If You Could See Me Now (1946 Song)
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If You Could See Me Now (1946 Song)
"If You Could See Me Now" is a 1946 jazz standard, composed by Tadd Dameron. He wrote it especially for vocalist Sarah Vaughan, a frequent collaborator. Lyrics were written by Carl Sigman and it became one of her signature songs, inducted into the Grammy Hall of Fame in 1998. Dameron himself included a version, sung by Barbara Winfield, on his 1962 album '' The Magic Touch''. Notable recordings *Sarah Vaughan's 1946 original recording was released through Musicraft Records. It also appeared on her 1981 album '' Send in the Clowns'' with the Count Basie Orchestra. *Randy Weston recorded the composition in 1956/57 for his album '' Trio and Solo'' *Gil Evans recorded a version for his 1957 album '' Gil Evans & Ten'' * Chet Baker recorded it for his 1959 album '' Chet''. *Yusef Lateef recorded it on his 1959 album '' Cry! - Tender'' *Bobby Timmons from his album '' Easy Does It'' (1961) *Milt Jackson recorded it on his 1962 ''Big Bags'' album *Bill Evans recorded his version of the so ...
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Tadd Dameron
Tadley Ewing Peake Dameron (February 21, 1917 – March 8, 1965) was an American jazz composer, arranger, and pianist. Biography Born in Cleveland, Ohio, Dameron was the most influential arranger of the bebop era, but also wrote charts for swing and hard bop players. The bands he arranged for included those of Count Basie, Artie Shaw, Jimmie Lunceford, Dizzy Gillespie, Billy Eckstine, and Sarah Vaughan. In 1940-41 he was the piano player and arranger for the Kansas City band Harlan Leonard and his Rockets. He and lyricist Carl Sigman wrote " If You Could See Me Now" for Sarah Vaughan and it became one of her first signature songs. According to the composer, his greatest influences were George Gershwin and Duke Ellington. In the late 1940s, Dameron wrote arrangements for Gillespie's big band, who gave the première of his large-scale orchestral piece ''Soulphony in Three Hearts'' at Carnegie Hall in 1948. Also in 1948, Dameron led his own group in New York, which included F ...
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Easy Does It (Bobby Timmons Album)
''Easy Does It'' is the third studio album by American jazz pianist Bobby Timmons, recorded in 1961 and released on the Riverside label.Bobby Timmons discography
accessed February 8, 2011.


Reception

The '' DownBeat'' reviewer described it as "a model of unaffected, driving trio jazz". The review by Scott Yanow awarded the album 4 stars, stating that "the music is excellent".Yanow, S

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Wes Montgomery
John Leslie "Wes" Montgomery (March 6, 1923 – June 15, 1968) was an American jazz guitarist. Montgomery was known for an unusual technique of plucking the strings with the side of his thumb and his extensive use of octaves, which gave him a distinctive sound. Montgomery often worked with his brothers Buddy (Charles F.) and Monk (William H.) and with organist Melvin Rhyne. His recordings up to 1965 were oriented towards hard bop, soul jazz, and post bop, but around 1965 he began recording more pop-oriented instrumental albums that found mainstream success. His later guitar style influenced jazz fusion and smooth jazz. Biography Montgomery was born in Indianapolis, Indiana. According to NPR, the nickname "Wes" was a child's abbreviation of his middle name, Leslie. The family was large, and the parents split up early in the lives of the children. Montgomery and his brothers moved to Columbus, Ohio, with their father and attended Champion High School. His older brother Monk dropped ...
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Undiluted
''Undiluted'' is an album by jazz pianist Wynton Kelly that was recorded in 1965 and released by Verve label with Paul Chambers and Jimmy Cobb.Wynton Kelly discography
accessed August 19, 2010.


Reception

The review awarded the album 3 stars. accessed August 19, 2010.


Track listing

# "Bobo" (Wynton Kelly) - 4:02 # "Swingin Till the Girls Come Home" (

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Wynton Kelly
Wynton Charles Kelly (December 2, 1931 – April 12, 1971) was an American jazz pianist and composer. He is known for his lively, blues-based playing and as one of the finest accompanists in jazz. He began playing professionally at the age of 12 and was pianist on a No. 1 R&B hit at the age of 16. His recording debut as a leader occurred three years later, around the time he started to become better known as an accompanist to singer Dinah Washington, and as a member of trumpeter Dizzy Gillespie's band. This progress was interrupted by two years in the United States Army, after which Kelly worked again with Washington and Gillespie, and played with other leaders. Over the next few years, these included instrumentalists Cannonball Adderley, John Coltrane, Hank Mobley, Wes Montgomery, and Sonny Rollins, and vocalists Betty Carter, Billie Holiday, and Abbey Lincoln. Kelly attracted the most attention as part of Miles Davis' band from 1959, including an appearance on the trumpete ...
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Soul Burnin'
''Soul Burnin'' is an album by jazz pianist Red Garland, recorded in 1960 and 1961, but not released on Prestige Records until 1964."Red Garland Catalog"
at JazzDisco. The CD reissue features a bonus track, recorded in 1959, which originally appeared on Garland's album '''', first released in 1971.


Track listing

#" On Green Dolphin Street" (,



Red Garland
William McKinley "Red" Garland Jr. (May 13, 1923 – April 23, 1984) was an American modern jazz pianist. Known for his work as a bandleader and during the 1950s with Miles Davis, Garland helped popularize the block chord style of playing in jazz piano. Early life William "Red" Garland was born in 1923 in Dallas, Texas. He began his musical studies on the clarinet and alto saxophone but, in 1941, switched to the piano. Less than five years later, Garland joined the trumpet player Hot Lips Page, well-known in the southwest, playing with him until a tour ended in New York in March 1946. With Garland having decided to stay in New York to find work, Art Blakey came across Garland playing at a small club, only to return the next night with his boss, Billy Eckstine. Garland also had a short-lived career as a welterweight boxer in the 1940s. He fought more than 35 fights, one being an exhibition bout with Sugar Ray Robinson. Later life and career 1955–1958: the first great Miles Dav ...
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Junior Cook
Herman "Junior" Cook (July 22, 1934 – February 3, 1992) was an American hard bop tenor saxophone player. Biography Cook was born in Pensacola, Florida. After playing with Dizzy Gillespie in 1958, Cook was a member of the Horace Silver Quintet (1958–1964); when Silver left the group in the hands of Blue Mitchell Cook stayed in the quintet for five more years (1964–1969). Later associations included Freddie Hubbard, Elvin Jones, George Coleman, Louis Hayes (1975–1976), Bill Hardman (1979–1989), and the McCoy Tyner big band. In addition to many appearances as a sideman, Junior Cook recorded as a leader for Jazzland (1961), Catalyst (1977), Muse, and SteepleChase. He also taught at Berklee School of Music for a year during the 1970s. In the early 1990s, Cook was playing with Clifford Jordan, and also leading his own group. He died in February 1992 in his apartment in New York City, aged 57. Discography As leader/co-leader * '' Junior's Cookin''' ( Jazzland, 196 ...
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Portrait Of Sheila
''Portrait of Sheila'' is the 1963 debut album of American jazz singer Sheila Jordan, released by Blue Note Records. In the 1963 ''DownBeat'' magazine Critics Poll, she was ranked first in the vocal category for "Talent Deserving Wider Recognition". She did not record again as a leader for more than a dozen years.Yanow, Scott"Sheila Jordan – Portrait of Sheila Jordan" ''AllMusic''. Background and music According to the sleeve notes (written by Nat Hentoff), Alfred Lion of Blue Note decided to record Jordan after hearing her sing at the Page Three Club in Greenwich Village, New York, even though the label "had as a policy not recorded jazz vocalists before". The album's fourth track, "Dat Dere", showcases Jordan's predilection for performing voice and bass duets. According to biographer Ellen Johnson (author of ''Jazz Child: A Portrait of Sheila Jordan''), Jordan originally wanted to devote ''Portrait of Sheila'' entirely to bass and voice, but the idea was turned down by Blue No ...
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Sheila Jordan
Sheila Jordan (born Sheila Jeanette Dawson; November 18, 1928) is an American jazz singer and songwriter. She has recorded as a session musician with an array of critically acclaimed artists in addition to recording her own albums. Jordan pioneered a bebop and scat jazz singing style with an upright bass as the only accompaniment. Jordan's music has earned praise from many critics, particularly for her ability to improvise lyrics; Scott Yanow describes her as "one of the most consistently creative of all jazz singers." Charlie Parker often introduced Jordan as "the lady with the million dollar ears." Biography Early career Sheila Jordan grew up in Summerhill, Pennsylvania, United States, before returning to her birthplace of Detroit, Michigan, in 1940. She sang and played piano in jazz clubs in Detroit. She was a member of the trio Skeeter, Mitch, and Jean (Skeeter Spight, Leroi Mitchell, and Jordan was "Jean"), which wrote lyrics to music by Charlie Parker. They went to Parker' ...
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Trio '65
''Trio '65'' is a studio album by American jazz pianist Bill Evans and his Trio, released in 1965. Reception Writing for AllMusic, music critic Scott Yanow wrote of the album: "Although all eight of the selections heard on this Verve release have been recorded on other occasions by pianist Bill Evans, these renditions hold their own." Track listing # "Israel" (John Carisi) – 4:49 # "Elsa" (Earl Zindars) – 4:22 # " 'Round Midnight" (Thelonious Monk, Cootie Williams) – 6:42 # "Our Love Is Here to Stay" (George Gershwin, Ira Gershwin) – 4:02 # "How My Heart Sings" (Earl Zindars) – 2:49 # "Who Can I Turn To?" (Leslie Bricusse, Anthony Newley) – 4:53 # "Come Rain or Come Shine" (Harold Arlen, Johnny Mercer) – 5:26 # " If You Could See Me Now" (Tadd Dameron, Carl Sigman) – 4:47 Personnel *Bill Evans – piano *Larry Bunker – drums *Chuck Israels Charles H. Israels (born August 10, 1936) is an American jazz composer, music arranger, arranger, and double bass, bassi ...
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Moon Beams
''Moon Beams'' is a 1962 album by jazz musician Bill Evans, and the first trio album recorded by Evans after the death of bassist Scott LaFaro. Music and releases With Chuck Israels on bass taking the place of LaFaro, Evans recorded several songs during these May and June 1962 sessions. ''Moon Beams'' contains a collection of ballads recorded during this period. The more uptempo tunes were put on '' How My Heart Sings!'' In 2012, Riverside released a new remastered edition which includes three previously unreleased alternative takes. ''Moon Beams'' and ''How My Heart Sings!'' were also released combined as the double album ''The Second Trio''. The woman on the album cover is Nico, who would later achieve recognition as a musical artist herself. Reception Writing for Allmusic, music critic Thom Jurek wrote of the album "...selections are so well paced and sequenced the record feels like a dream... Moonbeams was a startling return to the recording sphere and a major advancement in ...
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