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Itaru Oki (karateka)
was a Japanese jazz trumpeter and flugelhornist. Early life and education Oki was born in Kobe. He began studying koto as a child, under instruction from his mother, who was a professional kotoist. He took up trumpet from 1955 and played in high school bands, then enrolled at Osaka Industrial University, where he majored in architecture and concurrently played in Dixieland jazz ensembles. Career Early in his career, Oki studied under Fumio Nanri, Kenny Dorham, and Sadao Watanabe, and in the 1960s and 1970s played with Nobusuke Miyamoto, Yoku Tamura, Kosuke Mine, and Akio Nishimura. In 1966, he was a cofounder of ESSG, along with Masahiko Sato, Mototeru Takagi, and Masahiko Togashi. In 1974, Oki relocated to Paris, where he played with Japanese expat Takashi Kako and played across Europe with Art Farmer, Maynard Ferguson, Noah Howard, Lee Konitz, Steve Lacy, Michel Pilz, and Sam Rivers. In 1992 he became a member of the World Residents ensemble. He started to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mototeru Takagi
(28 December 1941 – December 2002) was a Japanese tenor saxophone player, known for playing in a distinctive and powerful free jazz style. He played with many of the most important Japanese free groups and musicians during the seventies, such as ESSG and those of Masahiko Togashi, Motoharu Yoshizawa and Masayuki Takayanagi. History Takagi was born in Osaka in 1941, but grew up in Yokohama. During his younger years, he spent time in the bands of players like Charlie Ishiguro and Hisashi Sakurai, but only really began developing his distinctive free style when he joined the Motoharu Yoshizawa Trio in 1968. The following year he joined Togashi's Quartet and ESSG. After Togashi's accident, Takagi played briefly with Masayuki Takayangi's New Direction Unit and in a duo with percussionist Sabu Toyozumi. From November 1973 he spent one year playing in France, returning to Japan in November 1974. Takagi recorded very few albums as a leader over the course of his career, but he was h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Jazz Trumpeters
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies Japanese studies ( Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japan ... {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barry Kernfeld
Barry Dean Kernfeld (born August 11, 1950) is an American musicologist and jazz saxophonist who has researched and published extensively about the history of jazz and the biographies of its musicians. Education In 1968, Kernfeld enrolled at University of California, Berkeley; then, from April 1970 to September 1972, he focused on being a professional saxophonist. In October 1972, Kernfeld enrolled at the University of California, Davis, where, in 1975, he earned a Bachelor of Arts in musicology. From 1975 to 1981, he studied at Cornell University where he focused on jazz. Cornell awarded him a master's degree in 1978 and a Doctor of Philosophy degree 1981. Editing and writing career Kernfeld was the editor of the first and second editions of ''The New Grove Dictionary of Jazz,'' the largest jazz dictionary ever published. The first edition was published in 1988. ''Volume 1'' had 670 pages and ''Volume 2'' had 690. John S. Wilson"Books of The Times; Updating the Minutiae of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World Residents
In its most general sense, the term "world" refers to the totality of entities, to the whole of reality or to everything that is. The nature of the world has been conceptualized differently in different fields. Some conceptions see the world as unique while others talk of a "plurality of worlds". Some treat the world as one simple object while others analyze the world as a complex made up of many parts. In ''scientific cosmology'' the world or universe is commonly defined as " e totality of all space and time; all that is, has been, and will be". '' Theories of modality'', on the other hand, talk of possible worlds as complete and consistent ways how things could have been. ''Phenomenology'', starting from the horizon of co-given objects present in the periphery of every experience, defines the world as the biggest horizon or the "horizon of all horizons". In ''philosophy of mind'', the world is commonly contrasted with the mind as that which is represented by the mind. ''Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Rivers (jazz Musician)
Samuel Carthorne Rivers (September 25, 1923 – December 26, 2011) was an American jazz musician and composer. Though most famously a tenor saxophonist, he also performed on soprano saxophone, bass clarinet, flute, harmonica, piano and viola. Active in jazz since the early 1950s, he earned wider attention during the mid-1960s spread of free jazz. With a thorough command of music theory, orchestration and composition, Rivers was an influential and prominent artist in jazz music. Early life Rivers was born in El Reno, Oklahoma, United States. His father was a gospel musician who had sung with the Fisk Jubilee Singers and the Silverstone Quartet, exposing Rivers to music from an early age. His grandfather was Marshall W. Taylor, a religious leader from Kentucky. Rivers was stationed in California in the 1940s during a stint in the Navy. Here he performed semi-regularly with blues singer Jimmy Witherspoon. Rivers moved to Boston, Massachusetts in 1947, where he studied at the Bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Pilz
Michel Pilz (born October 28, 1945, Bad Neustadt) is a German jazz clarinetist. Pilz was a student in clarinet at the Luxembourg Conservatory in the mid-1960s, then joined Manfred Schoof's ensemble in 1968, an association he would maintain into the 1980s. He also performed with the German All Stars in the 1970s and with the Globe Unity Orchestra, led by Alex Schlippenbach. He founded his own ensemble in 1972, playing with, among others, Peter Kowald, Paul Lovens, Buschi Niebergall, and Itaru Oki was a Japanese jazz trumpeter and flugelhornist. Oki was born in Kobe. He began studying koto as a child, under instruction from his mother, who was a professional kotoist. He took up trumpet from 1955 and played in high school bands, then enr .... References *Wolfram Knauer, "Michel Pilz". '' The New Grove Dictionary of Jazz'', 2nd edn. 1945 births Living people German jazz clarinetists 21st-century clarinetists Globe Unity Orchestra members Clarinet Contrast members [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Lacy (saxophonist)
Steve Lacy (born Steven Norman Lackritz; July 23, 1934 – June 4, 2004) was an American jazz saxophonist and composer recognized as one of the important players of soprano saxophone. Coming to prominence in the 1950s as a progressive dixieland musician, Lacy went on to a long and prolific career. He worked extensively in experimental jazz and to a lesser extent in free improvisation, but Lacy's music was typically melodic and tightly-structured. Lacy also became a highly distinctive composer, with compositions often built out of little more than a single questioning phrase, repeated several times. The music of Thelonious Monk became a permanent part of Lacy's repertoire after a stint in the pianist's band, with Monk's works appearing on virtually every Lacy album and concert program; Lacy often partnered with trombonist Roswell Rudd in exploring Monk's work. Beyond Monk, Lacy performed the work of jazz composers such as Charles Mingus, Duke Ellington and Herbie Nichols; unlik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Konitz
Leon Konitz (October 13, 1927 – April 15, 2020) was an American composer and alto saxophonist. He performed successfully in a wide range of jazz styles, including bebop, cool jazz, and avant-garde jazz. Konitz's association with the cool jazz movement of the 1940s and 1950s includes participation in Miles Davis's ''Birth of the Cool'' sessions and his work with pianist Lennie Tristano. He was one of relatively few alto saxophonists of this era to retain a distinctive style, when Charlie Parker exerted a massive influence. Like other students of Tristano, Konitz improvised long, melodic lines with the rhythmic interest coming from odd accents, or odd note groupings suggestive of the imposition of one time signature over another. Other saxophonists were strongly influenced by Konitz, such as Paul Desmond and Art Pepper. He died during the COVID-19 pandemic from complications brought on by the disease. Biography Early life Konitz was born on October 13, 1927, in Chicago. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noah Howard
Noah Howard (April 6, 1943 – September 3, 2010) was an American free jazz alto saxophonist. Biography Born in New Orleans, Howard played music from childhood in his church. He first learned trumpet and later switched to alto, tenor and soprano saxophone. He was an innovator influenced by John Coltrane and Albert Ayler. He studied with Dewey Johnson, first in Los Angeles and later on in San Francisco. When he moved to New York City he started playing with Sun Ra. He recorded his first LP as a leader, ''Noah Howard Quartet'', in 1966, and his second LP ''At Judson Hall'' later that year, both for ESP Records, but found little critical acclaim in the US. In the 1960s and 1970s he performed regularly in the US and Europe, moving to Paris in 1968. In 1969, he appeared on Frank Wright's album ''One for John'' and on ''Black Gipsy'' with Archie Shepp. As leader he recorded ''The Black Ark'' with Arthur Doyle among others. In 1971 he created his own record label, AltSax, and publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maynard Ferguson
Walter Maynard Ferguson CM (May 4, 1928 – August 23, 2006) was a Canadian jazz trumpeter and bandleader. He came to prominence in Stan Kenton's orchestra before forming his own big band in 1957. He was noted for his bands, which often served as stepping stones for up-and-coming talent, his versatility on several instruments, and his ability to play in a high register. Biography Early life and education Ferguson was born in Verdun (now part of Montreal), Quebec, Canada. Encouraged by his mother and father (both musicians), he started playing piano and violin at the age of four. At nine years old, he heard a cornet for the first time in his local church and asked his parents to buy one for him. When he was thirteen, he soloed with the Canadian Broadcasting Corporation Orchestra. He was heard frequently on the CBC, notably featured on a "Serenade for Trumpet in Jazz" written for him by Morris Davis. He won a scholarship to the Conservatoire de musique du Québec à Montréal whe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
