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Il Perdono Di Gesualdo
' (in English, ''The Pardon of Gesualdo'') is an altarpiece created in 1609 by the Florentine painter Giovanni Balducci for a commission from the madrigal composer Carlo Gesualdo, Prince of Venosa, of the kingdom of Naples. Conserved in the private chapel of Gesualdo's church, Santa Maria delle Grazie, the painting underwent important restorations in the late twentieth century, following the destructive Irpinia earthquake of 1980. A unique testimony, in the field of religious painting, to the devotion of the composer prince, ''Il Perdono di Gesualdo'' has been the object of numerous commentaries and analyses since the seventeenth century. These interpretations, focusing on the musician's murder of his adulterous wife and her lover, have shrouded the artwork in mystery. In the early twenty-first century, art historians and musicologists agree that certain ambiguities in the ''Perdono'' reflect the fascinating personality of its patron. The American musicologist Glenn Watkins beli ...
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Giovanni Balducci
Giovanni Balducci, called Il Cosci after his maternal uncle, (c. 1560 — after 1630) was an Italian mannerist painter. Biography Born in Florence, Balducci was trained by Giovanni Battista Naldini. Under the guidance and supervision of Vasari, he worked as an assistant to Federico Zuccari in the fresco painting of the ''Final Judgment'' (1575–1579), on the inside of the Brunelleschi dome of the Duomo in Florence. He also frescoed a ''Last Supper'' in the church. These paintings, in addition to other transient ornamented arches and banners, were part of decorations developed to celebrate the wedding of Ferdinand I de' Medici, Grand Duke of Tuscany, to Christina of Lorraine. During this time, Balducci also painted an altarpiece of the ''Mystical Marriage of St Catherine'' for the church of Sant'Agostino in San Gimignano. From 1577-1580, he aided Naldini in the fresco decoration of the Altoviti Chapel in the church of Trinità dei Monti in Rome. He returned to Florence, to ass ...
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Christ Pantocrator
In Christian iconography, Christ Pantocrator ( grc-gre, Χριστὸς Παντοκράτωρ) is a specific depiction of Christ. ''Pantocrator'' or ''Pantokrator'', literally ''ruler of all'', but usually translated as "Almighty" or "all-powerful", is derived from one of many names of God in Judaism. The Pantokrator, largely an Eastern Orthodox or Eastern Catholic theological conception, is less common under that name in Western Roman Catholicism and largely unknown to most Protestants. In the West, the equivalent image in art is known as Christ in Majesty, which developed a rather different iconography. ''Christ Pantocrator'' has come to suggest Christ as a mild but stern, all-powerful judge of humanity. When the Hebrew Bible was translated into Greek as the Septuagint, ''Pantokrator'' was used both for ''YHWH Sabaoth'' " Lord of Hosts" and for '' El Shaddai'' " God Almighty". In the New Testament, ''Pantokrator'' is used once by Paul () and nine times in the Book of Re ...
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Gesualdo, Campania
Gesualdo is an Italian town in the province of Avellino, itself in the Regions of Italy, region of Campania. It is called ''"The city of the Prince of Musicians"'' in honour of Carlo Gesualdo. It has many palaces, fountains, belvederes, and a historical center, which was partially restored after the 1980 Irpinia earthquake, Irpinia earthquake in 1980. The town is located in the center of Irpinia, between the valleys of the rivers Fredane and Ufita. It is about from Naples and from Rome. Surrounding municipalities are Fontanarosa, Frigento, Grottaminarda, Paternopoli, Villamaina. Castle The first records of the Castle of Gesualdo date to Norman rule in the 12th century. The castle was severely damaged in the 1980 Irpinia earthquake. Restoration work has not been completed yet, but the castle has been partially open to the public since 2015. Main sights * Castle of Gesualdo, founded by Lombards in the 7th century, enlarged in the 15th. It was transformed by Carlo Gesualdo in ...
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Avellino
Avellino () is a town and ''comune'', capital of the province of Avellino in the Campania region of southern Italy. It is situated in a plain surrounded by mountains east of Naples and is an important hub on the road from Salerno to Benevento. History Before the Roman conquest, the ancient ''Abellinum'' was a centre of the Samnite Hirpini, located on the Civita hill some outside the current town, in what is now Atripalda. The city could correspond to the ancient ''Velecha'', documented by coins found in the area. ''Abellinum'' was conquered by the Romans in 293 BC, changing name several times in the following centuries (''Veneria'', ''Livia'', ''Augusta'', ''Alexandriana'', and ''Abellinatium''). However, the construction of a true Roman town occurred only after the conquest by Lucius Cornelius Sulla in the civil wars in 89 BC. He razed the old site and in 82 BC founded the colony Veneria Abellinatium on the left bank of the river Sabato. The new city was surrounded by mass ...
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Conza Della Campania
Conza della Campania (or Conza di Campania; formerly called Compsa, commonly known as Conza (Campanian: )) is a ''comune'' (municipality) and former Latin Catholic (arch)bishopric in the province of Avellino in the region of Campania in southern Italy. History Early history Compsa was an ancient city of the Hirpini occupied by the Carthaginian conqueror Hannibal in 216 BC. Medieval and modern history During the Early Middle Ages, it was a gastaldate in the Principality of Salerno. In 973, the gastald (city-based Lombard royal domain district administrator and judge) Landulf seized the principality. Later, it belonged to the Balvano, the Gesualdo, and the Mirelli families. Recent history The town was almost completely destroyed by the 1980 Irpinia earthquake. It was rebuilt in the area called Piano delle Briglie, from the former center. Conza della Campania is now a turistic attraction, since it can count among its territory the WWF Oasi, including the lake of C ...
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Ars Moriendi
The ''Ars moriendi'' ("The Art of Dying") are two related Latin texts dating from about 1415 and 1450 which offer advice on the protocols and procedures of a good death, explaining how to "die well" according to Christian precepts of the late Middle Ages. It was written within the historical context of the effects of the macabre horrors of the Black Death 60 years earlier and consequent social upheavals of the 15th century. The earliest versions were most likely composed in southern Germany. It was very popular, translated into most West European languages, and was the first in a western literary tradition of guides to death and dying. About 50,000 copies were printed in the ''incunabula'' period before 1501 and further editions were printed after 1501. Its popularity reduced as Erasmus's treatise on preparing for death (''de praeparatione ad mortem'', 1533) became more popular. There was originally a "long version" and a later "short version" containing eleven woodcut picture ...
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Alfonso Gesualdo
Alfonso Gesualdo di Conza (20 October 1540 – 14 February 1603) was an Italian Cardinal starting in 1561. He was from Calitri, not far from Naples. His attendance at the papal conclave of 1565-1566 at the age of only 25 makes him one of the youngest Cardinals ever to participate in a papal election.Miranda, Salvator. 1998. Consistory of February 26, 1561 (II) He was Archbishop of Conza in 1564, Bishop of Albano in 1583, Bishop of Frascati in 1587, Bishop of Porto e Santa Rufina in 1589, Bishop of Ostia in 1591, and Archbishop of Naples in 1596. He was a patron of Sant'Andrea della Valle in Rome, the mother church of the Theatine Order.Marcia B. Hall, ''Rome'' (2005), p. 303. The composer Carlo Gesualdo Carlo Gesualdo da Venosa ( – 8 September 1613) was Prince of Venosa and Count of Conza. As a composer he is known for writing madrigals and pieces of sacred music that use a chromatic language not heard again until the late 19th century ... was his nephew. Episcopa ...
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Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ...
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Girolamo Imparato
Girolamo Imparato (1550–1607)Tuck-Scala, Anna Kiyomi, ''The Documented Paintings and Life of Andrea Vaccaro (1604-1670)'', Graduate Program: Art History Degree: Doctor of Philosophy, Dissertation, Date of Defense: August 20, 2003, The Pennsylvania State University, p. 14 was an Italian painter working in a late-Renaissance or Mannerist style, active mainly in Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis .... His father, the painter Francesco Imparato, was a colleague of Francesco Santafede. References * 1550 births 1607 deaths 16th-century Italian painters Italian male painters 17th-century Italian painters Painters from Naples Italian Mannerist painters {{Italy-painter-16thC-stub ...
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Saint Dominic
Saint Dominic ( es, Santo Domingo; 8 August 1170 – 6 August 1221), also known as Dominic de Guzmán (), was a Castilian Catholic priest, mystic, the founder of the Dominican Order and is the patron saint of astronomers and natural scientists. He is alternatively called Dominic of Osma, Dominic of Caleruega, and Domingo Félix de Guzmán. Life Birth and early life Dominic was born in Caleruega,"Saint Dominic", Lay Dominicans
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Francis Of Assisi
Giovanni di Pietro di Bernardone, better known as Saint Francis of Assisi ( it, Francesco d'Assisi; – 3 October 1226), was a mystic Italian Catholic friar, founder of the Franciscans, and one of the most venerated figures in Christianity. He was inspired to lead a life of poverty and itinerant preaching. Pope Gregory IX canonized him on 16 July 1228. He is usually depicted in a robe with a rope as belt. In 1219, he went to Egypt in an attempt to convert the sultan al-Kamil and put an end to the conflict of the Fifth Crusade. In 1223, he arranged for the first Christmas live nativity scene. According to Christian tradition, in 1224 he received the stigmata during the apparition of a Seraphic angel in a religious ecstasy. He founded the men's Order of Friars Minor, the women's Order of St. Clare, the Third Order of St. Francis and the Custody of the Holy Land. Once his community was authorized by the Pope, he withdrew increasingly from external affairs. Francis ...
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