In Person (Bobby Timmons Album)
''In Person'' is a live album by American jazz pianist Bobby Timmons recorded in 1961 at the Village Vanguard and released on the Riverside label.Bobby Timmons discography accessed February 8, 2011 Reception The review by Jim Todd stated: "This enjoyable LP presents a relaxed, agreeable live date, but not one that generates sparks".Todd, JAllmusic Review accessed February 8, 2011 Track listing :''All ...[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Bobby Timmons
Robert Henry Timmons (December 19, 1935 – March 1, 1974) was an American jazz pianist and composer. He was a sideman in Art Blakey's Jazz Messengers for two periods (July 1958 to September 1959; February 1960 to June 1961), between which he was part of Cannonball Adderley's band. Several of Timmons' compositions written when part of these bands – including "Moanin'", "Dat Dere", and "This Here" – enjoyed commercial success and brought him more attention. In the early and mid-1960s he led a series of piano trios that toured and recorded extensively. Timmons was strongly associated with the soul jazz style that he helped initiate. This link to apparently simple writing and playing, coupled with drug and alcohol addiction, led to a decline in his career. Timmons died, aged 38, from cirrhosis. Several critics have commented that his contribution to jazz remains undervalued. Early life Timmons was born in Philadelphia, Pennsylvania, the son of a minister.Kernfeld, Barr"Timmons ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Jacques Prévert
Jacques Prévert (; 4 February 1900 – 11 April 1977) was a French poet and screenwriter. His poems became and remain popular in the French-speaking world, particularly in schools. His best-regarded films formed part of the poetic realist movement, and include '' Les Enfants du Paradis'' (1945). He published his first book in 1946. Life and education Prévert was born in Neuilly-sur-Seine and grew up in Paris. After receiving his ''Certificat d'études'' upon completing his primary education, he quit school and went to work in Le Bon Marché, a major department store in Paris. In 1918, he was called up for military service in the First World War. After this, he was sent to the Near East to defend French interests there. He died of lung cancer in Omonville-la-Petite, on 11 April 1977. He had been working on the last scene of the animated movie ''Le Roi et l'Oiseau'' (''The King and the Mockingbird'') with his friend and collaborator Paul Grimault. When the film was released in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Ron Carter
Ronald Levin Carter (born May 4, 1937) is an American jazz double bassist. His appearances on 2,221 recording sessions make him the most-recorded jazz bassist in history. He has won three Grammy awards, and is also a cellist who has recorded numerous times on that instrument. Some of his studio albums as a leader include: ''Blues Farm'' (1973), '' All Blues'' (1973), '' Spanish Blue'' (1974), ''Anything Goes'' (1975), '' Yellow & Green'' (1976), ''Pastels'' (1976), ''Piccolo'' (1977), '' Third Plane'' (1977), ''Peg Leg'' (1978), '' A Song for You'' (1978), ''Etudes'' (1982), ''The Golden Striker'' (2003), ''Dear Miles'' (2006), and ''Ron Carter's Great Big Band'' (2011). Early life Carter was born in Ferndale, Michigan. He started to play cello at the age of 10, and switched to bass while in high school. He earned a B.A. in music from the Eastman School of Music (1959) and a master's degree in music from the Manhattan School of Music (1961). Carter's first jobs as a jazz music ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Sigmund Romberg
Sigmund Romberg (July 29, 1887 – November 9, 1951) was a Hungarian-born American composer. He is best known for his musicals and operettas, particularly ''The Student Prince'' (1924), ''The Desert Song'' (1926) and ''The New Moon'' (1928). Early in his career, Romberg was employed by the Shubert brothers to write music for their musicals and revues, including several vehicles for Al Jolson. For the Shuberts, he also adapted several European operettas for American audiences, including the successful '' Maytime'' (1917) and '' Blossom Time'' (1921). His three hit operettas of the mid-1920s, named above, are in the style of Viennese operetta, but his other works from that time mostly employ the style of American musicals of their eras. He also composed film scores. Biography Romberg was born in Hungary as Siegmund Rosenberg to a Jewish [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Oscar Hammerstein II
Oscar Greeley Clendenning Hammerstein II (; July 12, 1895 – August 23, 1960) was an American lyricist, librettist, theatrical producer, and (usually uncredited) director in the musical theater for almost 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs. He is best known for his collaborations with composer Richard Rodgers, as the duo Rodgers and Hammerstein, whose musicals include ''Oklahoma!'', '' Carousel'', '' South Pacific'', ''The King and I'', and ''The Sound of Music''. Described by Stephen Sondheim as an "experimental playwright", Hammerstein helped bring the American musical to new maturity by popularizing musicals that focused on stories and character rather than the lighthearted entertainment that the musical had been known for beforehand. He also collaborated with Jerome Kern (with whom he wrote ''Show Boat''), Vincent Y ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include " Blue Moon", " The Lady Is a Tramp", "Manhattan", "Bewitched, Bothered and Bewildered", and "My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years. [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
I Didn't Know What Time It Was
"I Didn't Know What Time It Was" is a popular song composed by Richard Rodgers with lyrics by Lorenz Hart for the 1939 musical '' Too Many Girls''. Introduced by Richard Kollmar and Marcy Westcott in the stage musical, early hit versions were recorded by Benny Goodman (vocal by Louise Tobin) and by Jimmy Dorsey (vocal by Bob Eberly). It was then performed by Trudy Erwin (dubbing for Lucille Ball) and Richard Carlson in the 1940 film adaptation produced by RKO. The song was later interpolated into the score of the 1957 film '' Pal Joey,'' sung by Frank Sinatra. Recordings * Artie Shaw - Shadows / I Didn't Know What Time It Was (1939) * Charlie Parker – ''Charlie Parker with Strings'' (1949) * Peggy Lee – '' Black Coffee'' (1953) * Louis Jordan (1954) * Ella Fitzgerald - ''Ella Fitzgerald Sings the Rodgers and Hart Songbook'' (1956) * Stan Getz and Gerry Mulligan – ''Gerry Mulligan Meets Stan Getz'' (1957) * Billie Holiday – ''Songs for Distingué Lovers'' (1957) * Benny G ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Herbert Reynolds (lyricist)
Michael Elder Rourke (14 July 186726 August 1933), who assumed the pen name Herbert Reynolds in 1913, was an Irish-American lyricist. Reynolds wrote the lyrics to Jerome Kern's first big hit, "They Didn't Believe Me", interpolated into the 1914 American version of '' The Girl from Utah'', produced by Charles Frohman. The show had a successful run of 140 performances at the Knickerbocker Theatre, opening on August 14, 1914. Frohman had hired the young Kern to write five new songs for the score together with Reynolds to strengthen what he felt was a weak first act. Julia Sanderson and Donald Brian starred in the production. He shared the lyric writing with P. G. Wodehouse in ''Miss Springtime'' (1916), with additional music by Kern. Reynolds went on to collaborate with Kern and several other lyricists on the Broadway musical ''Very Good Eddie'' with a book by Guy Bolton and Philip Bartholomae, and again in ''Rock-a-Bye Baby "Rock-a-bye baby in the tree top" (sometimes "Hus ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |