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Ilaya Nila
''Payanangal Mudivathillai'' (; ) is a 1982 Indian Tamil language, Tamil-language romance film written and directed by R. Sundarrajan (director), R. Sundarrajan. The film stars Mohan (actor), Mohan and Poornima Bhagyaraj, Poornima Jayaram, with Rajini, S. Ve. Shekher, Poornam Viswanathan, Rajesh (actor), Rajesh and Goundamani in supporting roles. Its plot revolves around a woman who falls in love with a singer whom she helped to rise to fame but struggles to declare her love for him. ''Payanangal Mudivathillai'' is Sundarrajan's directorial debut and the inaugural venture of Kovaithambi's Motherland Pictures. The film was produced by R. Elanchelian, Pollachi M. V. Rathinam and P. Muthusamy. Ilaiyaraaja composed the music and S. P. Balasubrahmanyam and S. Janaki performed the songs. Cinematography was handled by Kasthuri and the editing by R. Bhaskaran. ''Payanangal Mudivathillai'' was released on 26 February 1982 and it was shown in theatres for over a year, becoming a silver j ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kovaithambi
Kovaithambi (born 28 November 1940) is an Indian film producer and politician who was active primarily in the 1980s, in Tamil cinema. Early life Kovaithambi was born on 28 November 1940 to Perumal Udayar and Sunthayi Ammal, a farming couple belonging to the Udayar (caste), Udayar caste. He did his schooling at the R. S. Puram Corporation Boys Higher Secondary School, Coimbatore. During that period, he was fascinated by the speeches of politicians such as M. G. Ramachandran, C. N. Annadurai, M. Karunanidhi, E. V. K. Sampath, V. R. Nedunchezhiyan, Nanjil K. Manoharan and K. Anbazhagan. He also wrote and starred in many school plays. Career Politics Kovaithambi joined the All India Anna Dravida Munnetra Kazhagam (AIADMK) when it was formed by M. G. Ramachandran. Between 1977 and 1986, Kovaithambi served as the AIADMK's Coimbatore District Secretary. From 1980 to 1984, he served as the Perur constituency Member of the Legislative Assembly (India), MLA. Kovaithambi left the AIADM ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thavakalai Chittibabu
"Thavakalai" Chittibabu also known as "Thavakalai" (1975 – 2017) was an Indian actor and comedian who appeared in South Indian language films. He has acted in over 500 films in Tamil, Telugu, Malayalam, Kannada, Hindi and Sinhala. Early life His mother tongue is Tamil. His hometown is Tamil Nadu, Chennai Chennai (, ), formerly known as Madras ( the official name until 1996), is the capital city of Tamil Nadu, the southernmost Indian state. The largest city of the state in area and population, Chennai is located on the Coromandel Coast of th ... district. He comes to dance well. Actress Anuradha's father is dancing to Krishnakumar. His mother's name is Subbulakshmi and his father's name is Vijayakumar. He was also an actor. He has acted in about 20 films in Group Dance in Tamil and Telugu before coming to act mundhanai mudichu. Film career His father was the co-star agent of poi satchi film, he went to Arunachalam Studios one day with his father while filmi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Times Of India
''The Times of India'', also known by its abbreviation ''TOI'', is an Indian English-language daily newspaper and digital news media owned and managed by The Times Group. It is the third-largest newspaper in India by circulation and largest selling English-language daily in the world. It is the oldest English-language newspaper in India, and the second-oldest Indian newspaper still in circulation, with its first edition published in 1838. It is nicknamed as "The Old Lady of Bori Bunder", and is an Indian " newspaper of record". Near the beginning of the 20th century, Lord Curzon, the Viceroy of India, called ''TOI'' "the leading paper in Asia". In 1991, the BBC ranked ''TOI'' among the world's six best newspapers. It is owned and published by Bennett, Coleman & Co. Ltd. (B.C.C.L.), which is owned by the Sahu Jain family. In the Brand Trust Report India study 2019, ''TOI'' was rated as the most trusted English newspaper in India. Reuters rated ''TOI'' as India's most trus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time Signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dappankuthu
Dappankuthu (or simply Kuthu) is a folk dance and music genre with an emphasis on percussion performed in the South Indian state of Tamil Nadu. It is one of several popular genres employed in film music, mainly in Tamil cinema and other South films, filmed and produced by people of Tamil culture. Unlike classical Indian dances such as bharatanatyam or kathakali, dappankuthu is relatively informal in that it has no structured, repeated steps and dancers do not learn through formal dance classes. It shares its emphasis on percussion with older folk dances of Tamil Nadu, such as kummi and kolattam. Musical instruments A percussion instrument called Tharai thappattai in Tamil, without the jingles, is often used for dappankuthu or similar dance forms. Unlike normal tambourines, this requires a wooden stick to play. The urumee drum is also often used. A customised trumpet (called Nadaswaram locally) is also sometimes employed. The rhythm of the dappankuthu is often signified ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Murattu Kaalai (1980 Film)
''Murattu Kaalai'' () is a 1980 Indian Tamil-language action film directed by S. P. Muthuraman, and written by Panchu Arunachalam. The film stars Rajinikanth, Rati Agnihotri, Sumalatha and Jaishankar. It revolves around Kaalaiyan, an honourable villager who, despite being wealthy, chooses to live modestly while Sundaravelu, a less honourable man from the neighbouring village, tries to grab Kaalaiyan's land. ''Murattu Kaalai'' was the first film for Rajinikanth with AVM Productions, and the company's re-entry into Tamil cinema after a long sabbatical. It was released on 20 December 1980 and became a major commercial success. The film was also instrumental in establishing Rajinikanth as both an action hero and superstar. It was remade again in Tamil under the same title and released in 2012. Plot Kaalaiyan, a well-to-do and honourable landlord, lives modestly with his four brothers in a village. Sundaravelu is an equally rich but less honourable landlord in the neighbouring ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raaga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
