HOME
*





Il Trionfo Di Clelia
''Il trionfo di Clelia'' is an Italian opera libretto by Metastasio originally written for Johann Adolf Hasse Johann Adolph Hasse (baptised 25 March 1699 – 16 December 1783) was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a co ... and premiered in Vienna in 1762. Among the many subsequent settings are the setting by Gluck that premiered in Bologna in 1763 and the setting by Josef Mysliveček that premiered in Turin in 1767. References External links * {{Authority control Libretti by Metastasio 1762 operas Cultural depictions of Lucius Tarquinius Superbus Cultural depictions of Cloelia ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Metastasio
Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782), better known by his pseudonym of Pietro Metastasio (), was an Italian poet and librettist, considered the most important writer of ''opera seria'' libretti. Early life Metastasio was born in Rome, where his father, Felice Trapassi, a native of Assisi, had taken service in the Corsican regiment of the papal forces. Felice married a Bolognese woman, Francesca Galasti, and became a grocer in the ''Via dei Cappellari''. The couple had two sons and two daughters; Pietro was the younger son. Pietro, while still a child, is said to have attracted crowds by reciting impromptu verses on a given subject. On one such occasion in 1709, two men of distinction stopped to listen: Giovanni Vincenzo Gravina, famous for legal and literary erudition as well as his directorship of the Arcadian Academy, and Lorenzini, a critic of some note. Gravina was attracted by the boy's poetic talent and personal charm, and made Pietro h ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Johann Adolf Hasse
Johann Adolph Hasse (baptised 25 March 1699 – 16 December 1783) was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a considerable quantity of sacred music. Married to soprano Faustina Bordoni and a friend of librettist Pietro Metastasio, whose libretti he frequently set, Hasse was a pivotal figure in the development of ''opera seria'' and 18th-century music. Early career Hasse was baptised in Bergedorf near Hamburg where his family had been church organists for three generations. His career began in singing when he joined the Hamburg Oper am Gänsemarkt in 1718 as a tenor. In 1719 he obtained a singing post at the court of Brunswick, where in 1721 his first opera, ''Antioco'', was performed; Hasse himself sang in the production. He is thought to have left Germany during 1722. During the 1720s he lived mostly in Naples, dwelling there for six or seven y ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Hermann Abert
Hermann Abert (; 25 March 1871 – 13 August 1927) was a German historian of music. Life Abert was born in Stuttgart, the son of Johann Josef Abert (1832–1915), the ''Hofkapellmeister'' of that city. From 1890 to 1896 he studied classical philology at the Universities of Tübingen, Berlin and Leipzig. While at Tübingen he joined the '' Akademische Gesellschaft Stuttgardia'', a student fraternity which shaped the political views of the liberalism in southern Germany. His philological studies ended in 1896 at Halle, where he had done work on Ancient Greek music. For the next three years he studied music theory at Berlin. In 1902 he qualified as lecturer by presenting his thesis on music of the Middle Ages at the University of Halle. Abert stayed on at Halle as a lecturer, becoming a senior lecturer (or associate professor) in 1910 and a full professor in 1918. In this capacity he moved the next year to the University of Heidelberg. But after just one year, Abert took up a ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Cliff Eisen
Cliff Eisen (born 21 January 1952 in Toronto) is a Canadian musicologist and a Mozart expert. He was based in the Department of Music at King's College London. He studied at the University of Toronto and at Cornell University, and has taught at the University of Western Ontario and New York University. His research focuses on the Classical period, particularly Mozart and performance practice. He has written extensively on the issues of authenticity surrounding the works of Leopold Mozart and his son, Wolfgang. Other publications of his deal with Mozart's chamber music, life in Salzburg, biography and his life in contemporary documentation as well as Cole Porter Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to .... References 1952 births Living people University of Toronto alumn ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Burgtheater
The Burgtheater (literally:"Castle Theater" but alternatively translated as "(Imperial) Court Theater"), originally known as '' K.K. Theater an der Burg'', then until 1918 as the ''K.K. Hofburgtheater'', is the national theater of Austria in Vienna. It is the most important German-language theater and one of the most important theatres in the world. aeiou-Burgtheater "Burgtheater" (history)
''Encyclopedia of Austria'', Aeiou Project, 1999
The Burgtheater was opened in 1741 and has become known as ''"die Burg"'' by the Viennese population; its theater company has created a traditional style and speech typical of Burgtheater performances.


History

The original Burgtheater was set up in a

Il Trionfo Di Clelia (Gluck)
''Il trionfo di Clelia'' (''The Triumph of Cloelia''), Wq. 31, is an opera composed by Christoph Willibald Gluck. It takes the form of a ''dramma per musica'' in three acts. The Italian-language libretto by Pietro Metastasio is based on several semi-legendary narratives concerning the founding of the Roman Republic. The opera premiered on 14 May 1763 at the Teatro Comunale di Bologna. Although rarely performed since then, it was revived in London in 2012 at the Royal Opera House's Linbury Studio.Ashley, Tim (25 June 2012)"''Il trionfo di Clelia'' – review" ''The Guardian''. Retrieved 16 October 2014. Gluck's opera was the second setting of Metastasio's libretto. The first was composed by Johann Adolf Hasse and premiered in Vienna in 1762. Among the many subsequent settings is Josef Mysliveček's ''Il trionfo di Clelia'' which premiered in Turin in 1767.. The opera's story revolves around four main characters: Porsenna Lars Porsena (or Porsenna; Etruscan: ) was an Etruscan k ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Il Trionfo Di Clelia (Mysliveček)
''Il trionfo di Clelia'' ("The Triumph of Clelia") is an 18th-century Italian opera in three acts by the Czech composer Josef Mysliveček composed to a libretto by the Italian poet Metastasio. It was common in the 1760s for composers to set Metastasian texts written decades before. Exceptionally, the text for ''Il trionfo di Clelia'', first produced in Vienna in 1762, was almost new when Mysliveček was commissioned to compose his setting for Turin, and all of the aria texts used for his setting derive from the original libretto. This opera (and all the rest of Mysliveček's operas) belong to the serious type in Italian language referred to as ''opera seria''. Metastasio's libretto was also set by Gluck and others. Performance history The opera was first performed at the Teatro Regio in Turin on 26 December 1767 at the beginning of the 1768 carnival operatic season.Detailed documentation concerning the Turin performance of Mysliveček's ''Il trionfo di Clelia'' is found in Da ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Libretti By Metastasio
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




1762 Operas
Year 176 ( CLXXVI) was a leap year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Proculus and Aper (or, less frequently, year 929 ''Ab urbe condita''). The denomination 176 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * November 27 – Emperor Marcus Aurelius grants his son Commodus the rank of ''Imperator'', and makes him Supreme Commander of the Roman legions. * December 23 – Marcus Aurelius and Commodus enter Rome after a campaign north of the Alps, and receive a triumph for their victories over the Germanic tribes. * The Equestrian Statue of Marcus Aurelius is made. It is now kept at Museo Capitolini in Rome (approximate date). Births * Fa Zheng, Chinese nobleman and adviser (d. 220) * Liu Bian, Chinese emperor of the Han Dynasty (d ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Cultural Depictions Of Lucius Tarquinius Superbus
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typical ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]