I Dig Everything
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I Dig Everything
"I Dig Everything" is a single by English singer-songwriter David Bowie. It was his final single for Pye Records, released on 19 August 1966. The track was originally demoed with Bowie's then-band, the Buzz, but producer Tony Hatch was unhappy with their efforts and replaced them with session players. It is a pop song that musically and lyrically reflected the mid-1960s Swinging London era. The single was another commercial failure and resulted in the label dropping him. The original recording was included on the ''Early On (1964–1966)'' compilation in 1991. Scottish trio 1-2-3 (later Clouds) performed the song during their live sets in the spring of 1967, becoming one of the first Bowie songs to be covered. After unexpectedly reviving the song live in 2000, Bowie re-recorded it in 2000 for the ''Toy'' project, which was initially shelved and released posthumously in 2021. The remake abandoned the original's production, becoming a guitar-driven rocker. Recording and styl ...
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David Bowie
David Robert Jones (8 January 194710 January 2016), known professionally as David Bowie ( ), was an English singer-songwriter and actor. A leading figure in the music industry, he is regarded as one of the most influential musicians of the 20th century. Bowie was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft had a significant impact on popular music. Bowie developed an interest in music from an early age. He studied art, music and design before embarking on a professional career as a musician in 1963. "Space Oddity", released in 1969, was his first top-five entry on the UK Singles Chart. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust (character), Ziggy Stardust. The character was spearheaded by the success of Bowie's single "Starman (song), Starma ...
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Session Musician
Session musicians, studio musicians, or backing musicians are musicians hired to perform in recording sessions or live performances. The term sideman is also used in the case of live performances, such as accompanying a recording artist on a tour. Session musicians are usually not permanent or official members of a musical ensemble or band. They work behind the scenes and rarely achieve individual fame in their own right as soloists or bandleaders. However, top session musicians are well known within the music industry, and some have become publicly recognized, such as the Wrecking Crew, the Muscle Shoals Rhythm Section and The Funk Brothers who worked with Motown Records. Many session musicians specialize in playing common rhythm section instruments such as guitar, piano, bass, or drums. Others are specialists, and play brass, woodwinds, and strings. Many session musicians play multiple instruments, which lets them play in a wider range of musical situations, genres an ...
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Associated Television
Associated Television was the original name of the British broadcaster ATV, part of the Independent Television (ITV) network. It provided a service to London at weekends from 1955 to 1968, to the Midlands on weekdays from 1956 to 1968, and to the Midlands all week from 1968 to 1982. It was one of the " Big Four" until 1968, and the "Big Five" after 1968, that between them produced the majority of ITV networked programmes. In 1982, ATV was restructured and rebranded as Central Independent Television, under which name it continued to provide the service for the Midlands. ATV was awarded its first franchise by the Independent Television Authority (ITA) to provide the Independent Television service at weekends for the London region. This service started on Saturday, 24 September 1955, the second ITA franchise to go on air, and was extended until Sunday, 28 July 1968. ATV was also awarded the franchise to provide the weekdays Independent Television service for the Midlands region ...
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Can't Help Thinking About Me
"Can't Help Thinking About Me" is a song written by English musician David Bowie and recorded with his band the Lower Third. Released as a single by Pye Records on 14 January 1966, it was the first one issued under the "David Bowie" name after previously performing as Davy Jones or Davie Jones. The recording was produced by Tony Hatch, who also contributed piano. The session took place on 10 December 1965 at Marble Arch Studios in London. A rewrite of Bowie's "The London Boys", the song concerns a boy found guilty of an act that decides to leave town to start anew. It is noted by biographers as showcasing Bowie's growth as a songwriter, displaying themes he would utilise in his later work. Musically, the song explores the contemporary mod sound of the Who and the Kinks. Upon release as a single, "Can't Help Thinking About Me" was a flop like Bowie's previous releases, but peaked at number 34 on the ''Melody Maker'' chart after chart-rigging by Ralph Horton. Disputes with Horton ...
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I Dig Everything By David Bowie Original 1966 UK Single
I, or i, is the ninth letter and the third vowel letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''i'' (pronounced ), plural '' ies''. History In the Phoenician alphabet, the letter may have originated in a hieroglyph for an arm that represented a voiced pharyngeal fricative () in Egyptian, but was reassigned to (as in English "yes") by Semites, because their word for "arm" began with that sound. This letter could also be used to represent , the close front unrounded vowel, mainly in foreign words. The Greeks adopted a form of this Phoenician ''yodh'' as their letter ''iota'' () to represent , the same as in the Old Italic alphabet. In Latin (as in Modern Greek), it was also used to represent and this use persists in the languages that descended from Latin. The modern letter ' j' originated as a variation of 'i', and both were used interchangeably for ...
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Austin Powers
''Austin Powers'' is a series of American spy action comedy films: '' Austin Powers: International Man of Mystery'' (1997), '' Austin Powers: The Spy Who Shagged Me'' (1999) and ''Austin Powers in Goldmember'' (2002). The films were produced and written by Mike Myers, who also starred as the title character and Dr. Evil. They were directed by Jay Roach and distributed by New Line Cinema. The franchise parodies numerous films and characters, including the ''James Bond'' series and '' Jason King'', and incorporates myriad other elements of popular culture as it follows a British spy's quest to bring his nemesis down. The character of Powers represents an archetype of 1960s Swinging London, with his advocacy of free love, his use of obscure impressions and his clothing style. The films poke fun at the outrageous plots, rampant sexual innuendo, and two dimensional stock characters associated with 1960s spy films. The general theme of the films is that the arch villain Dr. Evil p ...
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Paul Trynka
Paul Trynka is a British rock journalist and author. He was the editor of the music magazine ''Mojo'' from 1999 to 2003, and has also worked as editorial director of '' Q'' and editor of ''International Musician''. In 2004, he edited publisher Dorling Kindersley's compilation of the ''Mojo Special Limited Edition'' issues on the Beatles. He has also written for ''The Independent'' and ''Classic Rock'' magazine, and contributed articles on music, fashion, design or travel for ''The Guardian'', ''Elle'' and ''Blueprint'', among other publications. Before turning to journalism, he worked as a professional musician, recording albums for the Beggars Banquet and Fantasy record labels. Books Trynka has written or co-written the books ''Electric Guitar'' (1993), ''Portrait of the Blues'' (1996) and ''Denim'' (2001). In 2011, he published ''Starman: David Bowie'', a biography of English musician David Bowie. Writing in ''The New York Times'', Dwight Garner described it as "a better-than-a ...
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Marc Spitz
Marc Spitz (October 2, 1969 – February 4, 2017) was an American music journalist, author and playwright. Spitz's writings on rock and roll and popular culture appeared in ''Spin'' (where he was a Senior Writer) as well as ''The New York Times'', ''Maxim'', ''Blender'', ''Harp'', ''Nylon'' and the ''New York Post''. He was a contributing music writer for '' Vanity Fair''. Biography Born in Far Rockaway, Queens, Spitz was the author of the novels '' How Soon Is Never'' and '' Too Much, Too Late'', and the biographies '' We Got the Neutron Bomb: The Untold Story of LA Punk'' (with Brendan Mullen), ''Nobody Likes You: Inside the Turbulent Life, Times and Music of Green Day'', '' Bowie: A Biography'', and '' Jagger: Rebel, Rock Star, Rambler, Rogue''. He appears in the anthologies ''The Encyclopedia of Ex-es'', ''Howl: A Collection of the Best Contemporary Dog Wit'', and ''Rock N’ Roll Cage Match: Music’s Greatest Rivalries Decided''. His books have been translated and published ...
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Nicholas Pegg
Nicholas Pegg is a British actor, writer and director. Educated at Nottingham High School and graduating with a Master of Arts in English Literature from the University of Exeter, Pegg subsequently trained at the Guildford School of Acting. Acting Pegg's acting work in the theatre includes productions for Nottingham Playhouse, Scottish Opera, Birmingham Repertory Theatre and the Theatre Royal, Plymouth. His television roles include appearances in ''EastEnders'', ''Doc Martin'' and ''It's a Sin'', and he has appeared as a Dalek operator in numerous episodes of ''Doctor Who''. In his capacity as a Dalek operator he has also appeared in person on '' Blue Peter'' and in many editions of the documentary series ''Doctor Who Confidential''. In November 2013 he appeared as himself in the 50th anniversary comedy homage ''The Five(ish) Doctors Reboot''. Pegg has also worked on ''Doctor Who'' in the audio medium, acting, writing and directing for several ''Doctor Who'' audio plays produce ...
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The Tornados
The Tornados (The Tornadoes in North America) were an English instrumental rock group of the 1960s that acted as backing group for many of record producer Joe Meek's productions and also for singer Billy Fury. They enjoyed several chart hits in their own right, including the UK and US No. 1 "Telstar" (named after the satellite and composed and produced by Meek), the first US No. 1 single by a British group. Today Dave Watts has his own version of the band. History The Tornados were formed in 1961 as a session band for Joe Meek, although the name did not come until early 1962. In 1961 they provided the instrumentals for the film short ''The Johnny Leyton Touch'', including a jazzed up version of "Taboo", originally by Margarita Lecuona. From January 1962 to August 1963, The Tornados were the backing band for Billy Fury (as well as recording and performing as an act in their own right); they toured and recorded with Fury as ''The Tornados''. Their recordings with Fury were pr ...
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Jon Savage
Jon Savage (born Jonathan Malcolm Sage; 2 September 1953 in Paddington, London) is an English writer, broadcaster and music journalist, best known for his history of the Sex Pistols and punk music, ''England's Dreaming'', published in 1991. Career Savage read Classics at Magdalene College, Cambridge, graduating in 1975. Becoming a music journalist at the dawn of British punk, he wrote articles on all of the major punk acts, publishing a fanzine called ''London's Outrage'' in 1976. A year later he began working as a journalist for ''Sounds'', which was, at that time, one of the UK's three major music papers, along with the ''New Musical Express'' and ''Melody Maker''. Savage interviewed punk, new wave and electronic music artists for ''Sounds''. At that time, he also wrote for the West Coast fanzines '' Search & Destroy'', '' Bomp!'' and ''Slash''. In 1979 he moved to ''Melody Maker'', and a year later to the newly founded pop culture magazine ''The Face''. Throughout the ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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