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I Go Ape
"I Go Ape" is the second single by Neil Sedaka, immediately following his success with the debut single " The Diary", and was written by Sedaka himself and Howard Greenfield. It was released in 1958, and also appears on Sedaka's 1959 debut solo album '' Rock with Sedaka''. The rock and roll novelty song, which name-checks various primates, was performed in the boogie-woogie style of Jerry Lee Lewis. "I Go Ape" was a relatively minor success in the US, reaching No. 42 on the US '' Billboard'' chart. but was a much bigger success in the UK, reaching No. 9 in the UK Singles Chart. Although Sedaka has insisted he played piano on the session, the session logbooks document Ernie Hayes as the keyboard player. Other musicians included Everett Barksdale and Kenny Burrell on guitar, Lloyd Trotman on bass, Sticks Evans on drums, and King Curtis on tenor sax The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neil Sedaka
Neil Sedaka (; born March 13, 1939) is an American singer-songwriter and pianist. Since his music career began in 1957, he has sold millions of records worldwide and has written or co-written over 500 songs for himself and other artists, collaborating mostly with lyricists Howard "Howie" Greenfield and Phil Cody. After a short-lived tenure as a founding member of the doo-wop group the Tokens, Sedaka achieved a string of hit singles over the late 1950s and early 1960s, including "Oh! Carol" (1959), " Calendar Girl" (1960), "Happy Birthday Sweet Sixteen" (1961) and " Breaking Up Is Hard to Do" (1962). His popularity declined by the mid-1960s, but was revived in the mid-1970s, solidified by the 1975 US ''Billboard'' Hot 100 number ones " Laughter in the Rain" and " Bad Blood". Sedaka maintained a successful career as a songwriter, penning hits for other artists including "Stupid Cupid" (Connie Francis), "(Is This the Way to) Amarillo" (Tony Christie) and " Love Will Keep Us Togeth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Chart
A record chart, in the music industry, also called a music chart, is a ranking of recorded music according to certain criteria during a given period. Many different criteria are used in worldwide charts, often in combination. These include record sales, the amount of radio airplay, the number of downloads, and the amount of streaming activity. Some charts are specific to a particular musical genre and most to a particular geographical location. The most common period covered by a chart is one week with the chart being printed or broadcast at the end of this time. Summary charts for years and decades are then calculated from their component weekly charts. Component charts have become an increasingly important way to measure the commercial success of individual songs. A common format of radio and television programmes is to run down a music chart. Chart hit A ''chart hit'' is a recording, identified by its inclusion in a chart that uses sales or other criteria to rank popula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songs With Lyrics By Howard Greenfield
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songs Written By Neil Sedaka
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical compo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neil Sedaka Songs
Neil is a masculine name of Gaelic and Irish origin. The name is an anglicisation of the Irish ''Niall'' which is of disputed derivation. The Irish name may be derived from words meaning "cloud", "passionate", "victory", "honour" or "champion".. As a surname, Neil is traced back to Niall of the Nine Hostages who was an Irish king and eponymous ancestor of the Uí Néill and MacNeil kindred. Most authorities cite the meaning of Neil in the context of a surname as meaning "champion". Origins The Gaelic name was adopted by the Vikings and taken to Iceland as ''Njáll'' (see Nigel). From Iceland it went via Norway, Denmark, and Normandy to England. The name also entered Northern England and Yorkshire directly from Ireland, and from Norwegian settlers. ''Neal'' or ''Neall'' is the Middle English form of ''Nigel''. As a first name, during the Middle Ages, the Gaelic name of Irish origins was popular in Ireland and later Scotland. During the 20th century ''Neil'' began to be used in En ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1959 Singles
Events January * January 1 - Cuba: Fulgencio Batista flees Havana when the forces of Fidel Castro advance. * January 2 - Lunar probe Luna 1 was the first man-made object to attain escape velocity from Earth. It reached the vicinity of Earth's Moon, and was also the first spacecraft to be placed in heliocentric orbit. * January 3 ** The three southernmost atolls of the Maldive archipelago (Addu Atoll, Huvadhu Atoll and Fuvahmulah island) declare independence. ** Alaska is admitted as the 49th U.S. state. * January 4 ** In Cuba, rebel troops led by Che Guevara and Camilo Cienfuegos enter the city of Havana. ** Léopoldville riots: At least 49 people are killed during clashes between the police and participants of a meeting of the ABAKO Party in Léopoldville in the Belgian Congo. * January 6 ** Fidel Castro arrives in Havana. ** The International Maritime Organization is inaugurated. * January 7 – The United States recognizes the new Cuban government o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recogniz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Curtis
Curtis Ousley (born Curtis Montgomery; February 7, 1934 – August 13, 1971), known professionally as King Curtis, was an American saxophonist who played rhythm and blues, jazz, and rock and roll. A bandleader, band member, and session musician, he was also a musical director and record producer. A master of the instrument, he played tenor, alto, and soprano saxophone. He played riffs and solos on hit singles such as "Respect" by Aretha Franklin (1965), and " Yakety Yak" by The Coasters (1958) and his own "Soul Twist" (1962), "Soul Serenade" (1964), and "Memphis Soul Stew" (1967). Early life Curtis Montgomery was born in Fort Worth, Texas, the son of Ethel Montgomery, and was adopted, with his sister Josephine Allen (died 2019), by Josie and William Ousley. Curtis attended I.M. Terrell High School, and studied and performed music with schoolmate Ornette Coleman (1930–2015). Career Curtis started playing saxophone at the age of twelve in the Fort Worth area. He took interest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sticks Evans
Samuel "Sticks" Evans (5 February 1923 – 11 April 1994) was an American drummer, percussionist, music teacher, arranger and musical director. He was credited variously as Sammy "Stick" Evans, Samie Evans, Sammy Evans, Sammie Evans, Stick Evans, Sticks Evans, and Belton Evans. Biography In 1950, he recorded with the Milt Buckner Orchestra backing Wynonie Harris, and in 1952-3 he was playing and recording with Milt Buckner's Organ Trio. He left the trio in February 1953, and in 1954 he was with the Teddy Wilson Trio with Milt Hinton. In the early 1960s, he was recording on the Prestige label, credited as Belton Evans, and accompanied on bass by Leonard Gaskin, for blues artists such as Curtis Jones, Sunnyland Slim, Sonny Terry, Big John Greer, LaVern Baker, and King Curtis. He appears on John Lewis’ ''Jazz Abstractions'' album (1961), with Bill Evans, Eric Dolphy, Ornette Coleman and Jim Hall, among others. That same year he was a member of the Ray Bryant Combo backing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lloyd Trotman
Lloyd Nelson Trotman (May 25, 1923 – October 3, 2007), born in Boston, Massachusetts, United States, was an American jazz bassist, who backed numerous jazz, dixieland, R&B, and rock and roll artists in the 1940s, 1950s and 1960s. He resided in Huntington, Long Island, New York between 1962 and 2007, and prior to that in East Elmhurst, Queens, New York from 1945 to 1962. He worked primarily out of New York City. He provided the bass line on Ben E. King's " Stand by Me". Trotman became a session musician for Atlantic Records and other independent record companies and throughout the 1950s and into the 1960s he backed a wide variety of artists, including R&B artists such as Varetta Dillard, LaVern Baker, Ruth Brown, Ray Charles, Al Hibbler, Big Joe Turner, Nappy Brown, Linda Hopkins, Mickey "Guitar" Baker, Chuck Willis, Ben E. King, The Drifters (" Save the Last Dance for Me"), Sam Cooke, James Brown, Pat Thomas, The Platters, Everly Brothers, Screamin' Jay Hawkins, C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Burrell
Kenneth Earl Burrell (born July 31, 1931) is an American jazz guitarist known for his work on numerous top jazz labels: Prestige, Blue Note, Verve, CTI, Muse, and Concord. His collaborations with Jimmy Smith were notable, and produced the 1965 ''Billboard'' Top Twenty hit Verve album '' Organ Grinder Swing''. He has cited jazz guitarists Charlie Christian, Oscar Moore, and Django Reinhardt as influences, along with blues guitarists T-Bone Walker and Muddy Waters.Cohassey, John. "Kenny Burrell: Guitarist, Educator." ''Contemporary Musicians. Profiles of the People in Music.'' Ed. Julia M. Rubiner. Vol. 11. Detroit, MI: Gale Research, 1994. 29–31. PrintNash, Sunny. "Kenny Burrell Biography." ''PRLog,'' May 13, 2009. Burrell is a professor and Director of Jazz Studies at the UCLA Herb Alpert School of Music. Early life Burrell was born in Detroit. Both his parents played instruments,Sallis, James. "Middle Ground: Herb Ellis, Howard Roberts, Jim Hall, Kenny Burrell, Joe Pass, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Everett Barksdale
Everett Barksdale (April 28, 1910 – January 29, 1986) was an American jazz guitarist and session musician. He played bass and banjo before settling on guitar. In the 1930s, Barksdale moved to Chicago, where he was in Erskine Tate's band. He recorded for the first time with violinist Eddie South in 1931, and he remained with South until 1939. He moved to New York City and became a member of the Benny Carter big band. Around the same time, he recorded with Sidney Bechet. During the 1940s, he worked for CBS as a session musician. As a sideman, Barksdale played guitar in many genres. He worked with vocalists Dean Barlow, Maxine Sullivan, the Blenders, and the Clovers. He played on the hit "Love Is Strange" by Mickey & Sylvia, and was music director for the Ink Spots. Beginning in 1949, he worked with pianist Art Tatum until Tatum died in 1956. During the 1950s and 1960s, he was a member of the house band at ABC. He played on recordings by Lena Horne, Sammy Davis Jr., Dinah Wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
