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I Haven't Got Anything Better To Do
''I Haven't Got Anything Better to Do'' is a studio album by Brazilian bossa nova singer Astrud Gilberto, released on Verve Records in 1969. In the liner notes Gilberto calls the album her "fireplace album". Reception The AllMusic review calls the album "an intimate, nocturnal set closer in scope and spirit to the Baroque pop of Burt Bacharach," stating that it is "a minor masterpiece". Track listing # "I Haven't Got Anything Better to Do (No Tengo Nada Mejor...)" (Lee Pockriss, Paul Vance) – 2:59 # " Didn't We" (Jimmy Webb) – 2:57 # "Wailing of the Willow" (Harry Nilsson) – 2:16 # "Where's the Love" (Bobby Weinstein, Michel Legrand) – 2:22 # "The Sea Is My Soil (I Remember When)" (Dori Caymmi, Nelson Motta, Peter Udell) – 3:28 # "Trains and Boats and Planes" (Burt Bacharach, Hal David) – 2:50 # "World Stop Turning" (Moose Charlap, Peter Udell) – 2:18 # " Without Him" (Harry Nilsson) – 4:35 # "Wee Small Hours" (Bob Hilliard, David Mann) – 2:18 # "If (The Biggest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Astrud Gilberto
Astrud Gilberto (; born Astrud Evangelina Weinert, March 29, 1940) is a Brazilian samba and bossa nova singer. She gained international attention in the 1960s following her recording of the song "The Girl from Ipanema". Biography Astrud Gilberto was born Astrud Evangelina Weinert, the daughter of a Brazilian mother and a German father, in the state of Bahia, Brazil. She was raised in Rio de Janeiro. Her father was a language professor, and she became fluent in several languages. She married João Gilberto in 1959 and had a son, João Marcelo Gilberto, who later joined her band. Astrud and João divorced in the mid-1960s. She has another son from a second marriage, Gregory Lasorsa, who also played with his mother. Later she began a relationship with her husband's musical collaborator, American jazz saxophone player Stan Getz. She immigrated to the United States in 1963, residing in the U.S. from that time. She sang on two tracks on the 1963 album ''Getz/Gilberto'' featuring J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hal David
Harold Lane David (May 25, 1921 – September 1, 2012) was an American lyricist. He grew up in New York City. He was best known for his collaborations with composer Burt Bacharach and his association with Dionne Warwick. Early life David was born in New York City, a son of Austrian Jewish immigrants Lina (née Goldberg) and Gedalier David, who owned a delicatessen in New York. He is the younger brother of American lyricist and songwriter Mack David. Career David is credited with popular music lyrics, beginning in the 1940s with material written for bandleader Sammy Kaye and for Guy Lombardo. He worked with Morty Nevins of The Three Suns on four songs for the feature film ''Two Gals and a Guy'' (1951), starring Janis Paige and Robert Alda. In 1957, David met composer Burt Bacharach at Famous Music in the Brill Building in New York. The two teamed up and wrote their first hit " The Story of My Life", recorded by Marty Robbins in 1957. Subsequently, in the 1960s and early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary Chester
Gary Chester (born Cesario Gurciullo; October 27, 1924 – August 17, 1987) was an American studio drummer, author, and teacher. Beginning in the 1960s, he played on hundreds of records for bands such as The Coasters, The Monkees, and The Lovin' Spoonful. Biography Born in the Bronx to parents who emigrated from Syracuse, Sicily, Chester's first successful recording session was when he replaced a studio drummer. As his reputation grew, Chester became a respected teacher, with drummers searching out his expertise and demanding techniques. His drumming systems have been used and endorsed by drummers such as Kenny Aronoff, Gary Gibbons, Douglas Oscard, Danny Gottlieb, Max Weinberg, Chris Adams, Tico Torres, Lindy Morrison, and Dave Weckl, each having studied under Chester. Instruction technique Ostinato Chester devised a system involving internalized patterns employing a drum 'melody' in an attempt to expand drummers' coordination and groove ability. His use of the ostinato ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bianco (harpist) '' (Blue Note, 1973)
*''Acting Up'' (Columbia, 1978)
Eugene Bianco (March 29, 1927 – May 7, 2007), known professionally as Bianco, was a harpist who recorded for RCA Victor Records. Discography With Ruth Brown *''Ruth Brown '65'' (Mainstream, 1965) *''Softly'' (Mainstream, 1972) With Henry Gross *''Henry Gross'' (A&M, 1972) With Eddie Kendricks *''Vintage '78'' (Arista, 1978) With Chaka Khan *'' Chaka'' (Warner Bros., 1978) With Melanie * ''As I See It Now'' (Neighborhood Records, 1975) With Stevie Nicks *'' The Wild Heart'' (Modern, 1983) With Marlena Shaw *''From the Depths of My Soul ''From the Depths of My Soul'' is an album by American vocalist Marlena Shaw recorded in 1973 and released on the Blue Note label. References 1927 bi ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seymour Barab
Seymour Barab (January 9, 1921 – June 28, 2014) was an American composer of opera, songs and instrumental and chamber music, as well as a cellist, organist and pianist. He was best known for his fairy tale operas for young audiences, such as ''Chanticleer'' and ''Little Red Riding Hood''. He was a longtime member of the Philip Glass Ensemble. Early life Barab was born in Chicago, Illinois, to Samuel Barab and Leah Yablunky. Both of Barab's parents were Polish immigrants, who emigrated separately and met in the United States. His older brother, Abraham (b. 1913), later changed his name to Oscar. Barab's father also changed his name in later years to Leo. The family had little money, but Barab's parents considered culture important, and he was given piano lessons, from an early age, at first with his aunt, Gertrude Yablunky. When Barab was thirteen, he started his first musical job as an organist for a church of spiritual healing that his aunt attended. Barab began to study t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Lookofsky
Harry Lookofsky (1 October 1913 – 8 June 1998) was an American jazz violinist. He was also the father of keyboardist-songwriter Michael Brown, who most notably was a founding member of The Left Banke and Stories. History Harry Lookofsky was born in Paducah, Kentucky in 1913 and studied classical violin in St. Louis where he joined the St. Louis Symphony Orchestra in the mid 1930s. An early admirer of Joe Venuti, Lookofsky eventually became recognized as one of the earliest accomplished bebop jazz violinists. His technique became particularly recognized on his album ''Stringsville'' (1959, Atlantic). Lookofsky was one of many early jazz violinists who occasionally played tenor violin, an instrument he cited for its similar tonal qualities to the tenor saxophone. Another relatively unknown unique characteristic about Lookofsky's playing is that the bebop solos on ''Stringsville'' were completely written out and arranged as opposed to improvised as most jazz musicians do. An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marky Markowitz
Irvin "Marky" Markowitz (aka Irwin Markowitz, Irving Markowitz; December 11, 1923 - November 18, 1986) was an American jazz trumpeter. Born the youngest of seven children of Russian-Jewish immigrants who disembarked in Baltimore, and settled on 4 1/2 Street, Southwest, in Washington, D.C., Markowitz learned the trumpet at the local Police Boys' Club. He played early in his career in a number of big bands, including those of Charlie Spivak (1941–42), Jimmy Dorsey, Boyd Raeburn, and Woody Herman (1946). He played in Buddy Rich's orchestra in 1946–47, then returned to service under Herman in 1947–48. Moving his family from Washington, D.C. to New York in 1958, and eventually settling in Nyack, he worked primarily as a studio musician in the 1960s, 1970s, and 1980s. Some live appearances included work with Herman, Gene Krupa (1958), Lee Konitz (1959), Ralph Burns, George Russell (composer), George Russell, Al Cohn (1962), Paul Desmond (1969), and Bill Evans (1974). Marky was a " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Glasel
Joseph Samuel Glasel (born 1930, Manhattan, New York) known professionally as Johnny Glasel, was an American jazz trumpeter. Glasel played with Bob Wilber in the 1940s. He attended the Yale School of Music in the 1950s, then played in the New Haven Symphony Orchestra and chamber music ensembles in performances with jazz musicians. In New York City, he was a member of a Glenn Miller tribute band led by Ray McKinley. He performed in orchestras on Broadway and at Radio City Music Hall. He released several albums during the 1950s and 1960s. In addition to his work with Gil Evans (most notably on '' Into the Hot''), he recorded extensively as a pop session musician and often did so uncredited. He is known to have played with John Denver and Astrud Gilberto. Glasel became president of Local 802 of the New York City Musicians' Union early in the 1980s, maintaining the position until 1992. He was secretary of Health Care for All/NJ and was appointed by Gov. Jon Corzine to serve on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burt Collins
Burton L. Collins (March 27, 1931, New York City – February 23, 2007, Philadelphia) was an American jazz trumpeter. Collins was born in New York but raised in Philadelphia. He worked in the 1950s with Dizzy Gillespie, Urbie Green, Neal Hefti, Woody Herman, Elliot Lawrence, Johnny Richards, and Claude Thornhill. He relocated to New York again around 1960, where he played in Broadway orchestras and in ensembles with Cannonball Adderley, Albert Ayler, Jimmy McGriff, Blue Mitchell, Duke Pearson, and Stanley Turrentine, among others. He and Joe Shepley formed the group Collins-Shepley Galaxy in 1970, which recorded two albums, including a Lennon/McCartney tribute. Later the 1970s he worked with Urbie Green again as well as with Janis Ian (where he played the featured flugelhorn break on '' At Seventeen''), Lee Konitz and David Matthews, and played flugelhorn on T. Rex's album ''Electric Warrior''. His other associations include work with Sal Salvador, Pat Moran, Astrud Gilberto, G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Trombone
The bass trombone (german: Bassposaune, it, trombone basso) is the bass instrument in the trombone family of brass instruments. Modern instruments are pitched in the same B♭ as the tenor trombone but with a larger bore, bell and mouthpiece to facilitate low register playing, and usually two valves to fill in the missing range immediately above the pedal tones. History The earliest bass trombones were the bass sackbuts, usually pitched in G, F, or E♭ below the B♭ tenor. They had a smaller bore and less flared bell than modern instruments, and a longer slide with an attached handle to allow slide positions otherwise beyond the reach of a fully outstretched arm. The earliest known surviving specimen is an instrument in G built in Germany in 1593. This instrument matches descriptions and illustrations by Praetorius from his 1614–20 ''Syntagma Musicum''. These bass sackbuts were sometimes called , , and (Old German, , referring to intervals below B♭), though sometimes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wayne Andre
Wayne Andre (November 17, 1931 – August 26, 2003) was an American jazz trombonist, best known for his work as a session musician. Andre's father was a saxophonist, and he took private music lessons from age 15. He played with Charlie Spivak in the early 1950s before spending some time in the U.S. Air Force. In 1955 he joined the Sauter-Finegan Orchestra, and in 1956 played with Woody Herman. From 1956 to 1958 he played with Kai Winding and attended the Manhattan School of Music. He composed his "Nutcracker" and arranged "The Preacher" for the Kai Winding septet while performing with the septet. In the 1960s, he performed with Gerry Mulligan's first Concert Jazz Band, the Thad Jones/Mel Lewis orchestra, and Clark Terry's big band. He joined the "Mission to Russia" with Benny Goodman in 1962. He also played with Urbie Green, Art Farmer, Roy Ayres, and Carl Fontana. After settling in New York City, Andre became a sought-after studio sideman and soloist. His solos may be hear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Mann (songwriter)
David Mann (October 3, 1916 — March 1, 2002), also known as David Freedman, was an American songwriter of popular songs. His best-known songs are "There! I've Said It Again" (1945), popularized first by Vaughn Monroe and later by Bobby Vinton, "No Moon at All" (1947), recorded by Robert Goulet in (1963) and " In the Wee Small Hours of the Morning" (1955), recorded most notably by Frank Sinatra, but covered by many other artists over the decades. Career Mann was able to play the piano by ear, at the age of 4, and by age 13, he was playing around Philadelphia. He attended the Curtis Institute of Music. In late 1939, Mann moved to New York and became a Decca Records session musician. He was in Charley Spivak's orchestra until 1941. During World War II, Mann joined the United States Army. Upon his discharge from the Army in 1945, they had the honor of placing Mann as personal pianist to President Truman. Mann worked on or appeared in the films: ''Twenty Grand'', ''I Dood It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
