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It Was The Best Of Times
''It Was the Best of Times'' is the third live album by the English rock band Supertramp, released in April 1999. The album title makes use of the opening line from ''A Tale of Two Cities'' by Charles Dickens. Overview ''It Was the Best of Times'' was recorded in September 1997 at the Royal Albert Hall, London, England, UK during the "It's About Time" tour (set up in support of the '' Some Things Never Change'' studio album). The band includes vocalist/guitarist/keyboardist Mark Hart performing songs originally sung by Roger Hodgson. Supertramp are also augmented by additional players added for this album and tour which later would also take part in the recording of ''Slow Motion'', the follow-up studio album released in 2002. The 2-CD version features the song "Don't You Lie to Me", a blues song that the band had performed on their 1988 tour and the only song not written by a current or former band member. The single CD version was later re-released in 2006 under the name ...
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Supertramp
Supertramp were an English rock band that formed in London in 1969. Marked by the individual songwriting of founders Roger Hodgson (vocals, keyboards, and guitars) and Rick Davies (vocals and keyboards), they are distinguished for blending progressive rock and pop styles as well as for a sound that relied heavily on Wurlitzer electric piano. The group's lineup changed numerous times throughout their career, with Davies being the only consistent member throughout the decades. Other longtime members included bassist Dougie Thomson, drummer Bob Siebenberg, and saxophonist John Helliwell. The band were initially a prog-rock group, but starting with their third album, ''Crime of the Century'' (1974), they began moving towards a more pop-oriented sound. They reached their commercial peak with 1979's ''Breakfast in America'', which yielded the international top 10 singles "The Logical Song", "Breakfast in America", "Goodbye Stranger", and " Take the Long Way Home". Their other top 4 ...
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Slow Motion (Supertramp Album)
''Slow Motion'' is the eleventh studio album by the English rock band Supertramp, released in April 2002. Overview In North America, ''Slow Motion'' was only available via mail-order from the band's website, released on their own label, and is the final album to date of new music from Supertramp as a band. The song "Goldrush" was actually written in the early 1970s under the first Supertramp line-up, by original guitarist Richard Palmer-James, and was used as the opening number in all their shows prior to ''Crime of the Century''. The band had tried to record it on several previous occasions, but had never before been able to recreate it in the studio to their satisfaction. While the album credits the song to Davies and Palmer-James only, Roger Hodgson has supposedly co-written it. Reception AllMusic wrote that the songs and blending of styles are brilliant, but that what would otherwise have been an outstanding album was spoiled by shoddy production. Track listing All song ...
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Tampa Red
Hudson Whittaker (born Hudson Woodbridge; January 8, 1903March 19, 1981), known as Tampa Red, was a Chicago blues musician. His distinctive single-string slide guitar style, songwriting and bottleneck technique influenced other Chicago blues guitarists such as Big Bill Broonzy, Robert Nighthawk, Muddy Waters, Elmore James and Mose Allison.Barlow, William (1989). ''"Looking Up at Down": The Emergence of Blues Culture''. Temple University Press. pp. 304–305. . In a career spanning over 30 years, he also recorded pop, R&B and hokum songs. His best-known recordings include "Anna Lou Blues", "Black Angel Blues", "Crying Won't Help You", "It Hurts Me Too", and " Love Her with a Feeling". Biography Early life Tampa Red was born Hudson Woodbridge in Smithville, Georgia. The date of his birth is uncertain, with Tampa himself giving years varying from 1900 to 1908. The birth date given on his death certificate is January 8, 1904. His parents, John and Elizabeth Woodbridge, died when he ...
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Don't You Lie To Me
"Don't You Lie to Me" (sometimes called "I Get Evil") is a song recorded by Tampa Red in 1940. It became popular with blues artists, leading it to become a blues standard. The song was also interpreted by rock and roll pioneers Fats Domino and Chuck Berry. Original song "Don't You Lie to Me" was recorded by Tampa Red approximately midpoint in his prolific recording career, representing the transition from his earlier hokum recordings to his later early Chicago-blues combo style. This was the same period when he began playing the electric guitar and recorded his best-known blues classics, including "It Hurts Me Too", "Love with a Feeling", and "Anna Lou Blues", the B-side of "Don't You Lie to Me". The song is a mid-tempo twelve-bar blues that features Tampa Red playing jazz-inflected single-note guitar fills behind his vocals. Blind John Davis provided the piano accompaniment with an unidentified bass player and, as a throwback to his earlier days, Red added a twelve-bar kazo ...
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Goodbye Stranger
"Goodbye Stranger" is a song by the English rock band Supertramp; it was written by Rick Davies. The song first appeared on their sixth studio album, ''Breakfast in America'' (1979). Reception ''Billboard'' described "Goodbye Stranger" as "a fluid midtempo number highlighted by the band's near falsetto vocals, dominant keyboards and a strong melody line." ''Cash Box'' said it has "intriguing, well-paced vocals" from Rick Davies, and the "high backup singing" from Roger Hodgson and "blithe, spirited instrumentation." ''Ultimate Classic Rock'' critic Nick DeRiso rated it as Supertramp's 4th best song, calling it a "snarky kiss-off from Davies" that "showcases the band's predilection for the Wurlitzer." Brett Milano of UDiscover Music rated Roger Hodgson's guitar solo at the end of the song as one of the 100 all-time greatest. Gary Graff of ''Billboard'' rated "Goodbye Stranger" as Supertramp's 9th best song, saying it's "one of the best executed trade-offs between Davies and ...
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The Logical Song
"The Logical Song" is a song by English rock group Supertramp that was released as the lead single from their album ''Breakfast in America'' in March 1979. It was written primarily by the band's Roger Hodgson, who based the lyrics on his experiences being sent away to boarding school for ten years. The song became Supertramp's biggest hit, rising to 7 in the United Kingdom and No. 6 on the US ''Billboard'' Hot 100 chart. In 2001, a cover version by the band Scooter returned the song to the top 10 in several European countries. Background "The Logical Song" was written primarily by Roger Hodgson, the lyrics based on his experience of being sent away to boarding school for ten years. It was a very personal song for Hodgson; he had worked on the song during soundchecks, and completed the lyrics and arrangement six months before proposing it to the band for the album. In 1980, Hodgson was honoured with the Ivor Novello Award from The British Academy of Composers and Songwriters for ...
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Bloody Well Right
"Bloody Well Right" is a song by English rock band Supertramp from their 1974 album '' Crime of the Century''. It appeared as the B-side of the single " Dreamer" in 1974. Listeners in the United States preferred it to the A-side, and "Bloody Well Right" became their breakthrough hit in the country, peaking at number 35 on the ''Billboard'' Hot 100. Lyrical content Davies consciously linked the song to the album's opening track "School" with the line "So you think your schooling is phoney", helping to perpetuate the false impression that '' Crime of the Century'' is a concept album. According to Hodgson, any unifying thread beyond that was left to the listener's imagination. ''Ultimate Classic Rock'' critic Nick DeRiso stated "Bloody Well Right" shares the theme with "School" of "questioning the education system." Structure The song begins with Rick Davies playing a Wurlitzer electric piano 51-second piano solo, leading into the rest of the band joining in. There is then a g ...
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Take The Long Way Home (Supertramp Song)
"Take the Long Way Home" is the third US single and sixth track of English rock band Supertramp's 1979 album ''Breakfast in America''. It was the last song written for the album, being penned during the nine-month recording cycle. In 1980, the live version from ''Paris'' became a minor hit in various European countries. Background According to its composer Roger Hodgson, the song deals with how the desire to go home can go both ways: I'm talking about not wanting to go home to the wife, take the long way home to the wife because she treats you like part of the furniture, but there's a deeper level to the song, too. I really believe we all want to find our home, find that place in us where we feel at home, and to me, home is in the heart and that is really, when we are in touch with our heart and we're living our life from our heart, then we do feel like we found our home." This was the last song composed for ''Breakfast in America''. Reception ''Billboard'' magazine contribu ...
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Breakfast In America (song)
"Breakfast in America" is the title track from English rock band Supertramp's 1979 album of the same name. Credited to Rick Davies and Roger Hodgson, it was a top-ten hit in the UKSupertramp UK chart history
The Official Charts. Retrieved 11 December 2011.
and a live version of the song reached No. 62 on the ''Billboard'' Hot 100 in January 1981. The lyrics tell about a person, presumably British, who dreams of visiting the .


Composition

The inner sleeve of the 1979 ''Breakfast in America'' album lists one musician –

Cannonball (Supertramp Song)
"Cannonball" is the opening track from Supertramp's 1985 album '' Brother Where You Bound''. Overview "Cannonball" was written and sung by keyboardist Rick Davies entirely in the chord of G minor. Davies stated in an interview "I did it simply to see if it could be done". The lyrics to the song may have been seen as a veiled message to former member Roger Hodgson but Davies revealed in a French radio interview that they were inspired by a less than perfect concert promoter whom he refused to name. The track became Supertramp's last US Top 40 single to date, peaking at number 28 on the Billboard singles charts in July 1985. It also crossed over to the dance charts, peaking at number nine. On the flip side of the 12-inch release is a 10-minute instrumental version of the song. Near the LP version's fade-out, the brass play a citation of the Jazz tune '' Topsy''. The promo video was directed by Steve Barron and depicted a caveman who goes after his wayward cavewoman, who left ...
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You Win, I Lose
"You Win, I Lose" is a song by Supertramp. It is the second track on their tenth studio album ''Some Things Never Change''. "You Win, I Lose" would also appear on Supertramp's 2005 compilation album ''Retrospectacle – The Supertramp Anthology''. Overview The music video for "You Win, I Lose" was directed by David Hogan and stars Anna Nicole Smith. Track listing CD # "You Win, I Lose" – 4:31 # "Some Things Never Change" (edit) – 5:05 CD # "You Win, I Lose" (edit version) – 3:58 # "You Win, I Lose" (album version) – 4:31 # "Some Things Never Change" (edit version) – 5:05 # "Some Things Never Change" (album version) – 6:26 Personnel Personnel according to the back cover. * Rick Davies Richard Davies (born 22 July 1944) is an English musician, singer and songwriter best known as founder, vocalist and keyboardist of the rock band Supertramp. Davies was its only constant member, and composed some of the band's best known songs ... – music, lyrics, executive pr ...
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Rick Davies
Richard Davies (born 22 July 1944) is an English musician, singer and songwriter best known as founder, vocalist and keyboardist of the rock band Supertramp. Davies was its only constant member, and composed some of the band's best known songs, including "Rudy (Supertramp song), Rudy", "Bloody Well Right", Supertramp (album), "Crime of the Century" , "From Now On (Supertramp song), From Now On", "Ain't Nobody But Me", "Gone Hollywood", "Goodbye Stranger", "Just Another Nervous Wreck", "Cannonball (Supertramp song), Cannonball", and "I'm Beggin' You". He is generally noted for his rhythmic blues piano solos and jazz-tinged progressive rock compositions and cynical lyrics. Starting with the self-titled ''Supertramp (album), Supertramp'' in 1970, Davies shared lead vocals with Supertramp songwriting partner, Roger Hodgson until the latter's departure in 1983, at which point he became the sole lead vocalist of the group. Davies's voice is deeper than Hodgson's, and he usually empl ...
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