I Can't Get Next To You
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I Can't Get Next To You
"I Can't Get Next to You" is a 1969 No. 1 single recorded by the Temptations and written by Norman Whitfield and Barrett Strong for the Gordy ( Motown) label. The song was a No. 1 single on the ''Billboard'' Top Pop Singles chart for two weeks in 1969, from October 18 to October 25, replacing "Sugar, Sugar" by the Archies and replaced by "Suspicious Minds" by Elvis Presley. The single was also a No. 1 hit on the ''Billboard'' Top R&B Singles for five weeks, from October 4 to November 1, replacing " Oh, What a Night" by the Dells, and replaced by another Motown song, " Baby I'm For Real" by the Originals. The single was the second of the Temptations' four No. 1 hits on the United States pop charts, and was also one of the best-selling singles the group released. ''Billboard'' ranked it as the No. 3 song for 1969. The applause that starts the song, which is cut short by Dennis Edwards' spoken "Hold it, hold it, listen" line, was sampled in another Temptations song "Psychedeli ...
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The Temptations
The Temptations are an American vocal group from Detroit, Michigan, who released a series of successful singles and albums with Motown Records during the 1960s and 1970s. The group's work with producer Norman Whitfield, beginning with the Top 10 hit single " Cloud Nine" in October 1968, pioneered psychedelic soul, and was significant in the evolution of R&B and soul music. The band members are known for their choreography, distinct harmonies, and dress style. Having sold tens of millions of albums, the Temptations are among the most successful groups in popular music. Featuring five male vocalists and dancers (save for brief periods with fewer or more members), the group formed in 1960 in Detroit under the name ''the Elgins''. The founding members came from two rival Detroit vocal groups: Otis Williams, Elbridge "Al" Bryant, and Melvin Franklin of Otis Williams & the Distants, and Eddie Kendricks and Paul Williams of the Primes. In 1964, Bryant was replaced by David Ruffin, w ...
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Sugar, Sugar
Sugar, Sugar is a song written by Jeff Barry and Andy Kim (singer), Andy Kim. It was originally recorded by the Archies – a fictional band of studio musicians linked to the 1968–69 US Saturday morning TV cartoon ''The Archie Show'', inspired by the Archie Comics. In the autumn of 1969 the single topped both ''Billboard (magazine), Billboard's'' Billboard Hot 100, Hot 100 (for four weeks) and the UK Singles Chart (for eight weeks), ranking number one for the year in both America and Britain. “Sugar, Sugar” is the most successful bubblegum pop single of all time, and is widely regarded as the apotheosis of the late-1960s/early-1970s bubblegum music genre. In mid-1970 rhythm and blues, R&B/soul music, soul singer Wilson Pickett achieved success on both the US soul and pop charts with a cover version. The Archies version Background Produced by Jeff Barry, the Archies' recording of "Sugar, Sugar" features a group of studio musicians managed by Don Kirshner, former music super ...
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B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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Psychedelic Shack (song)
"Psychedelic Shack" is a 1969 single for the Motown label performed by The Temptations and produced by Norman Whitfield. It became a hit single in 1970. This single features the Temptations and Whitfield's continuing their submergence into psychedelia, with multilead vocals, hard rock guitars, synthesizer sound effects, multitracked drums, and stereo-shifting vocals giving the record a distinct sound. The song's title and lyrics refer to a type of hippie nightclub popular in the late 1960s. "Psychedelic Shack's" LP mix begins with the sounds of a person entering a psychedelic shack and dropping the needle on a record, "I Can't Get Next to You" which was the Temptations single that immediately preceded this one. The use of the recording of "I Can't Get Next to You" from its 45 RPM single makes "Psychedelic Shack" one of the first songs to use sampling, a technique that would become a staple of hip hop music in the coming decade. The song ends, after its fourth verse, with the ...
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Dennis Edwards
Dennis Edwards Jr. (February 3, 1943 – February 1, 2018) was an American soul and R&B singer who was best known as the frontman in The Temptations The Temptations are an American vocal group from Detroit, Michigan, who released a series of successful singles and albums with Motown Records during the 1960s and 1970s. The group's work with producer Norman Whitfield, beginning with the Top ..., on Motown Records. Edwards joined the Temptations in 1968, replacing David Ruffin and sang with the group from 1968 to 1976, 1980 to 1984 and 1987 to 1989. In the mid-1980s, he attempted a solo career, scoring a hit in 1984 with "Don't Look Any Further" (featuring Siedah Garrett). Until his death, Edwards was the lead singer of The Temptations Review, a Temptations splinter group. Biography Early years and career Edwards was born in Fairfield, Alabama, about eight miles from Birmingham, Alabama, Birmingham, to Reverend Dennis Edwards Sr. He began singing as a toddler, just two yea ...
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Billboard Year-End Hot 100 Singles Of 1969
This is a list of '' Billboard'' magazine's Top Hot 100 songs of 1969.Top Records of 1969
, '' Billboard'', December 27, 1969. p. 16, Retrieved December 5, 2020. The Top 100, as revealed in the year-end edition of ''Billboard'' dated December 27, 1969, is based on Hot 100 charts from the issue dates of January 4 through December 13, 1969.


See also

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1969 in music List of notable events in music that took place in the year 1969. __TOC__ Specific locations * 1969 in British music * 1969 in Norwegian music Specific genres *1969 in count ...
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United States
The United States of America (U.S.A. or USA), commonly known as the United States (U.S. or US) or America, is a country primarily located in North America. It consists of 50 states, a federal district, five major unincorporated territories, nine Minor Outlying Islands, and 326 Indian reservations. The United States is also in free association with three Pacific Island sovereign states: the Federated States of Micronesia, the Marshall Islands, and the Republic of Palau. It is the world's third-largest country by both land and total area. It shares land borders with Canada to its north and with Mexico to its south and has maritime borders with the Bahamas, Cuba, Russia, and other nations. With a population of over 333 million, it is the most populous country in the Americas and the third most populous in the world. The national capital of the United States is Washington, D.C. and its most populous city and principal financial center is New York City. Paleo-Americ ...
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The Originals (band)
The Originals, often called "Motown's best-kept secret", were a successful Motown R&B and soul group during the late 1960s and the 1970s, most notable for the hits " Baby I'm for Real", " The Bells", and the disco classic " Down to Love Town." Formed in 1966, the group originally consisted of baritone singer Freddie Gorman, tenor/ falsetto Walter Gaines, and tenors C. P. Spencer and Hank Dixon (and briefly Joe Stubbs). Ty Hunter replaced Spencer when he left to go solo in the early 1970s. They had all previously sung in other Detroit groups, Spencer having been an original member of the (Detroit) Spinners and Hunter having sung with the Supremes member Scherrie Payne in the group Glass House. Spencer, Gaines, Hunter, and Dixon (at one time or another) were also members of the Voice Masters. As a member of the Holland–Dozier–Gorman writing-production team (before Holland–Dozier–Holland), Gorman (as a mailman) was one of the co-writers of Motown's first number 1 pop hit ...
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Baby I'm For Real
"Baby, I'm for Real" is a soul ballad written by Marvin Gaye and Anna Gordy Gaye, produced by Marvin and recorded and released by American Motown vocal group The Originals for the Soul label issued in 1969. History The Originals version By the late sixties, male vocal quintet the Originals had been recording mostly background vocals for Motown artists most notably backing up brothers Jimmy Ruffin ("What Becomes of the Brokenhearted") and David Ruffin ("My Whole World Ended (The Moment You Left Me)") respectively. They also were as known for providing background vocals to some of Marvin Gaye's late sixties recordings such as " Chained". But their own singles up until then had failed to generate interest. Having befriended Gaye during recording sessions, the singer promised the group that he'll find them the hit they were searching for. With music written with his wife Anna, Marvin wrote the lyrics to a song called "The Bells I Hear" by Bobby Taylor with The Originals taking t ...
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The Dells
The Dells were an American R&B vocal group. Formed in high school in 1953 by founding members Marvin Junior, Verne Allison, Johnny Funches, Chuck Barksdale, and Michael and Lucius McGill, under the name the El-Rays. They released their first recording in 1954 and two years later had their first R&B hit with " Oh What a Night". After disbanding due to a near-fatal car crash in 1958, the band reformed in 1960 with Funches being replaced by Johnny Carter. This lineup remained together until Carter's death in 2009. In 2004, The Dells were inducted into both the Rock and Roll Hall of Fame and the Vocal Group Hall of Fame. The group performed until illness forced longtime lead singer Marvin Junior and bass vocalist Chuck Barksdale into retirement, ending the group's 60-year run. History Early career The Dells grew up in Harvey, Illinois, and began singing together while attending Thornton Township High School. Forming in 1952 under the name the El-Rays, the group initially consisted ...
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Oh, What A Night (The Dells Song)
"Oh, What a Night" is a song first recorded by the doo-wop group the Dells and released in 1956, originally under the title "Oh What a Nite". It is said to have been inspired by a party, which had been held in the Dells' honor by some female friends of the group. Reception The Dells' original recording on the Vee Jay label peaked at #4 on the R&B singles chart. In 1969, they refashioned it as a soul song on the Cadet label. The August 2, 1969 edition of ''Record World'' gave it a "Four Star Pick" review, stating: "This old, old, old, oldie sounds newer than tomorrow, via the Dells chartbreaker express. All will dig." The new "Oh, What a Night" was notably different from its original counterpart with an altered arrangement and tempo, and included a spoken recitation, in the introduction, from bass singer Chuck Barksdale. This new version reached #10 on the ''Billboard'' Hot 100 singles chart and #1 on the Best Selling Soul singles chart. The 1969 version was ranked #260 on Roll ...
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Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were consolid ...
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