In Good Company (George Cables Album)
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In Good Company (George Cables Album)
''In Good Company'' is an album by pianist George Cables that was recorded in 2015 and released on the HighNote label. Reception In JazzTimes, Michael J. West called it " a cheery swinger, an exemplar of mainstream piano jazz. In short, the kind of record Cables always makes".West, M. JJazzTimes Reviewaccessed February 26, 2019 Track listing All compositions by George Cables except where noted # "After the Morning" (John Hicks) – 8:39 # "Mr. Anonymouse" – 5:03 # "Naima's Love Song" (Hicks) – 6:51 # "It Don't Mean a Thing (If It Ain't Got That Swing)" (Duke Ellington, Irving Mills) – 4:36 # "Lotus Blossom" (Billy Strayhorn) – 8:17 # "Love You Madly" (Ellington) – 6:29 # "EVC" – 6:24 # " Lush Life" (Strayhorn) – 8:12 # "Voyage" (Kenny Barron) – 5:57 # "Day Dream" (Ellington, Strayhorn) – 1:53 Personnel *George Cables – piano *Essiet Essiet - bass *Victor Lewis – drums A drum kit (also called a drum set, trap set, or simply drums) is a collection of ...
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George Cables
George Andrew Cables (born November 14, 1944) is an American jazz pianist and composer. Early life Cables was born in New York City, United States. He was initially taught piano by his mother. He then studied at the High School of Performing Arts and later at Mannes College (1963–65). He formed the Jazz Samaritans at the age of 18, a band that included Billy Cobham, Steve Grossman, and Clint Houston. Cables' early influences on piano were Thelonious Monk and Herbie Hancock. Later life and career Cables has played with Art Blakey, Sonny Rollins, Dexter Gordon, Art Pepper, Joe Henderson, and other well-established jazz musicians. His own records include the 1980 '' Cables' Vision'' with Freddie Hubbard among others. From 1983, Cables worked in the project Bebop & Beyond. He left later in the 1980s, but returned for guest appearances on two early 1990s albums, before rejoining in 1998. Cables is a charter member of The Cookers band, founded in 2010, which includes leading jaz ...
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Lush Life (jazz Song)
"Lush Life" is a jazz standard that was written by Billy Strayhorn from 1933 to 1936. It was performed publicly for the first time by Strayhorn and vocalist Kay Davis with the Duke Ellington Orchestra at Carnegie Hall on November 13, 1948. Background The lyric describes the author's weariness of the night life after a failed romance, wasting time with "jazz and cocktails" at "come-what-may places" and in the company of girls with "sad and sullen gray faces/with ''distingué'' traces". Strayhorn was a teenager when he wrote most of the song, which was to become his signature composition (along with "Take the 'A' Train"). The song was written in the key of D-flat major. The melody is over relatively complex chord changes, compared with many jazz standards, with chromatic movement and modulations that evoke a dreamlike state and the dissolute spirit characteristic of the "lush life." During a 1949 interview, Strayhorn spoke of the song’s genesis: “’Lush Life’ wasn’t the ...
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George Cables Albums
George may refer to: People * George (given name) * George (surname) * George (singer), American-Canadian singer George Nozuka, known by the mononym George * George Washington, First President of the United States * George W. Bush, 43rd President of the United States * George H. W. Bush, 41st President of the United States * George V, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1910-1936 * George VI, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1936-1952 * Prince George of Wales * George Papagheorghe also known as Jorge / GEØRGE * George, stage name of Giorgio Moroder * George Harrison, an English musician and singer-songwriter Places South Africa * George, Western Cape ** George Airport United States * George, Iowa * George, Missouri * George, Washington * George County, Mississippi * George Air Force Base, a former U.S. Air Force base located in California Characters * George (Peppa Pig), a 2-year-old pig ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Victor Lewis
Victor Lewis (born May 20, 1950) is an American jazz drummer, composer, and educator. Early life Victor Lewis was born on May 20, 1950 in Omaha, Nebraska. His father, Richard Lewis, who played saxophone and mother, Camille, a pianist-vocalist were both classically trained musicians who performed with many of the "territory bands" that toured the midwest in the forties. Consequently, Victor grew up with jazz as well as popular and European classical music at home. He would also go with his father to hear touring big bands as they passed through Omaha, such as Duke Ellington, Count Basie and Woody Herman. Victor started studying music when he was ten and a half years old. Too small for the acoustic bass, he began on cello, but switched to the drums a year and a half later inspired by the drum line marching in holiday parades. As part of his formal studies, he also studied classical piano. Career By the time he was 15, Victor began playing drums professionally on the local scene ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Essiet Essiet
Essiet Okon Essiet (born September 1, 1956 in Omaha, Nebraska) is an American jazz double-bassist. Essiet's parents were Nigerian immigrants to the United States.Lara Pellegrinelli, "Essiet Essiet". '' The New Grove Dictionary of Jazz''. 2nd edition, ed. Barry Kernfeld. He studied violin, as a child, then learned both bass guitar and stand-up bass as a high schooler in Portland Oregon. After attending Mount Hood Community College, he played briefly in Los Angeles, then worked in Europe in the early 1980s with Famoudou Don Moye. In 1983 he moved to New York City, playing with Abdullah Ibrahim, Art Blakey, Marty Cook, and Ralph Peterson, Jr. Subsequent associations include performing or recording with George Adams, Ron Affif, Kenny Barron, the Blue Note All-Stars, Paul Bollenback, Donald Brown, Bruce Cox, Kurt Elling, Kenny Garrett, Benny Golson, Jim Hartog, David Hazeltine, Freddie Hubbard, Victor Jones, Joe Locke, Kevin Mahogany, Cedar Walton, and Bobby Watson. He ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Day Dream
"Day Dream" is a jazz standard composed by Billy Strayhorn with lyrics by John Latouche and written in 1939. It was first recorded by saxophonist Johnny Hodges and his ensemble on November 2, 1940. Duke Ellington was credited as co-composer on the label of the original 78 RPM release, though he is not generally considered to be one of the song's creators. Background On March 23, 1939, Duke Ellington and his orchestra boarded the SS ''Île de France'' for a spring tour of Europe. Strayhorn was working for Ellington at the time but was allowed to remain at his Harlem residence. Thus, he had nearly seven weeks to work on new compositions and arrangements. "Day Dream" was composed during this time. Notable recordings By Johnny Hodges *''Day Dream / Junior Hop'' (Bluebird 11021, 1940) *''Memories Of Ellington'' (Norgran, 1954) *'' Johnny Hodges with Billy Strayhorn and the Orchestra'' (Verve, 1962) By Duke Ellington *'' The Carnegie Hall Concerts: January 1943'' (released 1977) * ...
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Kenny Barron
Kenny Barron (born June 9, 1943) is an American jazz pianist, who has appeared on hundreds of recordings as leader and sideman and is considered one of the most influential mainstream jazz pianists since the bebop era. Biography Born in Philadelphia, Pennsylvania, Kenny Barron is the younger brother of tenor saxophonist Bill Barron (1927–1989). One of his first gigs was as pianist with the Dizzy Gillespie quartet. Barron was briefly a member of the Jazztet around 1962, but did not record with them. He graduated in 1978 with a BA in arts from Empire State College (Metropolitan Center, New York City). He co-led the groups Sphere and the Classical Jazz Quartet. Between 1987 and 1991, Barron recorded several albums with Stan Getz, most notably ''Voyage'', ''Bossas & Ballads – The Lost Sessions'', '' Serenity'', ''Anniversary'' and ''People Time'', a two-CD set. He has been nominated nine times for Grammy Awards and for the American Jazz Hall of Fame. He was elected a Fello ...
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Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include "Take the 'A' Train", "Chelsea Bridge", "A Flower Is a Lovesome Thing", and " Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken sprees. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano, and playing records on her Victrola record player. Return to Pittsburgh and meeting Ellington S ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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