Inspire (La'Mule Album)
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Inspire (La'Mule Album)
''Inspire'' is the first full-length studio album by visual kei rock Rock most often refers to: * Rock (geology), a naturally occurring solid aggregate of minerals or mineraloids * Rock music, a genre of popular music Rock or Rocks may also refer to: Places United Kingdom * Rock, Caerphilly, a location in Wales ... group La'Mule. The album was released through Bandai Music Entertainment on December 2, 1998. Two songs from the album, Mind Control and Usagi no Tsumi, had been released earlier that year as a double single. Track listing References {{Authority control Japanese-language albums La'Mule albums 1998 albums ...
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La'Mule
La'Mule (formerly stylized as La:Mule) was a Japanese visual kei rock band formed in 1996. The band became known for its distinctive visual style, featuring blood and bandages. History La'Mule were formed in 1996 in Shikoku, Japan. Allegedly the band was slow to release material as they preferred to participate in events with fans rather than spend time in the recording studio. Their first CD, ''Toki no Souretsu'' was released in April 1998. In September 1998, both guitarists (Yuki and Fumi) left the band, and were replaced by Sin and Nao. Their first Japan-wide tour took place in November 1999. In 2001, they formed Slit, their own record label, for the release of the album 'Climax'. In 2003, La'Mule announced an indefinite hiatus, however, they did re-form in 2010 in order to play a number of live shows. In 2012, the band formally disbanded. Their last concert took place on 6 April 2012. Members *Kon (紺) - Vocals *Sin - Lead Guitar *Nao - Rhythm Guitar *Isuke - Bass *You-ya ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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Gothic Rock
Gothic rock (also called goth rock or simply goth) is a style of rock music that emerged from post-punk in the United Kingdom in the late 1970s. The first post-punk bands which shifted toward dark music with gothic overtones include Siouxsie and the Banshees, Joy Division, Bauhaus, and the Cure. The genre itself was defined as a separate movement from post-punk. Gothic rock stood out due to its darker sound, with the use of primarily minor or bass chords, reverb, dark arrangements, or dramatic and melancholic melodies, having inspirations in gothic literature allied with themes such as sadness, nihilism, dark romanticism, tragedy, melancholy and morbidity. These themes are often approached poetically. The sensibilities of the genre led the lyrics to represent the evil of the century and the romantic idealization of death and the supernatural imagination. Gothic rock then gave rise to a broader goth subculture that included clubs, fashion and publications in the 1980s, 1990s, a ...
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Metal (music)
Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distorted guitars, extended guitar solos, emphatic beats and loudness. In 1968, three of the genre's most famous pioneers – Led Zeppelin, Black Sabbath and Deep Purple – were founded. Though they came to attract wide audiences, they were often derided by critics. Several American bands modified heavy metal into more accessible forms during the 1970s: the raw, sleazy sound and shock rock of Alice Cooper and Kiss; the blues-rooted rock of Aerosmith; and the flashy guitar leads and party rock of Van Halen. During the mid-1970s, Judas Priest helped spur the genre's evolution by discarding much of its blues influence,Walser (1993), p. 6 while Motörhead introduced a punk rock sensibility and an ...
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Alternative Metal
Alternative metal (also known as alt-metal) is a genre of heavy metal music Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a ... that combines heavy metal with influences from alternative rock and other genres not normally associated with metal. Alternative metal bands are often characterized by heavily Downtuned guitar, downtuned, mid-paced guitar riffs, a mixture of accessible melodic vocals and Screaming (music), harsh vocals and sometimes unconventional sounds within other heavy metal styles. The term has been in use since the 1980s, although it came into prominence in the 1990s. Other genres considered part of the alternative metal movement included rap metal and funk metal, both of which influenced another prominent subgenre, nu metal. Nu metal expands the alternative metal s ...
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Toki No Souretsu
is a mini album by visual kei rock group La'Mule La'Mule (formerly stylized as La:Mule) was a Japanese visual kei rock band formed in 1996. The band became known for its distinctive visual style, featuring blood and bandages. History La'Mule were formed in 1996 in Shikoku, Japan. Allegedly the .... Track listing References Japanese-language albums La'Mule albums 1998 albums {{1990s-metal-album-stub ...
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Fuyuutsuki ~Yuigadai Kikeikyouten~
La'Mule (formerly stylized as La:Mule) was a Japanese visual kei rock band formed in 1996. The band became known for its distinctive visual style, featuring blood and bandages. History La'Mule were formed in 1996 in Shikoku, Japan. Allegedly the band was slow to release material as they preferred to participate in events with fans rather than spend time in the recording studio. Their first CD, ''Toki no Souretsu'' was released in April 1998. In September 1998, both guitarists (Yuki and Fumi) left the band, and were replaced by Sin and Nao. Their first Japan-wide tour took place in November 1999. In 2001, they formed Slit, their own record label, for the release of the album 'Climax'. In 2003, La'Mule announced an indefinite hiatus, however, they did re-form in 2010 in order to play a number of live shows. In 2012, the band formally disbanded. Their last concert took place on 6 April 2012. Members *Kon (紺) - Vocals *Sin - Lead Guitar *Nao - Rhythm Guitar *Isuke - Bass *You-ya ...
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Visual Kei
is a movement among Japanese musicians that is characterized by the use of varying levels of make-up, elaborate hair styles and flamboyant costumes, often, but not always, coupled with androgynous aesthetics, similar to Western glam rock. Some Western sources consider visual kei a music genre, with its sound usually related to glam rock, punk rock and heavy metal. However, visual kei acts play various genres, including those considered by some as unrelated to rock such as electronic, pop, etc. Other sources, including members of the movement themselves, state that it is not a music genre and that the freedom of expression, fashion, and participation in the related subculture is what exemplifies the use of the term. Etymology The term "visual kei" was derived from one of X Japan's slogans, "Psychedelic Violence Crime of Visual Shock", seen on the cover of their second studio album '' Blue Blood'' (1989). This derivation is credited as being coined by Seiichi Hoshiko, the fou ...
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Mind Control/Usagi No Tsumi
The mind is the set of faculties responsible for all mental phenomena. Often the term is also identified with the phenomena themselves. These faculties include thought, imagination, memory, will, and sensation. They are responsible for various mental phenomena, like perception, pain experience, belief, desire, intention, and emotion. Various overlapping classifications of mental phenomena have been proposed. Important distinctions group them according to whether they are ''sensory'', ''propositional'', ''intentional'', ''conscious'', or ''occurrent''. Minds were traditionally understood as substances but it is more common in the contemporary perspective to conceive them as properties or capacities possessed by humans and higher animals. Various competing definitions of the exact nature of the mind or mentality have been proposed. ''Epistemic definitions'' focus on the privileged epistemic access the subject has to these states. ''Consciousness-based approaches'' give primacy to ...
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