In A Sentimental Mood (Dr. John Album)
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In A Sentimental Mood (Dr. John Album)
''In a Sentimental Mood'' is the twelfth album by New Orleans singer and pianist Dr. John. It spent eleven weeks on the Billboard 200 charts, peaking at No. 142 on July 8, 1989. Track listing #" Makin' Whoopee!" ( Gus Kahn, Walter Donaldson) (with Rickie Lee Jones) – 4:09 #"Candy" (Alex Kramer, Joan Whitney, Mack David) – 5:33 #" Accentuate the Positive" (Johnny Mercer) – 3:55 #" My Buddy" (Kahn, Donaldson) – 3:50 #"In a Sentimental Mood" (Duke Ellington, Irving Mills, Manny Kurtz) – 4:05 #" Black Night" ( Jessie Mae Robinson) – 4:12 #"Don't Let the Sun Catch You Crying" (Joe Greene) – 4:52 #" Love for Sale" (Cole Porter) – 5:18 #" More Than You Know" ( William Rose, Edward Eliscu, Vincent Youmans) – 4:40 Personnel Musicians * Dr. John – vocals, keyboards * Hugh McCracken – guitar (tracks 2–9) * Paul Jackson Jr. – acoustic guitar (track 1) * Abraham Laboriel – bass (tracks 1,3) * Marcus Miller – bass (tracks 4–7, 9) * David Barard – bass ( ...
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Ocean Way Recording
Ocean Way Recording was a series of recording studios established by recording engineer and producer Allen Sides with locations in Los Angeles, California, Nashville, Tennessee, and Saint Barthélemy. Ocean Way Recording no longer operates recording facilities, but Ocean Way Nashville continues to operate under the ownership of Belmont University. History Background In 1972, Ocean Way founder Allen Sides opened a studio he had built in a 3 1/2-car garage on Ocean Way in Santa Monica, California for the purpose of demonstrating tai-amplified loudspeakers of his own design. In 1977, Sides, who had worked as a runner at United Western Recorders in the late 1960s, purchased enough equipment from Putnam's company UREI to completely fill the garage space for just $6,000, attracting the attention of Putnam. Sides and Putnam became friends and business partners, and Putnam offered Sides exclusive rights to sell UREI and United Western Studios' surplus equipment, providing Sides and his st ...
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Ac-Cent-Tchu-Ate The Positive
"Ac-Cent-Tchu-Ate the Positive" is a popular song which was published in 1944. The music was written by Harold Arlen and the lyrics by Johnny Mercer. The song was nominated for the "Academy Award for Best Original Song" at the 18th Academy Awards in 1945 after being used in the film ''Here Come the Waves''. Background It is sung in the style of a sermon, and explains that accentuating the positive is key to happiness. In describing his inspiration for the lyric, Mercer told the Pop Chronicles radio documentary " ypublicity agent ... went to hear Father Divine and he had a sermon and his subject was 'you got to accentuate the positive and eliminate the negative.' And I said 'Wow, that's a colorful phrase!'" Chart performance Mercer recorded the song, with The Pied Pipers and Paul Weston's orchestra, on October 4, 1944, and it was released by Capitol Records as catalog number 180. The record first reached the Billboard magazine charts on January 4, 1945, and lasted 13 w ...
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Billy Rose
Billy Rose (born William Samuel Rosenberg; September 6, 1899 – February 10, 1966) was an American impresario, theatrical showman and lyricist. For years both before and after World War II, Billy Rose was a major force in entertainment, with shows such as ''Billy Rose's Crazy Quilt'' (1931), ''Jumbo'' (1935), '' Billy Rose's Aquacade'' (1937), and ''Carmen Jones'' (1943). As a lyricist, he is credited with many songs, notably "Don't Bring Lulu" (1925), "Tonight You Belong To Me" (1926), "Me and My Shadow" (1927), "More Than You Know" (1929), "Without a Song" (1929), " It Happened in Monterrey" (1930) and "It's Only a Paper Moon" (1933). Despite his accomplishments, Rose may be best known today as the husband of famed comedian and singer Fanny Brice (1891–1951). Life and work Rose was born to a Jewish family in New York City, United States. He attended Public School 44, where he was the 50-yard dash champion. While in high school, Billy studied shorthand under John Robert G ...
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More Than You Know (1929 Song)
"More Than You Know" is a popular song, composed by Vincent Youmans with lyrics by Billy Rose and Edward Eliscu. The song was published in 1929. The song was introduced in the Broadway musical '' Great Day'' where it was sung by Mayo Methot. It was also popularized on the stage and radio by Jane Froman. The most popular contemporary recordings were by Helen Morgan (Victor catalog number 22149), and by Libby Holman ( Brunswick catalog number 4613). The song was subsequently featured in three musical films: '' Hit the Deck'' (1955), sung by Tony Martin; ''Funny Lady'' (1975), sung by Barbra Streisand (who first recorded it for her 1967 studio album, ''Simply Streisand''); and ''The Fabulous Baker Boys'' (1989) sung by Michelle Pfeiffer. It has been recorded by many artists. Recorded versions * Mildred Bailey (recorded November 9, 1936, released by Vocalion as catalog number 3378, with the flip side "Long about Midnight"; re-recorded February 12, 1942, released by Decca as catalog nu ...
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Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ...
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Love For Sale (song)
"Love for Sale" is a song by Cole Porter introduced by Kathryn Crawford in the musical ''The New Yorkers,'' which opened on Broadway on December 8, 1930 and closed in May 1931 after 168 performances. The song is written from the viewpoint of a prostitute advertising "love for sale". Early versions The song's chorus, like many in the Great American Songbook, is written in the A-A-B-A format. However, instead of 32 bars, it has 64, plus an 8-bar tag. The tag is often dropped when the song is performed. The tune, like many of Porter's, shifts between a major and minor feeling. The A section is in the key of B-flat minor before modulating to B-flat major and back. Background When the song came out in 1930, a newspaper labelled it as 'in bad taste';Schwartz, Charles (1979). ''Cole Porter''. Da Capo Press. , pp. 115–116 radio stations avoided broadcasting it. Because of the complaints, Porter shifted the setting of the song in the musical to the Cotton Club in Harlem, where it was su ...
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Don't Let The Sun Catch You Crying
"Don't Let the Sun Catch You Crying" is a song written by Gerry Marsden, Freddie Marsden, Les Chadwick and Les Maguire, the members of British beat group Gerry and the Pacemakers. It was first recorded and issued as a single by Louise Cordet in February 1964. Shortly after Cordet's version failed to chart, the song was recorded by Gerry and The Pacemakers themselves in April 1964. The Gerry and The Pacemakers recording became an international hit, and remains one of their best known singles. History The song was given first to Louise Cordet, a singer who had previously toured with the group as well as with The Beatles. Her version was produced by Tony Meehan and released on Decca Records in February 1964. The group then decided to issue their own version. The record, like the group's earlier releases, was produced by George Martin. It was released in April 1964 as Gerry and the Pacemakers' fifth single in Britain, and spent 11 weeks on the United Kingdom's ''Record Retaile ...
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Jessie Mae Robinson
Jessie Mae Robinson (née Booker, October 1, 1918 – October 26, 1966) was an American musician and songwriter, whose compositions included many R&B and pop hits of the 1940s and 1950s, including "Black Night", "I Went To Your Wedding", and "Let's Have a Party". Biography Jessie Mae Booker was born in Call, Texas, but was raised in Los Angeles where she started writing songs in her teens, and met and married Leonard Robinson. After a few years she began pitching her songs to performers and music publishers. Her first song to be recorded was "Mellow Man Blues" by Dinah Washington in 1945. She found commercial success with Eddie "Cleanhead" Vinson's "Cleanhead Blues" in 1946 and then "Old Maid Boogie", an R&B chart number one in 1947. Songs written by Jessie Mae Robi ...
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Black Night (Charles Brown Song)
"Black Night" is a blues song recorded by Charles Brown in 1951. Although the songwriter credit is usually given to Jessie Mae Robinson Jessie Mae Robinson (née Booker, October 1, 1918 – October 26, 1966) was an American musician and songwriter, whose compositions included many R&B and pop hits of the 1940s and 1950s, including " Black Night", "I Went To Your Wedding", an ..., "Brown is believed to have written 'Black Night'", according to author Steve Sullivan. Background A slow minor-key blues, it is performed in the West Coast blues-style. Brown, on vocal and piano, is backed by a small combo with the addition of Maxwell Davis on saxophone. "Black Night" was Brown's second single to reach number one on Billboard (magazine), ''Billboard's'' R&B chart. It remained at the top position for 14 weeks, longer than any other single. In 2005, it was inducted into the Blues Foundation Blues Hall of Fame as a "Classic of Blues RecordingSingle or Album Track". The song i ...
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Manny Kurtz
Manny Curtis (born Emanuel Kurtz, Nov 15, 1911 – Dec 6, 1984) was an American songwriter. He wrote the lyrics for over 250 songs, including "In a Sentimental Mood" (1935) and " Let It Be Me" (1957). He was born in Brooklyn, New York, United States and died in San Francisco, California San Francisco (; Spanish for " Saint Francis"), officially the City and County of San Francisco, is the commercial, financial, and cultural center of Northern California. The city proper is the fourth most populous in California and 17th ..., United States. He also used the pseudonyms Mann Curtis, Manny Curtis and Manny Kurtz. External linksManny Kurtzat JazzBiographies {{DEFAULTSORT:Curtis, Manny 1911 births 1984 deaths Musicians from Brooklyn Jewish American musicians Songwriters from New York (state) 20th-century American musicians 20th-century American Jews ...
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Irving Mills
Irving Harold Mills (born Isadore Minsky; January 16, 1894 – April 21, 1985) was an American music publisher, musician, lyricist, and jazz artist promoter. He sometimes used the pseudonyms Goody Goodwin and Joe Primrose. Personal Mills was born to a Jewish family in Odessa, Russian Empire, although some biographies state that he was born on the Lower East Side of Manhattan in New York City. His father, Hyman Minsky (1868–1905), was a hat maker who had immigrated from Odessa to the United States with his wife Sofia ''(née'' Sophia Dudis; born 1870). Hyman died in 1905, forcing Irving and his brother, Jacob ''(aka'' "Jack"; 1891–1979), to work odd jobs including bussing at restaurants, selling wallpaper, and working in the garment industry. By 1910, Mills was listed as a telephone operator. Mills married Beatrice ("Bessie") Wilensky (1896–1976) in 1911 and they subsequently moved to Philadelphia. By 1918, Mills was working for publisher Leo Feist. His brother, Jack, was ...
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Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ...
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