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It's A Sin
"It's a Sin" is a song by English synth-pop duo Pet Shop Boys from their second studio album, ''Actually'' (1987). Written by Chris Lowe and Neil Tennant, the song was released on 15 June 1987 as the album's lead single. It became the duo's second number-one single on the UK Singles Chart, spending three weeks atop the chart. Additionally, the single topped the charts in Austria, Denmark, Finland, Germany, Ireland, Norway, Portugal, Spain, Sweden and Switzerland, while reaching number nine on the US ''Billboard'' Hot 100. A demo of the track was first cut in 1984 with Bobby Orlando, and the song's form in the demo remained intact to the final version, although the released production is far more dramatic. Writing and inspiration In this song, Tennant describes some impressions he got from his time at the Catholic St Cuthbert's High School in Newcastle upon Tyne. He ended up feeling that everything he had done or was going to do was a sin. Tennant has said that he wrote the l ...
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Pet Shop Boys
The Pet Shop Boys are an English synth-pop duo formed in London in 1981. Consisting of primary vocalist Neil Tennant and keyboardist Chris Lowe, they have sold more than 50 million records worldwide, and were listed as the most successful duo in UK music history in the 1999 edition of ''The Guinness Book of Records''. Three-time Brit Award winners and six-time Grammy nominees, since 1984 they have achieved 42 top 30 singles, 22 of these being top 10 hits on the UK Singles Chart, including four UK number ones: "West End Girls" (also number one on the US ''Billboard'' Hot 100), "It's a Sin", a synth-pop version of " Always on My Mind", and "Heart". Other hit songs include a cover of " Go West", and their own "Opportunities (Let's Make Lots of Money)", and " What Have I Done to Deserve This?" in a duet with Dusty Springfield. With five US top ten singles in the 1980s, they are associated with the Second British Invasion. At the 2009 Brit Awards in London, the Pet Shop Boys recei ...
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Sound On Sound
''Sound on Sound'' is an independently owned monthly music technology magazine published by SOS Publications Group, based in Cambridge, United Kingdom. The magazine includes product tests of electronic musical performance and recording devices, and interviews with industry professionals. Due to its technical focus, it is predominantly aimed at the professional recording studio market as well as artist project studios and home recording enthusiasts. All news and articles printed in the magazine since January 1994 have also been published online via its website, often including rich media content such as video and audio files that correspond to the content of individual articles. The articles printed in the magazine before January 1994 can be found on the Mu:zines website. History The magazine was conceived, created and founded by brothers Ian and Paul Gilby in 1985, and was originally launched in 1985 on the UK Channel 4 television programme, '' The Tube'', championing the conve ...
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Stock Aitken Waterman
Stock Aitken Waterman (abbreviated as SAW) are an English songwriting and record production trio consisting of Mike Stock, Matt Aitken, and Pete Waterman. The trio had great success from the mid-1980s through the early 1990s. SAW is considered one of the most successful songwriting and producing partnerships of all time, scoring more than 100 UK top 40 hits, selling 40 million records and earning an estimated £60 million (about $104 million). SAW started producing underground club hits, but earned worldwide success with a mix of hi-NRG-influenced sound, romantic Motown lyrics and Italo disco melodies. During 1984–1989, their musical style was labelled Eurobeat. They also put swing shuffle elements into their songs. History The team In January 1984, Mike Stock and Matt Aitken called Pete Waterman asking for a meeting. Mike and Matt turned up with a song they had written and produced called "The Upstroke", a hi-NRG female version of Frankie Goes to Hollywood's "Rel ...
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West End Girls
"West End Girls" is a song by English synth-pop duo Pet Shop Boys. Written by Neil Tennant and Chris Lowe, the song was released twice as a single. The song's lyrics are concerned with class and the pressures of inner-city life which were inspired partly by T. S. Eliot's poem ''The Waste Land''. It was generally well received by contemporary music critics and has been frequently cited as a highlight in the duo's career. The first version of the song was produced by Bobby Orlando and was released on Columbia Records' Bobcat Records imprint in April 1984, becoming a club hit in the United States and some European countries. After the duo signed with EMI, the song was re-recorded with producer Stephen Hague for their first studio album, ''Please (Pet Shop Boys album), Please''. In October 1985, the new version was released, reaching number one in the United Kingdom and the United States in 1986. In 1987, the song won Best Single at the Brit Awards, and Best International Hit at ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Countdown
A countdown is a sequence of backward counting to indicate the time remaining before an event is scheduled to occur. NASA commonly employs the terms "L-minus" and "T-minus" during the preparation for and anticipation of a rocket launch, and even "E-minus" for events that involve spacecraft that are already in space, where the "T" could stand for "Test" or "Time", and the "E" stands for "Encounter", as with a comet or some other space object. Other events for which countdowns are commonly used include the detonation of an explosive, the start of a race, the start of the New Year, or any anxiously anticipated event. An early use of a countdown once signaled the start of a Cambridge University rowing race. One of the first known associations with rockets was in the 1929 German science fiction movie ''Frau im Mond'' (English: ''Woman in the Moon'') written by Thea von Harbou and directed by Fritz Lang in an attempt to increase the drama of the launch sequence of the story's lunar-bo ...
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NASA
The National Aeronautics and Space Administration (NASA ) is an independent agency of the US federal government responsible for the civil space program, aeronautics research, and space research. NASA was established in 1958, succeeding the National Advisory Committee for Aeronautics (NACA), to give the U.S. space development effort a distinctly civilian orientation, emphasizing peaceful applications in space science. NASA has since led most American space exploration, including Project Mercury, Project Gemini, the 1968-1972 Apollo Moon landing missions, the Skylab space station, and the Space Shuttle. NASA supports the International Space Station and oversees the development of the Orion spacecraft and the Space Launch System for the crewed lunar Artemis program, Commercial Crew spacecraft, and the planned Lunar Gateway space station. The agency is also responsible for the Launch Services Program, which provides oversight of launch operations and countdown management f ...
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Non Sequitur (literary Device)
A non sequitur ( , ; " tdoes not follow") is a conversational literary device, often used for comedic purposes. It is something said that, because of its apparent lack of meaning relative to what preceded it, seems absurd to the point of being humorous or confusing. This use of the term is distinct from the non sequitur in logic, where it is a fallacy. Etymology The expression is Latin for " tdoes not follow". It comes from the words ''non'' meaning "not" and the verb ''sequi'' meaning "to follow". Usage A non sequitur can denote an abrupt, illogical, or unexpected turn in plot or dialogue by including a relatively inappropriate change in manner. A non sequitur joke sincerely has no explanation, but it reflects the idiosyncrasies, mental frames and alternative world of the particular comic persona. Comic artist Gary Larson's ''The Far Side'' cartoons are known for what Larson calls "...absurd, almost non sequitur animal" characters, such as talking cows, which he uses to creat ...
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Orchestra Hit
An orchestra hit, also known as an orchestral hit, orchestra stab, or orchestral stab, is a synthesized sound created through the layering of the sounds of a number of different orchestral instruments playing a single staccato note or chord. The orchestra hit sound was propagated by the use of early samplers, particularly the Fairlight CMI where it was known as the ORCH5 sample. The sound is used in pop, hip hop, jazz fusion, techno, and video game genres to accentuate passages of music. The orchestra hit has been identified as a "hip hop cliché". In 1990, '' Musician'' magazine stated that Fairlight's ORCH5 sample was "the orchestral hit that was heard on every rap and techno-pop record of the early 1980s". The orchestra hit has been described as popular music's equivalent to the Wilhelm scream, a sound effect widely used in film. History Precursors to the popular samples can be found in contemporary classical music, for example in Igor Stravinsky's ballet ''The ...
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Latin
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb conjuga ...
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Confiteor
The (; so named from its first word, Latin for 'I confess' or 'I acknowledge') is one of the prayers that can be said during the Penitential Act at the beginning of Mass of the Roman Rite in the Catholic Church. It is also said in the Lutheran Church at the beginning of the Divine Service, and by some Anglo-catholic Anglicans before Mass. History While Eastern liturgies begin with a confession of sin made by the celebrant alone, the earliest records of the Roman Rite all describe the Mass as beginning with the introit. However, the celebrant may have used a ''Confiteor''-like confession of sinfulness as one of the private prayers he said in the sacristy before he began Mass. Only in the 10th or 11th century is there any evidence of the preparation for Mass being made at the altar. Some prayers similar to the ''Confiteor'' appear earlier outside of Mass. The ''Canonical Rule'' of Chrodegang of Metz (d. 743) recommends: "First of all prostrate yourself humbly in the sight of Go ...
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Coda (music)
In music, a coda () (Italian for "tail", plural ''code'') is a passage that brings a piece (or a movement) to an end. It may be as simple as a few measures, or as complex as an entire section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and variation movements during the Classical era. In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme. One of the ways that Beethoven ...
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