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In The Flesh (Pink Floyd Song)
"In the Flesh?" and "In the Flesh" are two songs by the English rock band Pink Floyd, released on their 1979 album, ''The Wall''. "In the Flesh?" is the opening track, and introduces the story concept of the album. "In the Flesh" is the twenty-first song of the album, and is a reprise of the first with a choir, different verses and more extended instrumentation. The title is a reference to the band's 1977 In the Flesh Tour, during which Roger Waters, in frustration, spat at a fan attempting to climb the fence separating the band from the crowd. Composition The majority of the songs are in the key of A Major and its time signature is 6/8. The arrangement is highly dynamic and dramatic. The first few seconds of the first song ("In the Flesh?") are very quiet, and feature the melody of the song " Outside the Wall", which is the album's closing track. The recording begins abruptly as a man quietly speaks the phrase "...we came in?" completing the sentence cut off at the end of the ...
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Pink Floyd
Pink Floyd are an English rock band formed in London in 1965. Gaining an early following as one of the first British psychedelic music, psychedelic groups, they were distinguished by their extended compositions, sonic experimentation, philosophical lyrics and elaborate Pink Floyd live performances, live shows. They became a leading band of the progressive rock genre, cited by some as the greatest progressive rock band of all time. Pink Floyd were founded in 1965 by Syd Barrett (guitar, lead vocals), Nick Mason (drums), Roger Waters (bass guitar, vocals), and Richard Wright (musician), Richard Wright (keyboards, vocals). Under Barrett's leadership, they released two charting singles and the successful debut album ''The Piper at the Gates of Dawn'' (1967). Guitarist and vocalist David Gilmour joined in December 1967; Barrett left in April 1968 due to deteriorating mental health. Waters became the primary lyricist and thematic leader, devising the concept album, concepts behind ...
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Outside The Wall (song)
"Outside the Wall" (working titles "Bleeding Hearts", "The Buskers") is a song written by Roger Waters. It appeared on the 1979 Pink Floyd album, ''The Wall''. Overview This song is meant as a dénouement to the album. The story ends with "The Trial", in which a "judge" decrees, ''"Tear down the wall!''". An explosion is heard to signify the wall's destruction, and "Outside the Wall" quietly begins. It is not explicitly stated what happens to Pink, the protagonist, after the dismantling of his psychological "wall". At the end, the song cuts off abruptly, as the man says "Isn't this where...", leading into the voice clip at the beginning of "In the Flesh?" that states "...we came in?", giving a sort of circularity to the album. Composition The song is the quietest on the album. It is a diatonic song in C Major, in 3/4 and is 1:41 in length. In the original demo version of this song, a harmonica was used in place of the clarinet heard on the album version. Plot Unlike the other s ...
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Radio K
KUOM (770 AM) – branded ''Radio K'' – is a daytime-only non-commercial educational college/alternative rock radio station licensed to serve Minneapolis, Minnesota. KUOM covers the Minneapolis–Saint Paul metropolitan area, and extends its reach with three low-power broadcast relay stations and one full-power repeater that also allow KUOM's programming to be heard 24 hours a day. Owned by the University of Minnesota, Twin Cities, the station is operated by both faculty and students. The KUOM studios are located at the Rarig Center on the University of Minnesota campus, while the station transmitter is in Falcon Heights. Besides a standard analog transmission, KUOM is also available online. KUOM's AM signal operates with a non-directional antenna located on the St. Paul/ Falcon Heights campus. Due to its 770 kHz frequency located low on the band combined with the region's flat terrain and excellent soil conductivity, the station's AM coverage is comparable to that of a ...
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The Pros And Cons Of Hitch Hiking (tour)
''The Pros and Cons of Hitch Hiking'' is the debut solo studio album by English singer and musician Roger Waters; it was released in 1984, the year before Waters announced his departure from Pink Floyd. The album was certified gold in the United States by the Recording Industry Association of America in April 1995. Concept history and production The concept was originally envisioned by Waters in 1977 and refined in the early 1980s. In its completed form, it rotates around a man's scattered thoughts during his midlife crisis. These are explored on a dream journey during which he takes a road trip through California, commits adultery with a hitchhiker he picks up along the way, attempts to reconcile with his wife by moving to the wilderness, and finally ends up alone but with greater insight into a common human compassion. Along the way he also faces other fears and paranoia. The entire story is framed in real time as a fitful dream taking place in the early morning hour ...
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Another Brick In The Wall
"Another Brick in the Wall" is a three-part composition on Pink Floyd's 1979 rock opera ''The Wall,'' written by bassist Roger Waters. "Part 2", a protest song against corporal punishment, and rigid and abusive schooling, features a children's choir. At the suggestion of producer Bob Ezrin, Pink Floyd added elements of disco. "Part 2" was released as a single, Pink Floyd's first in the UK since " Point Me at the Sky" (1968). It sold over four million copies worldwide and topped singles charts in fourteen countries, including in the UK and United States. It was nominated for a Grammy Award and was ranked number 384 on ''Rolling Stone''s list of "The 500 Greatest Songs of All Time". Concept The three parts of "Another Brick in the Wall" appear on Pink Floyd's 1979 rock opera album ''The Wall''. They are essentially one verse each, although Part 2 sees its own verse sung twice: once by Floyd members, and the second time by the guest choir. During "Part 1", the protagonist, P ...
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The Pros And Cons Of Hitch Hiking
''The Pros and Cons of Hitch Hiking'' is the debut solo studio album by English singer and musician Roger Waters; it was released in 1984, the year before Waters announced his departure from Pink Floyd. The album was certified gold in the United States by the RIAA, Recording Industry Association of America in April 1995. Concept history and production The concept was originally envisioned by Waters in 1977 and refined in the early 1980s. In its completed form, it rotates around a man's scattered thoughts during his midlife crisis. These are explored on a dream journey during which he takes a road trip through California, commits adultery with a hitchhiker he picks up along the way, attempts to reconcile with his wife by moving to the wilderness, and finally ends up alone but with greater insight into a common human compassion. Along the way he also faces other fears and paranoia. The entire story is framed in real time (media), real time as a fitful dream taking place in t ...
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The Thin Ice
"The Thin Ice" is a song by Pink Floyd, released on ''The Wall'' in 1979. Composition The song, which is two minutes and 30 seconds in length, begins with the sound of an infant crying. The main body of the song is a 50s progression, with time signature in 6/8, commonly heard in doo-wop songs such as " Stand by Me", progressing from C Major to A minor, then F Major to G Major, played softly on piano and synthesiser. The first half of the lyrics are sung by David Gilmour in a gentle tone, beginning with ''"Mama loves her baby"'', and a refrain of ''"Ooh babe, ooh, baby blue"''. A bass guitar creates a dissonant effect mid-song, when it plays an F♯ against an A minor, the major sixth of the chord, and the augmented fourth of the key. Then Roger Waters takes over the lead vocal. The piano becomes staccato, as the lyric takes on a warning tone, with Waters singing ''"If you should go skating/On the thin ice of modern life...."'' As the lyrics end, the diatonic sense of C Maj ...
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Dive Bomber
A dive bomber is a bomber aircraft that dives directly at its targets in order to provide greater accuracy for the bomb it drops. Diving towards the target simplifies the bomb's trajectory and allows the pilot to keep visual contact throughout the bomb run. This allows attacks on point targets and ships, which were difficult to attack with conventional level bombers, even ''en masse''. After World War II, the rise of precision-guided munitions and improved anti-aircraft defences—both fixed gunnery positions and fighter interception—led to a fundamental change in dive bombing. New weapons, such as rockets, allowed for better accuracy from smaller dive angles and from greater distances. They could be fitted to almost any aircraft, including fighters, improving their effectiveness without the inherent vulnerabilities of dive bombers, which needed air superiority to operate effectively. Method A dive bomber dives at a steep angle, normally between 45 and 60 degrees or ev ...
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Junkers Ju 87
The Junkers Ju 87 or Stuka (from ''Sturzkampfflugzeug'', "dive bomber") was a German dive bomber and ground-attack aircraft. Designed by Hermann Pohlmann, it first flew in 1935. The Ju 87 made its combat debut in 1937 with the Luftwaffe's Condor Legion during the Spanish Civil War of 1936–1939 and served the Axis in World War II from beginning to end (1939–1945). The aircraft is easily recognisable by its inverted gull wings and fixed spatted undercarriage. Upon the leading edges of its faired main gear legs were mounted ram-air sirens known as ', which became a propaganda symbol of German air power and of the so-called ''Blitzkrieg'' victories of 1939–1942, as well as providing Stuka pilots with audible feedback as to speed. The Stuka's design included several innovations, including automatic pull-up dive brakes under both wings to ensure that the aircraft recovered from its attack dive even if the pilot blacked out from the high g-forces. The Ju 87 operated with c ...
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In The Flesh?
"In the Flesh?" and "In the Flesh" are two songs by the English rock band Pink Floyd, released on their 1979 album, ''The Wall''. "In the Flesh?" is the opening track, and introduces the story concept of the album. "In the Flesh" is the twenty-first song of the album, and is a reprise of the first with a choir, different verses and more extended instrumentation. The title is a reference to the band's 1977 In the Flesh Tour, during which Roger Waters, in frustration, spat at a fan attempting to climb the fence separating the band from the crowd. Composition The majority of the songs are in the key of A Major and its time signature is 6/8. The arrangement is highly dynamic and dramatic. The first few seconds of the first song ("In the Flesh?") are very quiet, and feature the melody of the song " Outside the Wall", which is the album's closing track. The recording begins abruptly as a man quietly speaks the phrase "...we came in?" completing the sentence cut off at the end of the ...
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Doo-wop
Doo-wop (also spelled doowop and doo wop) is a genre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, DC, and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables (such as "doo-wop") is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was "artistically and commercially viable" until the early 1960s, but continued to influence performers in other genres.Hoffmann, FRoots of Rock: Doo-Wop In ''Survey of American Popular Music'', modified for the web by Robert Birklin ...
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Leitmotif
A leitmotif or leitmotiv () is a "short, recurring musical phrase" associated with a particular person, place, or idea. It is closely related to the musical concepts of ''idée fixe'' or ''motto-theme''. The spelling ''leitmotif'' is an anglicization of the German ''Leitmotiv'' (), literally meaning "leading motif", or "guiding motif". A musical motif has been defined as a "short musical idea ... melodic, harmonic, or rhythmic, or all three", a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition: "the smallest structural unit possessing thematic identity." In particular, such a motif should be "clearly identified so as to retain its identity if modified on subsequent appearances" whether such modification be in terms of rhythm, harmony, orchestration or accompaniment. It may also be "combined with other leitmotifs to suggest a new dramatic condition" or development. The technique is no ...
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