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Italian Poetry
Italian poetry is a category of Italian literature. Italian poetry has its origins in the thirteenth century and has heavily influenced the poetic traditions of many European languages, including that of English. Features * Italian prosody is accentual and syllabic, much like English. The most common metrical line is the hendecasyllable, which is very similar to English iambic pentameter. Shorter lines like the ''settenario'' are used as well. * The earliest Italian poetry is rhymed. Rhymed forms of Italian poetry include the sonnet (''sonnetto''), terza rima, ottava rima, the canzone and the ballata. Beginning in the sixteenth century, unrhymed hendecasyllabic verse, known as ''verso sciolto'', became a popular alternative (compare blank verse in English). * Feminine rhymes are generally preferred over masculine rhymes. * Apocopic forms (''uom'' for ''uomo'', ''amor'' for ''amore'') and contractions (''spirto'' for ''spirito'') are common. Expanded forms of words which have bec ...
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Italian Literature
Italian literature is written in the Italian language, particularly within Italy. It may also refer to literature written by Italian people, Italians or in Languages of Italy, other languages spoken in Italy, often languages that are closely related to Italian language#History, modern Italian, including Regional Italian, regional varieties and vernacular dialects. Italian literature begins in the 12th century, when in different regions of the Italian Peninsula, peninsula the Italian vernacular started to be used in a literary manner. The ''Salv'a lo vescovo senato, Ritmo laurenziano'' is the first extant document of Italian literature. An early example of Italian literature is the tradition of vernacular lyric poetry performed in Occitan language, Occitan, which reached Italy by the end of the 12th century. In 1230, the Sicilian School became notable for being the first style in standard Italian. Dante Alighieri, one of the greatest of Italian poets, is notable for being the aut ...
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Dante Alighieri
Dante Alighieri (; – 14 September 1321), probably baptized Durante di Alighiero degli Alighieri and often referred to as Dante (, ), was an Italian poet, writer and philosopher. His ''Divine Comedy'', originally called (modern Italian: ''Commedia'') and later christened by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language. Dante is known for establishing the use of the vernacular in literature at a time when most poetry was written in Latin, which was accessible only to the most educated readers. His ''De vulgari eloquentia'' (''On Eloquence in the Vernacular'') was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as '' The New Life'' (1295) and ''Divine Comedy'' helped establish the modern-day standardized Italian language. His work set a precedent that important Italian writers such as Petrarch and Boccaccio would later ...
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La Gerusalemme Liberata
''Jerusalem Delivered'', also known as ''The Liberation of Jerusalem'' ( it, La Gerusalemme liberata ; ), is an epic poem by the Italian poet Torquato Tasso, first published in 1581, that tells a largely mythified version of the First Crusade in which Christian knights, led by Godfrey of Bouillon, battle Muslims in order to take Jerusalem. Tasso began work on the poem in the mid-1560s. Originally, it bore the title ''Il Goffredo''. It was completed in April, 1575 and that summer the poet read his work to Duke Alfonso of Ferrara and Lucrezia, Duchess of Urbino. A pirate edition of 14 cantos from the poem appeared in Venice in 1580. The first complete editions of ''Gerusalemme liberata'' were published in Parma and Ferrara in 1581. Tasso's choice of subject matter, an actual historic conflict between Christians and Muslims (albeit with fantastical elements added), had a historical grounding and created compositional implications (the narrative subject matter had a fixed endpoint ...
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Torquato Tasso
Torquato Tasso ( , also , ; 11 March 154425 April 1595) was an Italian poet of the 16th century, known for his 1591 poem ''Gerusalemme liberata'' (Jerusalem Delivered), in which he depicts a highly imaginative version of the combats between Christians and Muslims at the end of the First Crusade, during the Siege of Jerusalem (1099), Siege of Jerusalem of 1099. Tasso had mental illness and died a few days before he was to be Poet laureate, crowned on the Capitoline Hill as the king of poets by Clement VIII, Pope Clement VIII. His work was widely translated and adapted, and until the beginning of the 20th century, he remained one of the most widely read poets in Europe. Biography Early life Born in Sorrento, Torquato was the son of Bernardo Tasso, a nobleman of Bergamo and an epic and lyric poet of considerable fame in his day, and his wife Porzia de Rossi, a noblewoman born in Naples of Tuscany, Tuscan origins. His father had for many years been secretary in the service of F ...
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Giovanni Di Bernardo Rucellai
Giovanni di Bernardo Rucellai (20 October 1475 – 3 April 1525) was an Italian humanist, poet, dramatist and man of letters in Renaissance Florence, in Tuscany, Italy. A member of a wealthy family of wool merchants and one of the richest men in Florence, he was cousin to Pope Leo X and linked by marriage to the powerful Strozzi and de' Medici families. He was born in Florence, and died in Rome. He was the son of Bernardo Rucellai (1448–1514) and grandson of Giovanni di Paolo Rucellai (1403–1481). He is now remembered mostly for his poem ''Le Api'' ("The Bees"), one of the first poems composed in ''versi sciolti'' (blank verse) to achieve widespread acclaim. Life Giovanni Rucellai was born on 20 October 1475 in Florence, the fourth son of Bernardo Rucellai and Nannina de' Medici, sister of Lorenzo the Magnificent. He was proficient in Latin, Greek and philosophy; it is not known where or with whom he studied, except that he was a pupil of the philosopher Francesco Cattani da ...
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Orlando Furioso
''Orlando furioso'' (; ''The Frenzy of Orlando'', more loosely ''Raging Roland'') is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its complete form until 1532. ''Orlando furioso'' is a continuation of Matteo Maria Boiardo's unfinished romance ''Orlando innamorato'' (''Orlando in Love'', published posthumously in 1495). In its historical setting and characters, it shares some features with the Old French ''Chanson de Roland'' of the eleventh century, which tells of the death of Roland. The story is also a chivalric romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century and well into the 17th. Orlando is the Christian knight known in French (and subsequently English) as Roland. The story takes place against the background of the war between Charlemagne's Christian paladins and the Sarace ...
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Ludovico Ariosto
Ludovico Ariosto (; 8 September 1474 – 6 July 1533) was an Italian poet. He is best known as the author of the romance epic ''Orlando Furioso'' (1516). The poem, a continuation of Matteo Maria Boiardo's ''Orlando Innamorato'', describes the adventures of Charlemagne, Orlando, and the Franks as they battle against the Saracens with diversions into many sideplots. The poem is transformed into a satire of the chivalric tradition. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Ariosto also coined the term "humanism" (in Italian, ''umanesimo'') for choosing to focus upon the strengths and potential of humanity, rather than only upon its role as subordinate to God. This led to Renaissance humanism. Birth and early life Ariosto was born in Reggio nell'Emilia, where his father Niccolò Ariosto was commander of the citadel. He was the oldest of 10 children and was seen as the successor to the patriarchal position of ...
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Orlando Innamorato
''Orlando Innamorato'' (; known in English as "''Orlando in Love''"; in Italian titled "''Orlando innamorato''" as the " I" is never capitalized) is an epic poem written by the Italian Renaissance author Matteo Maria Boiardo. The poem is a romance concerning the heroic knight Orlando (Roland). It was published between 1483 (first two books) and 1495 (third book published separately, first complete edition). Composition and publication To material largely quarried from the Carolingian and Arthurian cycles, Boiardo added a superstructure of his own making. As the plot is not woven around a single pivotal action, the inextricable maze of most cunningly contrived episodes are seen to be linked, first, with the quest of beautiful Angelica by love-smitten Orlando and the other enamored knights, then with the defense of Albracca by Angelica's father, the King of Cathay, against the beleaguering Tartars, and, finally, with the Moors' siege of Paris and their struggle with Charlemagne's ...
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Epic Poetry
An epic poem, or simply an epic, is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants. Etymology The English word ''epic'' comes from Latin ''epicus'', which itself comes from the Ancient Greek adjective (''epikos''), from (''epos''), "word, story, poem." In ancient Greek, 'epic' could refer to all poetry in dactylic hexameter (''epea''), which included not only Homer but also the wisdom poetry of Hesiod, the utterances of the Delphic oracle, and the strange theological verses attributed to Orpheus. Later tradition, however, has restricted the term 'epic' to ''heroic epic'', as described in this article. Overview Originating before the invention of writing, primary epics, such as those of Homer, were composed by bards who used complex rhetorical and metrical schemes by which they could memorize the epic as received i ...
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Matteo Maria Boiardo
Matteo Maria Boiardo (, ; 144019/20 December 1494) was an Italian Renaissance poet, best known for his epic poem ''Orlando innamorato''. Early life Boiardo was born in 1440,Matteo Maria Boiardo
Letteratura.it at or near, (today's province of ); the son of Giovanni di Feltrino and Lucia Strozzi, he was of noble lineage, ranking as Count of Scandiano, with seignorial power over Arceto,

Guido Guinizelli
Guido Guinizelli (ca. 1225–1276) was an esteemed Italian love poet and is considered the "father" of the Dolce Stil Novo. He was the first to write in this new style of poetry writing, and thus is held to be the ''ipso facto'' founder. He was born in, and later exiled from, Bologna, Italy. It is speculated that he died in Verona, Italy. Poetry Guinizelli's poetry can be briefly described as a conciliation between divine and earthly love with deep psychological introspection. His major works are ''Al cor gentil rempaira sempre Amore'(Within the gentle heart abideth Love) which Peter Dronke considers "perhaps the most influential love-song of the thirteenth century" (Dronke 1965, 57), as well as ''Io vogli del ver la mia donna laudare'' and ''Vedut'ho la lucente stella Diana''.SePaolo Borsa, ''La nuova poesia di Guido Guinizelli'' Fiesole, Cadmo, 2007. The main themes of the Dolce Stil Novo can be found in Guinizelli's ''Al cor gentil rempaira sempre amore'': the angelic beauty ...
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Petrarchan Sonnet
The Petrarchan sonnet, also known as the Italian sonnet, is a sonnet named after the Italian poet Francesco Petrarca, although it was not developed by Petrarch himself, but rather by a string of Renaissance poets.Spiller, Michael R. G. The Development of the Sonnet: An Introduction. London: Routledge, 1992. 5 Dec. 2015. Because of the structure of Italian, the rhyme scheme of the Petrarchan sonnet is more easily fulfilled in that language than in English. The original Italian sonnet form consists of a total of fourteen hendecasyllabic lines (in English sonnets, iambic pentameter is used) in two parts, the first part being an octave and the second being a sestet. Form The rhyme scheme for the octave is typically ABBAABBA. The sestet is more flexible. Petrarch typically used CDECDE or CDCDCD for the sestet. Some other possibilities for the sestet include CDDCDD, CDDECE, or CDDCCD (as in Wordsworth's "Nuns Fret Not at Their Convent's Narrow Room," a sonnet about sonnets). This form was ...
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