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I Hear You Knocking
"I Hear You Knocking" (or "I Hear You Knockin'") is a rhythm and blues song written by Dave Bartholomew. New Orleans rhythm and blues singer Smiley Lewis first recorded the song in 1955. The lyrics tell of the return of a former lover who is rebuffed. "I Hear You Knocking" reached number two on the ''Billboard'' R&B singles chart in 1955, making it Lewis's most popular and best-known song. Subsequently, numerous artists have recorded it, including Welsh singer and guitarist Dave Edmunds, whose version reached number one in the UK Singles Chart for six weeks in 1970 and was in the top 10 in several other countries. Background Several earlier blues and R&B songs use lyrics similar to "I Hear You Knocking". James "Boodle It" Wiggins recorded an upbeat piano blues in 1928 titled "Keep A Knockin' An You Can't Get In" which repeated the title in the lyrics. It was followed by songs that used similar phrases, including "You Can't Come In", by Bert M. Mays (1928); "Keep On Knocking", b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lazy Lester
Leslie Johnson (June 20, 1933 – August 22, 2018), better known as Lazy Lester, was an American blues musician who sang and played the harmonica and guitar. In a career spanning the 1950s to 2018, he pioneered swamp blues, and also played harmonica blues, rhythm and blues and Louisiana blues. Best known for regional hits recorded with Ernie Young's Nashville-based Excello Records, Lester also contributed to songs recorded by other Excello artists, including Slim Harpo, Lightnin' Slim, and Katie Webster. Cover versions of his songs have been recorded by (among others) the Kinks, the Flamin' Groovies, Freddy Fender, Dwight Yoakam, Dave Edmunds, Raful Neal, Anson Funderburgh, and the Fabulous Thunderbirds. In the comeback stage of his career (since the late 1980s) he recorded new albums backed by Mike Buck, Sue Foley, Gene Taylor, Kenny Neal, Lucky Peterson, and Jimmie Vaughan. Biography Leslie Johnson started playing the guitar around age 11 and began performing in his t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Wills
James Robert Wills (March 6, 1905 – May 13, 1975) was an American Western swing musician, songwriter, and bandleader. Considered by music authorities as the founder of Western swing, he was known widely as the King of Western Swing (although Spade Cooley self-promoted the moniker "King of Western Swing" from 1942 to 1969). Wills formed several bands and played radio stations around the South and West until he formed the Texas Playboys in 1934 with Wills on fiddle, Tommy Duncan on piano and vocals, rhythm guitarist June Whalin, tenor banjoist Johnnie Lee Wills, and Kermit Whalin who played steel guitar and bass. Oklahoma guitar player Eldon Shamblin joined the band in 1937 bringing jazzy influence and arrangements. The band played regularly on Tulsa, Oklahoma, radio station KVOO and added Leon McAuliffe on steel guitar, pianist Al Stricklin, drummer Smokey Dacus, and a horn section that expanded the band's sound. Wills favored jazz-like arrangements and the band found national ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twelve-bar Blues
The 12-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements for building a jazz repertoire". Background The blues originated from a combination of work songs, spirituals, and early southern country music. The music was passed down through oral tradition. It was first written down by W. C. Handy, an African American composer and band leader. Its popularity led to the creation of "race records" and the popularity of blues singers like Bessie Smith and Ma Rainy. The style of music heard on race records was later called "rhythm and blues" (R & B). As the music became more popular, more people wanted to perform it. General patterns that existed in the blues were formalized, one of these being the 12-bar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosimo Matassa
Cosimo Vincent Matassa (April 13, 1926 – September 11, 2014) was an American recording engineer and studio owner, responsible for many R&B and early rock and roll recordings. Life and career Matassa was born in New Orleans in 1926.Komorowski, Adam. Liner notes. ''The Cosimo Matassa Story'' (CD). In 1944 he began studies as a chemistry major at Tulane University, which he abandoned after completing five semesters of course work. In 1945, at the age of 18, Matassa opened the J&M Recording Studio at the back of his family's shop on Rampart Street, on the border of the French Quarter in New Orleans. In 1955, he moved to the larger Cosimo Recording Studio on Gov. Nichols Street, nearby in the French Quarter. As an engineer and proprietor, Matassa was crucial to the development of the sound of R&B, rock and soul of the 1950s and 1960s, often working with the producers Dave Bartholomew and Allen Toussaint. He recorded many hits, including Fats Domino’s " The Fat Man" (a contende ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lloyd Price
Lloyd Price (March 9, 1933May 3, 2021) was an American singer-songwriter, record executive and bandleader, known as "Mr. Personality", after his 1959 million-selling hit, "Personality". His first recording, "Lawdy Miss Clawdy", was a hit for Specialty Records in 1952. He continued to release records, but none were as popular until several years later, when he refined the New Orleans beat and achieved a series of national hits. He was inducted into the Rock and Roll Hall of Fame in 1998. Early life, family and education Price was born on March 9, 1933, in Kenner, Louisiana, a suburb of New Orleans, and raised in Kenner. His mother, Beatrice Price, owned the Fish 'n' Fry Restaurant. Price picked up lifelong interests in business and food from her. He and his younger brother Leo were both musical. He had formal training on trumpet and piano, sang in his church's gospel choir, and was a member of a combo in high school. Career Art Rupe, the owner of Specialty Records, based in Lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fats Domino
Antoine Dominique Domino Jr. (February 26, 1928 – October 24, 2017), known as Fats Domino, was an American pianist, singer and songwriter. One of the pioneers of rock and roll music, Domino sold more than 65 million records. Born in New Orleans to a French Creole family, Domino signed to Imperial Records in 1949. His first single " The Fat Man" is cited by some historians as the first rock and roll single and the first to sell more than 1 million copies. Domino continued to work with the song's co-writer Dave Bartholomew, contributing his distinctive rolling piano style to Lloyd Price's "Lawdy Miss Clawdy" (1952) and scoring a string of mainstream hits beginning with "Ain't That a Shame" (1955). Between 1955 and 1960, he had eleven Top 10 US pop hits. By 1955, five of his records had sold more than a million copies, being certified gold. Domino was shy and modest by nature but made a significant contribution to the rock and roll genre. Elvis Presley declared Domino a "h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Little Richard
Richard Wayne Penniman (December 5, 1932 – May 9, 2020), known professionally as Little Richard, was an American musician, singer, and songwriter. He was an influential figure in popular music and culture for seven decades. Described as the " Architect of Rock and Roll", Richard's most celebrated work dates from the mid-1950s, when his charismatic showmanship and dynamic music, characterized by frenetic piano playing, pounding back beat and raspy shouted vocals, laid the foundation for rock and roll. Richard's innovative emotive vocalizations and uptempo rhythmic music also played a key role in the formation of other popular music genres, including soul and funk. He influenced numerous singers and musicians across musical genres from rock to hip hop; his music helped shape rhythm and blues for generations. "Tutti Frutti" (1955), one of Richard's signature songs, became an instant hit, crossing over to the pop charts in both the United States and the United Kingdom. His next ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perry Bradford
Perry Bradford (February 14, 1893, Montgomery, Alabama – April 20, 1970, New York City) was an American composer, songwriter, and vaudeville performer. His most notable songs included "Crazy Blues," "That Thing Called Love," and "You Can't Keep A Good Man Down." He was nicknamed "Mule" because of his stubbornness, and he is credited with finally persuading Okeh Records to work with Mamie Smith leading to her historic blues recording in 1920. Biography Bradford grew up in Atlanta, where his family moved when he was six, and in 1906 started working in minstrel shows. He played in Chicago as a solo pianist as early as 1909 and visited New York City the following year. Through extensive experience with traveling minstrel shows and theatre companies, Bradford obtained exposure to African-American folksongs. Bradford broke down walls of racial prejudice that had kept African-American singers from recording. Prior to Bradford's influence, African-American artists recorded in a styl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decca Records
Decca Records is a British record label established in 1929 by Edward Lewis (Decca), Edward Lewis. Its U.S. label was established in late 1934 by Lewis, Jack Kapp, American Decca's first president, and Milton Rackmil, who later became American Decca's president. In 1937, anticipating Nazi Germany, Nazi aggression leading to World War II, Lewis sold American Decca and the link between the U.K. and U.S. Decca labels was broken for several decades. The British label was renowned for its development of recording methods, while the American company developed the concept of cast albums in the musical genre. Both wings are now part of the Universal Music Group. The U.S. Decca label was the foundation company that evolved into UMG (Universal Music Group). Label name The name dates back to a portable phonograph, gramophone called the "Decca Dulcephone" patented in 1914 by musical instrument makers Barnett Samuel and Sons. The name "Decca" was coined by Wilfred S. Samuel by merging the w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keep A-Knockin'
"Keep A-Knockin' (But You Can't Come In)" is a popular song that has been recorded by a variety of musicians over the years. The lyrics concern a lover at the door who will not be admitted; some versions because someone else is already there, but in most others because the knocking lover has behaved badly. Early versions are sometimes credited to Perry Bradford and J. Mayo Williams. Variations were recorded by James "Boodle It" Wiggins in 1928, Lil Johnson in 1935, Milton Brown in 1936 and Louis Jordan in 1939. A similar lyrical theme appears in "Open the Door, Richard" from 1946, but from the viewpoint of the one knocking. Wiggins' version was entitled "Keep Knockin' An You Can't Get In", which was recorded in Chicago, Illinois, in around February 1928 and released by Paramount Records (12662) that year. In 1957, when Little Richard recorded it as an uptempo rock and roll song, "Keep A-Knockin'" reached number two on the U.S. R&B charts and number eight on the U.S. pop charts. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tympany Five
Tympany Five was a successful and influential American rhythm and blues and jazz dance band founded by Louis Jordan in 1938. The group was composed of a horn section of three to five different pieces and also drums, double bass, guitar and piano. Louis Jordan and His Tympany Five created many of the most influential songs of the early R&B and rock and roll era, including " Let The Good Times Roll", "Keep A-Knockin'", and " Caldonia". Carl Hogan's opening riff to " Ain't That Just Like A Woman" later became one of rock's most recognizable riffs in Chuck Berry's " Johnny B. Goode". Jordan first formed the band as "The Elks Rendezvous Band", named after the Elks Rendezvous jazz joint in Harlem. The original lineup of the sextet was Jordan (saxes, vocals), Courtney Williams (trumpet), Lem Johnson (tenor sax), Clarence Johnson (piano), Charlie Drayton (bass) and Walter Martin (drums). The various lineups of the Tympany Five (which often featured two or three extra players) includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
