vladimir Aleksandrovich Dukelsky (Russian: Владимир Александрович Дукельский) was born in 1903 into a Belarusian noble family in the village of Parfyan ...
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