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Irish Fiddle
The Celtic fiddle is one of the most important instruments in the traditional repertoire of Folk music of Ireland, Celtic music. The fiddle itself is identical to the violin, however it is played differently in widely varying regional styles. In the era of sound recording some regional styles have been transmitted more widely while others have become more uncommon. Contemporary performers Modern performers include: Liz Carroll (All-Ireland Junior and Senior Fiddle Champion); John Carty (musician), John Carty; Brian Conway; Matt Cranitch; Desi Donnelly; Martin Fay; Frankie Gavin (musician), Frankie Gavin; Cathal Hayden; Kevin Burke (musician), Kevin Burke; Martin Hayes (musician), Martin Hayes; Eileen Ivers (9-time All-Ireland Fiddle Champion); Seán Keane (fiddler); Maurice Lennon; Andy McGann; Sean McGuire (fiddler), Sean McGuire; Brendan Mulvihill; Gerry O'Connor (fiddle player), Gerry O'Connor; Caoimhín Ó Raghallaigh; Tommy Peoples; Bridget Regan; Marie Reilly; Paul Shaughnes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Fiddler, Strabane - Geograph
''The'' () is a grammatical Article (grammar), article in English language, English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the Most common words in English, most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy Peoples
Tommy Peoples (20 September 1948 – 4 August 2018) was an Irish fiddler who played in the Donegal fiddle tradition. Biography Peoples was born near St. Johnston, County Donegal, Ireland. He was a member of traditional Irish music groups, including The Bothy Band as well as performing solo from the late 1960s. He played in the fiddle style of East Donegal. After moving to Dublin in the 1960s, where he was employed as a Garda (member of the Irish police force), he subsequently moved to County Clare and married Mary Linnane (daughter of Kitty Linnane, long-time leader of the Kilfenora Céilí Band). The family lived in St Johnston. His daughter, Siobhán Peoples, is also a fiddler. Peoples was the Traditional Musician In Residence at The Balor Arts Centre, Ballybofey, County Donegal. In July 2015, he launched a self-published book, ''Ó Am go hAm - From Time to Time''. The book combines a fiddle tutor by Peoples, along with illustrations and a complete notation of 130 origi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slur (music)
A slur is a symbol in Western culture, Western musical notation indicating that the note (music), notes it embraces are to be played without separation (that is, with legato articulation (music), articulation). A slur is denoted with a curved line (geometry), line generally placed over the notes if the stem (music), stems point downward, and under them if the stems point upwards. The example below shows two measures in with a slur for each measure: : \relative c'' Performance Slurs mean different things for different instruments: *For bow (music), bowed string instruments, the notes should be played in one bow stroke. * For plucked string instruments, such as guitars, the notes should be played without plucking the individual strings (hammer-ons and pull-offs). * For wind instruments, the notes should be played without re-articulating each note (tonguing), except for the slide trombone (and other instruments that control the pitch with a slide), on which only certain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornament (music)
In music, ornaments or embellishments are musical flourishes—typically, added notes—that are not essential to carry the overall line of the melody (or harmony), but serve instead to decorate or "ornament" that line (or harmony), provide added interest and variety, and give the performer the opportunity to add expressiveness to a song or piece. Many ornaments are performed as "fast notes" around a central, main note. There are many types of ornaments, ranging from the addition of a single, short grace note before a main note to the performance of a virtuosic and flamboyant trill. The amount of ornamentation in a piece of music can vary from quite extensive (it was often extensive in the Baroque period, from 1600 to 1750) to relatively little or even none. The word ''agrément'' is used specifically to indicate the French Baroque style of ornamentation. Improvised vs. written In the Baroque period, it was common for performers to improvise ornamentation on a given melodic li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Air (music)
An air ( it, aria; also ''ayr'', ''ayre'' in French) is a song-like vocal or instrumental composition. The term can also be applied to the interchangeable melodies of folk songs and ballads. It is a variant of the musical song form often referred to (in opera, cantata and oratorio) as aria. English lute ayres Lute airs were first produced in the royal court of England toward the end of the 16th century and enjoyed considerable popularity until the 1620s. Probably based on Italian monody and French ''air de cour'', they were solo songs, occasionally with more (usually three) parts, accompanied on a lute.G. J. Buelow, ''History of Baroque Music: Music in the 17th and First Half of the 18th Centuries'', Indiana University Press, 2004 (p. 306). Their popularity began with the publication of John Dowland's (1563–1626) ''First Booke of Songs or Ayres'' (1597). His most famous airs include " Come again", "Flow, my tears", " I saw my Lady weepe", and " In darkness let me dwell". The gen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibrato
Vibrato (Italian language, Italian, from past participle of "wikt:vibrare, vibrare", to vibrate) is a musical effect consisting of a regular, pulsating change of pitch (music), pitch. It is used to add expression to vocal and instrumental music. Vibrato is typically characterised in terms of two factors: the amount of pitch variation ("extent of vibrato") and the speed with which the pitch is varied ("rate of vibrato"). In singing it can occur spontaneously through variations in the larynx. The vibrato of a string instrument and wind instrument is an imitation of that vocal function. Vibrato and tremolo The terms vibrato and tremolo are sometimes incorrectly used interchangeably, although (in the classical world) they are properly defined as separate effects with vibrato defined as a periodic variation in the pitch (frequency) of a musical note, and tremolo as a fast repetition of the same note (usually a semiquaver) in order to produce the audible effect of a longer note, es ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Doherty (musician)
John Doherty (1900 – 26 January 1980) was an Irish folk fiddler. Biography John Doherty was born in 1900 in Ardara, County Donegal. He came from a family of Irish Travellers who worked as tinsmiths and horse traders. His birth certificate was uncovered in recent years, firstly by Professor Alun Evans, and subsequently by researcher Caomhin MacAoidh, allowing confirmation that his date of birth was 1900, rather than 1895, which has been recorded in error in several publications. His father Mickey 'Mor' Doherty was a fiddler as were a number of his brothers and sisters. Mickey Mor married Mary McConnell, a singer (whose brothers Alec and Mickey were well-known musicians in south Donegal). Together they had nine children and John was the youngest. In an interview in the 1970s he said that he had to practice in the barn as a teenager, and was not allowed to play fiddle in the company of his parents until he had mastered "Bonny Kate". He heard recordings of James Scott Skinn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donegal (town)
Donegal ( ; , "fort of the foreigners") is a town in County Donegal, Ireland. The name was also historically spelt 'Dunnagall'. Although Donegal gave its name to the county, now Lifford is the county town. From the 15th until the early 17th century, Donegal was the 'capital' of Tyrconnell (), a Gaelic kingdom controlled by the O'Donnell dynasty of the Northern Uí Néill. Donegal is in South Donegal and is located at the mouth of the River Eske and Donegal Bay, which is overshadowed by the Blue Stack Mountains ('the Croaghs'). The Drumenny Burn, which flows along the eastern edge of Donegal Town, flows into the River Eske on the north-eastern edge of the town, between the Community Hospital and The Northern Garage. The Ballybofey Road (the R267) crosses the Drumenny Burn near where it flows into the River Eske. The town is bypassed by the N15 and N56 roads. The centre of the town, known as The Diamond, is a hub for music, poetic and cultural gatherings in the area. Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Gorman (musician)
Michael Gorman (1895–1970) was an Irish fiddler (from County Sligo), often partnering Margaret Barry. He has been described as "one of traditional music's few superstars of the post-War decades" and one whose "musical roots in Ireland can be identified back to the artisan musicians in the immediate aftermath of the famine, and he was an active musician from about 1906 until 1970." The accompanying book to the Topic Records 70-year anniversary boxed set ''Three Score and Ten'' lists ''Her Mantle So Green'' as one of the classic albums and ''The Factory Girl'' from ''Street Songs and Fiddle Tunes of Ireland'' with Margaret Barry is track 9 on the third CD in the set. Discography * ''Bonnie Kate'' TFSA 60 077 (cassette) * 1958 ''Street Songs and Fiddle Tunes of Ireland'' (with Margaret Barry) Topic 10T6 * 1965 ''Her Mantle So Green'' (with Margaret Barry) Topic 12T123 * ''Irish Songs and Tunes'' (with Margaret Barry) Folkways 8729 *1967 ''The Blarney Stone'' (with Margaret Barry) T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Coleman (Irish Musician)
Michael Coleman (31 January 1891 – 4 January 1945) was a virtuoso Irish fiddler from County Sligo, and a major exponent of the Sligo fiddle style. Early years Michael Coleman was born in Knockgrania, in the rural Killavil district, near Ballymote, County Sligo, Ireland. His father, James Coleman, was from Banada in County Roscommon, and a respected flute player. Michael was the seventh child of James and Beatrice, and the surviving half of a pair of twins. As a child he learned step dancing and fiddle playing, and performed at local houses. His elder brother Jim had a high reputation but was never recorded. In his formative years Michael was influenced by Uilleann pipers (a type of bagpipe), including Johnny Gorman. He left school in 1908, at the age of 17. He competed at the Sligo Feis Ceoil in 1909 and again in 1910, and was placed joint third on both occasions. In 1914 he moved to Manchester, England to live with his older brother Pat, but returned home after several ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Morrison (fiddler)
James or Jim Morrison (3 May 1893 – 1947), known as "The Professor", was a notable South Sligo-style Irish fiddler. Life Morrison was born on 3 May 1893 near Riverstown, County Sligo at the townland of Drumfin. Morrison grew up in a community steeped in traditional Irish culture especially music and at the age of 17 he was employed by the Gaelic League to tutor the Connacht style of step dancing at the Gaelic League school in County Mayo. In 1915, at the age of 21, he emigrated to America and settled in New York City. In 1918, Morrison won the fiddle competition at the New York Feis. Morrison become associated with other leading Irish musicians such as Michael Coleman, Paddy Killoran who were also from County Sligo. Morrison was one of the leading Irish music teachers in New York in the 1930s and '40s. In addition to the fiddle, he could play the flute, tenor banjo and button accordion A button accordion is a type of accordion on which the melody-side keyboard con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sligo
Sligo ( ; ga, Sligeach , meaning 'abounding in shells') is a coastal seaport and the county town of County Sligo, Ireland, within the western province of Connacht. With a population of approximately 20,000 in 2016, it is the List of urban areas in the Republic of Ireland by population, largest urban centre in the county, with Sligo Municipal district (Ireland), Borough District constituting 61% (38,581) of the county's population of 63,000. Sligo is a commercial and cultural centre situated on the west coast of Ireland. Its surrounding coast and countryside, as well as its connections to the poet W. B. Yeats, have made it a tourist destination. History Etymology Sligo is the anglicisation of the Irish name ''Sligeach'', meaning "abounding in shells" or "shelly place". It refers to the abundance of shellfish found in the river and its estuary, and from the extensive shell middens in the vicinity. The river now known as the River Garavogue, Garavogue ( ga, An Ghairbhe-og), per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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