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I Knew I'd Want You
"I Knew I'd Want You" is a song by the folk rock band the Byrds, written by band member Gene Clark, and first released as the B-side to their 1965 debut single, "Mr. Tambourine Man". It was also later included on their debut album, ''Mr. Tambourine Man''. Lyrics and Music "I Knew I'd Want You" is one of the earliest original songs written by one of the Byrds, dating back to 1964 when the band was known as the Jet Set. The song, which features a lead vocal by Clark, has been described by Allmusic critic Matthew Greenwald as a folk rock song taken at mid-tempo, while author Christopher Hjort called it, "a minor-tinged shuffle." Author James Perone finds the overall sound of the song similar to that of the Beatles' "You've Got to Hide Your Love Away", particularly through its use of a triple meter and acoustic instruments, noting that the Byrds song was released first and probably even recorded first. Perone also feels that certain features, such as its minor key and the general me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Byrds
The Byrds () were an American rock band formed in Los Angeles, California, in 1964. The band underwent multiple lineup changes throughout its existence, with frontman Roger McGuinn (known as Jim McGuinn until mid-1967) remaining the sole consistent member. Although their time as one of the most popular groups in the world only lasted for a short period in the mid-1960s, the Byrds are today considered by critics to be among the most influential rock acts of their era. Their signature blend of clear harmony singing and McGuinn's jangly 12-string Rickenbacker guitar was "absorbed into the vocabulary of rock" and has continued to be influential. Initially, the Byrds pioneered the musical genre of folk rock as a popular format in 1965, by melding the influence of the Beatles and other British Invasion bands with contemporary and traditional folk music on their first and second albums, and the hit singles " Mr. Tambourine Man" and "Turn! Turn! Turn!". As the 1960s progressed, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nights In White Satin
"Nights in White Satin" is a song by the Moody Blues, written and composed by Justin Hayward. It was first featured as the segment "The Night" on the album ''Days of Future Passed''. When first released as a single in 1967, it reached number 19 on the UK Singles Chart and number 103 in the United States in 1968. It was the first significant chart entry by the band since "Go Now" and its recent lineup change, in which Denny Laine and Clint Warwick had resigned and both Hayward and John Lodge had joined. When reissued in 1972, the single hit number two in the United States for two weeks on the ''Billboard'' Hot 100 (behind " I Can See Clearly Now" by Johnny Nash) and hit number one on the ''Cash Box'' Top 100, making it the band's most successful single in the United States. It earned a gold certification for sales of over a million US copies (platinum certification was not instituted until 1976). It also hit number one in Canada. After two weeks at #2, it was replaced by "I'd Lov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chris Hillman
Christopher Hillman (born December 4, 1944) is an American musician. He was the original bassist of and one of the original members of the Byrds, which in 1965 included Roger McGuinn, Gene Clark, David Crosby and Michael Clarke. With frequent collaborator Gram Parsons, Hillman was a key figure in the development of country rock, defining the genre through his work with The Byrds, the Flying Burrito Brothers, Manassas and the country-rock group the Desert Rose Band. He was inducted into the Rock and Roll Hall of Fame in 1991 as a member of the Byrds. Early years Hillman was born in Los Angeles, California, the third of four children. He spent his early years at his family's ranch home in rural northern San Diego County, approximately from Los Angeles. He has credited his older sister with exciting his interest in country and folk music, when she returned from college during the late 1950s with folk music records by The New Lost City Ramblers and others. Hillman soon began wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm Guitar
In music performances, rhythm guitar is a technique and role that performs a combination of two functions: to provide all or part of the rhythmic pulse in conjunction with other instruments from the rhythm section (e.g., drum kit, bass guitar); and to provide all or part of the harmony, i.e. the chords from a song's chord progression, where a chord is a group of notes played together. Therefore, the basic technique of rhythm guitar is to hold down a series of chords with the fretting hand while strumming or fingerpicking rhythmically with the other hand. More developed rhythm techniques include arpeggios, damping, riffs, chord solos, and complex strums. In ensembles or bands playing within the acoustic, country, blues, rock or metal genres (among others), a guitarist playing the rhythm part of a composition plays the role of supporting the melodic lines and improvised solos played on the lead instrument or instruments, be they strings, wind, brass, keyboard or even percus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Cole
Jerald Edward Kolbrak (September 23, 1939 – May 28, 2008), known professionally as Jerry Cole, was an American guitarist who recorded under his own name, under various budget album pseudonyms and as an uncredited session musician. Biography Raised in Chicago, Cole first entered the pop music scene as one of The Champs along with Glen Campbell. Campbell and Cole formed the Gee Cee's after they left the Champs and released one single called "Buzzsaw Twist". Cole increased his income and recordings by playing for various budget albums with a variety of credits. In an interview with ''Psychotronic Video'' issue #31, Cole explained his dealings with Crown Records. Crown would request five surf albums, five country and western albums and five easy listening albums. Cole would write nine different songs for each album to back one cover version of a hit of the time, organize a band, arrange and record the music for master tapes that he would deliver to Crown in about three weeks ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hal Blaine
Hal Blaine (born Harold Simon Belsky; February 5, 1929 – March 11, 2019) was an American drummer and session musician, thought to be among the most recorded studio drummers in the music industry, claiming over 35,000 sessions and 6,000 singles. His drumming is featured on 150 US top 10 hits, 40 of which went to number one. Born in Holyoke, Massachusetts, Blaine moved with his family to California in 1943 and began playing jazz and big band music before taking up rock and roll session work. He became one of the regulars in Phil Spector's de facto house band, which Blaine nicknamed " the Wrecking Crew". Some of the records Blaine played on include the Ronettes' single "Be My Baby" (1963), which contained a drum beat that became widely imitated, as well as works by popular artists such as Frank Sinatra, Elvis Presley, the Beach Boys, Simon & Garfunkel, the Carpenters, Neil Diamond, and the Byrds. Blaine's workload declined in the 1980s as recording and musical practices changed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Piano
An electric piano is a musical instrument which produces sounds when a performer presses the keys of a piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone (a lamellophone with a keyboard & pickups). The earliest electric pianos were invented in the late 1920s; the 1929 ''Neo- Bechstein'' electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leon Russell
Leon Russell (born Claude Russell Bridges; April 2, 1942 – November 13, 2016) was an American musician and songwriter who was involved with numerous bestselling records during his 60-year career that spanned multiple genres, including rock and roll, country, gospel, bluegrass, rhythm and blues, southern rock, blues rock, folk, surf and the Tulsa Sound. He collaborated with many notable artists and recorded at least 31 albums and 430 songs. He wrote "Delta Lady", recorded by Joe Cocker, and organized and performed with Cocker's '' Mad Dogs & Englishmen'' tour in 1970. His " A Song for You", which was named to the Grammy Hall of Fame in 2018, has been recorded by more than 200 artists, and his song "This Masquerade" by more than 75. As a pianist, he played in his early years on albums by the Beach Boys, Dick Dale, and Jan and Dean. On his first album, '' Leon Russell'', in 1970, the musicians included Eric Clapton, Ringo Starr, and George Harrison. One of his early fans, Elton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Knechtel
Lawrence William Knechtel (August 4, 1940 – August 20, 2009) was an American keyboard player and bassist who was a member of the Wrecking Crew, a collection of Los Angeles-based session musicians who worked with such renowned artists as Simon & Garfunkel, Duane Eddy, the Beach Boys, the Mamas & the Papas, the Monkees, the Partridge Family, Billy Joel, the Doors, the Grass Roots, Jerry Garcia, and Elvis Presley, and as a member of the 1970s band Bread. Biography Born in Bell, California, in 1940, Knechtel began his musical education with piano lessons. In 1957, he joined the Los Angeles-based rock and roll band Kip Tyler and the Flips. In August 1959, he joined instrumentalist Duane Eddy as a member of his band the Rebels. After four years on the road with the band, and continuing to work with Eddy in the recording studio, Knechtel became part of the Los Angeles session musician scene, working with Phil Spector as a pianist to help create Spector's famous "Wall of Sound". Knec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wrecking Crew (music)
The Wrecking Crew was a loose collective of Los Angeles-based session musicians whose services were employed for a great number of studio recordings in the 1960s and 1970s, including hundreds of top 40 hits. The musicians were not publicly recognized in their era, but were viewed with reverence by industry insiders. They are now considered one of the most successful and prolific session recording units in music history. Most of the players associated with the Wrecking Crew had formal backgrounds in jazz or classical music. The group had no official name in its active years, and it remains a subject of contention whether or not they were referred to as "the Wrecking Crew" at the time. Drummer Hal Blaine popularized the name in his 1990 memoir, attributing it to older musicians who felt that the group's embrace of rock and roll was going to "wreck" the music industry. Some of Blaine's colleagues corroborated his account, while guitarist/bassist Carol Kaye contended that they ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger McGuinn
James Roger McGuinn (born James Joseph McGuinn III; July 13, 1942) is an American musician. He is best known for being the frontman and leader of the Byrds. He was inducted into the Rock and Roll Hall of Fame for his work with the Byrds. As a solo artist he has released 10 albums and collaborated with, among others, Bob Dylan, Tom Petty and Chris Hillman. The 12-string Rickenbacker guitar is his signature instrument. Early life McGuinn was born and raised in Chicago, Illinois, United States, son of James Joseph McGuinn Jr (b. 1909) and Dorothy Irene (b. 1911), daughter of engineer Louis Heyn. His parents worked in journalism and public relations, and during his childhood, they had written a bestseller titled ''Parents Can't Win''. He attended the Latin School of Chicago. He became interested in music after hearing Elvis Presley's "Heartbreak Hotel", and asked his parents to buy a guitar for him. (During the early 1980s, he paid tribute to the song that encouraged him to play gu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
