I Love The Life I Live
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I Love The Life I Live
''I Love the Life I Live'' was a jazz and blues album by the American musician Mose Allison, released in 1960. Allison became notable for playing a unique mix of blues and modern jazz, both singing and playing piano. After moving to New York in 1956, he worked primarily in jazz settings, playing with jazz musicians like Stan Getz, Al Cohn, and Zoot Sims, along with producing numerous recordings. Track listing ''All compositions by Mose Allison except as indicated'' # "I Love the Life I Live" (Willie Dixon) – 2:22 # "News" – 3:11 # "Fool's Paradise" (Johnny Fuller (musician), Johnny Fuller, Bob Geddins, David Rosenbaum) – 3:29 # "You Turned the Tables on Me" (Sidney Mitchell, Louis Alter) – 3:51 # "Isobel" (Al Cohn) – 4:26 # "You're a Sweetheart" (Harold Adamson, Jimmy McHugh) – 2:11 # "Night Ride" – 3:12 # "Path" – 3:33 # "Mad with You" (Lightnin' Hopkins) – 2:10 # "Hittin' on One" – 3:30 # "I Ain't Got Nobody" (Roger A. Graham, Roger Graham, Spencer Willi ...
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Mose Allison
Mose John Allison Jr. (November 11, 1927 – November 15, 2016) was an American jazz and blues pianist, singer, and songwriter. He became notable for playing a unique mix of blues and modern jazz, both singing and playing piano. After moving to New York in 1956, he worked primarily in jazz settings, playing with jazz musicians like Stan Getz, Al Cohn, and Zoot Sims, along with producing numerous recordings. He is described as having been "one of the finest songwriters in 20th-century blues."Bogdanov, Vladimir; Woodstra, Chris, eds. (2003). ''All Music Guide to the Blues: The Definitive Guide to the Blues''. Hal Leonard. p. 7. His songs were strongly dependent on evoking moods, with his individualistic, "quirky", and subtle ironic humor.Komara, Edward; Lee, Peter, eds. (2006). ''The Blues Encyclopedia''. Routledge. p. 22. His writing influence on R&B had well-known fans recording his songs, among them Pete Townshend, who recorded his "Young Man Blues" for the Who's ''Live at Leeds ...
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Isobel
Isobel, is the Scottish form of the female given name Isabel. It originates from the medieval form of the name Elisabeth (Hebrew Elisheba). Isobel is a feminine given name. People named Isobel include: * Isobel of Huntingdon (1199-1251), Scottish royalty * Isobel Baillie (1895-1983), Scottish operatic soprano * Isobel Barnett (1918-1980), British radio and television personality * Isobel Buchanan (born 1954), Scottish operatic soprano * Isobel Campbell (born 1976), Scottish singer, formerly with Belle and Sebastian * Isobel Lilian Gloag (1865–1917), English painter * Isobel Gowdie, Scottish woman who was tried for witchcraft in 1662 * Isobel Elsom (1893-1981), English actress * Isobel Joyce (born 1983), Irish cricketer * Isobel Loutit (1909–2009), Canadian statistician * Isobel Miller Kuhn (1901-1957), Canadian missionary * Isobel Lennart (1915-1971), American screenwriter and playwright * Isobel Redmond (born 1953), Australian politician *Isobel Waller-Bridge (born 1984), Bri ...
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Harry Akst
Harry Akst (August 15, 1894 – March 31, 1963)
- accessed November 19, 2011
was an American songwriter, who started out his career as a in accompanying singers such as , Frank Fay and



Am I Blue?
"Am I Blue?" is a 1929 song copyrighted by Harry Akst (music) and Grant Clarke (lyrics), then featured in four films that year, most notably with Ethel Waters in the movie '' On with the Show''. It has appeared in 42 movies, most recently ''Funny Lady'', '' The Cotton Club'' and Downton Abbey: A New Era, and has become a standard covered by numerous artists. Eddie Cochran version Eddie Cochran recorded his version of "Am I Blue" sometime between May and August 1957. It was released on the B-side of Liberty Records single 55087. The A-side was " Drive In Show" which rose to number 82 on the Billboard charts. Personnel used in the recording session: * Eddie Cochran – guitars, ukulele, vocals * Perry Botkin – rhythm guitar * Connie "Guybo" Smith – double bass * The Johnny Mann Chorus – backing vocals Cher version American singer-actress Cher recorded and released "Am I Blue" in 1973. It was released on single and the album ''Bittersweet White Light.'' Chart performan ...
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Irving Berlin
Irving Berlin (born Israel Beilin; yi, ישראל ביילין; May 11, 1888 – September 22, 1989) was a Russian-American composer, songwriter and lyricist. His music forms a large part of the Great American Songbook. Born in Imperial Russia, Berlin arrived in the United States at the age of five. He published his first song, "Marie from Sunny Italy", in 1907, receiving 33 cents for the publishing rights,Starr, Larry and Waterman, Christopher, American Popular Music: From Minstrelsy to MP3, Oxford University Press, 2009, pg. 64 and had his first major international hit, "Alexander's Ragtime Band", in 1911. He also was an owner of the Music Box Theatre on Broadway. For much of his career Berlin could not read sheet music, and was such a limited piano player that he could only play in the key of F-sharp; he used his custom piano equipped with a transposing lever when he needed to play in keys other than F-sharp. "Alexander's Ragtime Band" sparked an international dance craze ...
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A Pretty Girl Is Like A Melody
"A Pretty Girl Is Like A Melody" is a popular song written by Irving Berlin in 1919 which became the theme song of the ''Ziegfeld Follies''. The first verse and refrain are considered part of the Great American Songbook and are often covered as a jazz standard. Song The portion of the song composed entirely by Berlin and published as sheet music contained the first verse and refrain of the original stage number. The refrain begins, "A pretty girl is like a melody / That haunts you night and day", a summary of the song's extended simile. The refrain is better known than the introductory verse, which critic Josh Rubins called "mercifully little-known". Later verses The later verses from the original 1919 stage show were patter lyrics by Berlin to the air of classical tunes; this was a common Tin Pan Alley trick. These verses were comical vignettes of the singer's past trysts, successful or otherwise. Their lyrics were long believed lost, but survived in the show's unpublished scri ...
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Kay Swift
Katharine Faulkner "Kay" Swift (April 19, 1897 – January 28, 1993) was an American composer of popular and classical music, the first woman to score a hit musical completely. Written in 1930, the Broadway musical '' Fine and Dandy'' includes some of her best known songs; the song “ Fine and Dandy” has become a jazz standard. " Can't We Be Friends?" (1929) was her biggest hit song. Swift also arranged some of the music of George Gershwin posthumously, such as the prelude "Sleepless Night" (1946). Biography Katharine Faulkner Swift was born to English American Samuel Shippen Swift, a music critic, and Ellen Faulkner of England in New York City. Her father died when she was 17. Swift was educated at the Veltin School for Girls and then trained as a classical musician and composer at the Institute of Musical Art (today the Juilliard School), where she studied piano with Bertha Tapper. Her teacher of composition was Charles Martin Loeffler, while harmony and composition were ...
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James Warburg
James Paul Warburg (August 18, 1896 – June 3, 1969) was a German-born American banker. He was well known for being the financial adviser to Franklin D. Roosevelt. His father was banker Paul Warburg, member of the Warburg family and "father" of the Federal Reserve system. After World War II, Warburg helped organize the Society for the Prevention of World War III in support of the Morgenthau Plan. Biography Born in Hamburg, Germany, he was educated at Middlesex School and Harvard University. He served in the Navy Flying Corps during World War I before entering a career in business. He was at the First National Bank of Boston between 1919 and 1921. Between 1921 and 1929 he was Vice President at the International Acceptance Bank. He was president at the International Manhattan Company from 1929 to 1931, then president of the International Acceptance Bank from 1931 to 1932. He was Vice Chairman of the Board at Bank of the Manhattan Company between 1932 and 1935. While at the B ...
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Can't We Be Friends
"Can't We Be Friends?" is a 1929 song with lyrics by Paul James and music by Kay Swift, introduced on Broadway in ''The Little Show'' by Libby Holman. It was later recorded by many artists including Bing Crosby, Ella Fitzgerald, and Frank Sinatra. Recordings * Red Nichols & his Five Pennies (recorded 9/6/1929 and released on Brunswick 4510). * Ray Ventura & his Collegians (recorded 10/19/1929) *Smith Ballew (recorded 11/11/1929, and released on Okeh 41304). * The Georgians (recorded 11/22/1929) *Bing Crosby (recorded 9/27/1929, and released on Columbia 2001-D) *Libby Holman (recorded September, 1929 and released on Brunswick 4506). * Sam Wooding & his Chocolate Kiddies (recorded 12/1929) *The Imperial Dance Orchestra (1929) *Al Bowlly with Ray Noble & his Orchestra (recorded 1/16/1931 and released on Decca F2220) ( Al Bowlly Discography) *Frank Sinatra (''In the Wee Small Hours'' album, 1955) (recorded February 8, 1955, with orchestra conducted by Nelson Riddle) *Illinois Jacquet ...
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Spencer Williams
Spencer Williams (October 14, 1889 – July 14, 1965) was an American jazz and popular music composer, pianist, and singer. He is best known for his hit songs " Basin Street Blues", "I Ain't Got Nobody", "Royal Garden Blues", "I've Found a New Baby", "Everybody Loves My Baby", "Tishomingo Blues", and many others. Biography Spencer Williams was born in Vidalia, Louisiana, United States. He was educated at St. Charles University in New Orleans. Williams was performing in Chicago by 1907, and moved to New York City about 1916. After arriving in New York, he co-wrote several songs with Anton Lada of the Louisiana Five. Among those songs was " Basin Street Blues", which became one of his most popular songs and is still recorded by musicians to this day. Williams toured Europe with bands from 1925 to 1928; during this time he wrote for Josephine Baker at the Folies Bergère in Paris. Williams then returned to New York for a few years. At the end of the 1920s, Williams was tried b ...
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Roger A
Roger is a given name, usually masculine, and a surname. The given name is derived from the Old French personal names ' and '. These names are of Germanic origin, derived from the elements ', ''χrōþi'' ("fame", "renown", "honour") and ', ' ("spear", "lance") (Hrōþigēraz). The name was introduced into England by the Normans. In Normandy, the Frankish name had been reinforced by the Old Norse cognate '. The name introduced into England replaced the Old English cognate '. ''Roger'' became a very common given name during the Middle Ages. A variant form of the given name ''Roger'' that is closer to the name's origin is ''Rodger''. Slang and other uses Roger is also a short version of the term "Jolly Roger", which refers to a black flag with a white skull and crossbones, formerly used by sea pirates since as early as 1723. From up to , Roger was slang for the word "penis". In ''Under Milk Wood'', Dylan Thomas writes "jolly, rodgered" suggesting both the sexual double entend ...
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I Ain't Got Nobody
"I Ain't Got Nobody" (sometimes referred to as "I'm So Sad and Lonely" or "I Ain't Got Nobody Much") is a popular song copyrighted in 1915. Roger A. Graham (1885–1938) wrote the lyrics, Spencer Williams composed it, and Roger Graham Music Publishing published it. It was first recorded by Marion Harris, and became a perennial standard, recorded many times over following generations, in styles ranging from pop to jazz to country music. The 2008 film ''Be Kind Rewind'' uses the version recorded by Booker T. & the M.G.'s, although two covers were recorded for the film as well: a piano solo version by Jean-Michel Bernard, and a Fats Waller-esque version by Mos Def. Attribution Chicago and Saint Louis ragtime pianist and blues composer Charles Warfield (1878–1955) claimed to have originally written the song and a copyright dated April 1914 attributes Warfield as the composer, David Young as the lyricist, and Marie Lucas as the arranger. The title of the song is given as "I Ain' ...
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