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If You Don't Have Anything Nice To Say
''If You Don't Have Anything Nice to Say...'' is the second studio album by post-hardcore band The Bunny the Bear, released through Victory Records on June 28, 2011. The album peaked at number 34 on the ''Billboard'' Top Heatseekers Top Heatseekers are "Breaking and Entering" music charts issued weekly by ''Billboard'' magazine. The Heatseekers Albums and the Heatseekers Songs charts were introduced by ''Billboard'' in 1991 with the purpose of highlighting the sales by new an ... chart. The album's lead single "Aisle" was independently released in December 2010, and caught the attention of Victory Records, who signed the band shortly after. The album spawned a dual single in October 2011 featuring the tracks "Ocean Floor" and "C'est Pas Si Loin", both of which were released with accompanying music videos. "Aisle" remains the band's most well-known song, accumulating over 1.02 million views on YouTube as of December 2015. The tracks "Prelude to Pregnancy" and "Lust Touch Seed" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-hardcore
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. It was initially inspired by post-punk and noise rock. Like post-punk, the term has been applied to a broad constellation of groups. Post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen (band), Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black and Jawbox that stuck closer to post-hardcore's noise rock roots. In the early- and mid-2000s, achieved mainstream success with the popularity of bands like My Chemical Romance, Dance Gavin Dance, AFI (band), AFI, Underoath, Hawthorne Heights, Silverstein (band), Silverstein, The Used, At the Drive-In, Saosin, Alexisonfire, and Senses Fail. In the 2010s, bands like Sleeping with Sirens and Pierce the Veil achieved main ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metalcore
Metalcore (also known as metallic hardcore) is a fusion music genre that combines elements of extreme metal and hardcore punk. As with other styles blending metal and hardcore, such as crust punk and grindcore, metalcore is noted for its use of breakdowns, slow, intense passages conducive to moshing. Other defining instrumental qualities include heavy riffs and stop-start rhythm guitar playing, occasional blast beats, and double bass drumming. Vocalists in the genre typically use thrash or scream vocals. Some later metalcore bands combine this with clean singing, often during the chorus. Death growls and gang vocals are common. 1990s metalcore bands were inspired by hardcore while later metalcore bands were inspired by melodic death metal bands like At the Gates and In Flames. The roots of metalcore are in the 1980s when bands would combine hardcore punk with heavy metal. This included New York hardcore bands like Agnostic Front, Cro-Mags, and Killing Time, British hardcore p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronicore
Electronicore (also known as synthcore or trancecore) is a fusion genre of metalcore with elements of various electronic music genres, often including trance, electronica, and dubstep. Reception Sumerian Records noted in the late 2000s that "there has been a surplus of electronica/hardcore music as of late." Attack Attack! is often recognized as the primary American contributor of the style, being inspired by British band Enter Shikari. Enter Shikari is an electronicore band that began in 1999, adding their last member and transforming to "Enter Shikari" from "Hybryd" in early 2003, in St Albans, England.James Birtles, ''The Mancunion'Album: Enter Shikari – A Flash Flood of Colour The group has received international radio airplay and a substantial number of musical awards, from Kerrang!, NME, Rock Sound Magazine and BT Digital Music Awards. They express a relationship with electronic music genres such as trance and have been referred to as the "kings of trancecore." Their s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Rock
Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisation (music), improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics (or instrumentals), unorthodox structures and rhythms, and an underlying rejection of commercial aspirations. From its inception, rock music was experimental, but it was not until the late 1960s that rock artists began creating extended and complex compositions through advancements in multitrack recording. In 1967, the genre was as commercially viable as Popular music, pop music, but by 1970, most of its leading players had incapacitated themselves in some form. In Germany, the krautrock subgenre merged elements of improvisation and psychedelic rock with electronic music, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victory Records
Victory Records is a Chicago-based record label founded by Tony Brummel. It operates a music publishing company called "Another Victory, Inc." and is the distributor of several record labels. It has featured many prominent artists including Thursday, Hawthorne Heights, Silverstein, Taking Back Sunday, Bayside, Streetlight Manifesto, and A Day to Remember. In September 2019, years after buying part of the label's catalogue, Concord bought Victory Records and Another Victory for $30 million. Craft Recordings has been managing Victory Record’ catalog since Concord acquired the label. Victory has since not signed any new bands or released new records. Instead, the label operates for the current distribution of the label’s alumni, as well as for reissues. Victory's catalogue includes 4,500 master recordings and 3,500 compositions through its publisher Another Victory. History Originally focusing on hardcore punk and post-hardcore bands, Victory later expanded its roster to in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bunny The Bear (album)
''The Bunny the Bear'' is the debut studio album by experimental post-hardcore band The Bunny the Bear, self-released on February 4, 2010. The album's only single, "April 11" was released with an accompanying music video on June 8, 2010. The single's video was produced by Six Year Productions, an independent production company. On February 11, 2016, Tybor announced on Facebook that a remastered edition of the album would be released on April 11, 2016, which would feature two additional bonus tracks. However, the album will not be re-recorded, and will therefore feature Chris Hutka's original vocals. Music and Lyrics The album featured Tybor's early vocal style, which was more of a standard scream/growl-technique, before he developed more of yell-type vocals as heard on the later albums. The album is also one of the few to feature screamed vocals from the clean vocalist Chris Hutka, as heard sparsely on tracks such as April 11. However, Hutka openly stated that he disliked screa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Stomach For It
''The Stomach for It'' is the third studio album by American post-hardcore band The Bunny the Bear, released through Victory Records on May 22, 2012. The album peaked at number 21 on the ''Billboard'' Top Heatseekers chart. The album was announced in March 2012, and a dual single was released to promote the album's release, containing the tracks "Lonely" and "Soul". The release is the last by the band with a full band lineup; the band worked with studio musicians Doug White (the album's producer) and Matt McGinley for their following three releases. Track listing Chart performance Personnel Credits were adapted from AllMusic AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the databas .... The Bunny the Bear *Chris "The Bear" Hutka - clean vocals *Matthew "The Bunny" Tybor - unclean voca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-hardcore
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. It was initially inspired by post-punk and noise rock. Like post-punk, the term has been applied to a broad constellation of groups. Post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen (band), Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black and Jawbox that stuck closer to post-hardcore's noise rock roots. In the early- and mid-2000s, achieved mainstream success with the popularity of bands like My Chemical Romance, Dance Gavin Dance, AFI (band), AFI, Underoath, Hawthorne Heights, Silverstein (band), Silverstein, The Used, At the Drive-In, Saosin, Alexisonfire, and Senses Fail. In the 2010s, bands like Sleeping with Sirens and Pierce the Veil achieved main ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Top Heatseekers
Top Heatseekers are "Breaking and Entering" music charts issued weekly by ''Billboard'' magazine. The Heatseekers Albums and the Heatseekers Songs charts were introduced by ''Billboard'' in 1991 with the purpose of highlighting the sales by new and developing musical recording artists. Albums and songs appearing on Top Heatseekers may also concurrently appear on the ''Billboard'' 200 or ''Billboard'' Hot 100. Albums chart The Heatseekers Albums chart contains 25 positions that are ranked by Nielsen SoundScan sales data, and charts album titles from "new or developing acts" as determined by the acts' historical chart performance. Once an artist/act has had an album place in the top 100 of the ''Billboard'' Top 200, or in the top 10 of any of the Top R&B/Hip-Hop Albums, Country Albums, Latin Albums, Christian Albums, or Gospel Albums charts, the album and later works no longer qualify for tracking on Heatseeker Albums. This definition means that some artists can still qualify as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bunny The Bear (album)
''The Bunny the Bear'' is the debut studio album by experimental post-hardcore band The Bunny the Bear, self-released on February 4, 2010. The album's only single, "April 11" was released with an accompanying music video on June 8, 2010. The single's video was produced by Six Year Productions, an independent production company. On February 11, 2016, Tybor announced on Facebook that a remastered edition of the album would be released on April 11, 2016, which would feature two additional bonus tracks. However, the album will not be re-recorded, and will therefore feature Chris Hutka's original vocals. Music and Lyrics The album featured Tybor's early vocal style, which was more of a standard scream/growl-technique, before he developed more of yell-type vocals as heard on the later albums. The album is also one of the few to feature screamed vocals from the clean vocalist Chris Hutka, as heard sparsely on tracks such as April 11. However, Hutka openly stated that he disliked screa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
