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I Wouldn't Normally Do This Kind Of Thing
"I Wouldn't Normally Do This Kind of Thing" is a song by English synth-pop duo Pet Shop Boys from their fifth studio album, '' Very'' (1993). The song describes a person normally hesitant to unwind and show his feelings, who—because of some event in his life—suddenly becomes willing to loosen up. It was released in the United Kingdom on 29 November 1993 as the album's third single, reaching number 13 on the UK Singles Chart. In the United States, where it was released in January 1994, it reached number two on the ''Billboard'' Hot Dance Club Play chart. Critical reception Larry Flick from ''Billboard'' wrote, "PSB's lauded '' Very'' project spawns another club winner as they combine their patented pop/disco electro-grooves with sharp, clever lyrics. The hook is quite memorable, while a plethora of trance-ish remixes is right in the pocket of current dance trends. Lively album version also is a total joy, and deserves more than a just cursory push from EMI's pop promotion de ...
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Pet Shop Boys
The Pet Shop Boys are an English synth-pop duo formed in London in 1981. Consisting of primary vocalist Neil Tennant and keyboardist Chris Lowe, they have sold more than 50 million records worldwide, and were listed as the most successful duo in UK music history in the 1999 edition of ''The Guinness Book of Records''. Three-time Brit Award winners and six-time Grammy nominees, since 1984 they have achieved 42 top 30 singles, 22 of these being top 10 hits on the UK Singles Chart, including four UK number ones: "West End Girls" (also number one on the US ''Billboard'' Hot 100), "It's a Sin", a synth-pop version of " Always on My Mind", and "Heart". Other hit songs include a cover of " Go West", and their own "Opportunities (Let's Make Lots of Money)", and " What Have I Done to Deserve This?" in a duet with Dusty Springfield. With five US top ten singles in the 1980s, they are associated with the Second British Invasion. At the 2009 Brit Awards in London, the Pet Shop Boys recei ...
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Hook (music)
A hook is a musical idea, often a short riff, passage, or phrase, that is used in popular music to make a song appealing and to "catch the ear of the listener". The term generally applies to popular music, especially rock, R&B, hip hop, dance, and pop. In these genres, the hook is often found in, or consists of, the chorus. A hook can be either melodic or rhythmic, and often incorporates the main motif for a piece of music.Davidson, Miriam; Heartwood, Kiya (1996). ''Songwriting for Beginners'', p.7. Alfred Music Publishing. . Definitions One definition of a hook is "a musical or lyrical phrase that stands out and is easily remembered." Definitions typically include some of the following: that a hook is repetitive, attention-grabbing, memorable, easy to dance to, and has commercial potential and lyrics. A hook has been defined as a "part of a song, sometimes the title or key lyric line, that keeps recurring." Alternatively, the term has been defined as and can be something as ...
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Music & Media
''Music & Media'' was a pan-European magazine for radio, music and entertainment. It was published for the first time in 1984 as ''Eurotipsheet'', but in 1986 it changed name to ''Music & Media''. It was originally based in Amsterdam, but later moved to London. The magazine focused specifically on radio, TV, music, charts and related areas of entertainment such as music festivals and events. ''Music & Media'' ceased in August 2003. ''Music & Media'' was the sister publication of '' Billboard'' magazine. Record charts Main charts *European Top 100 Albums (sales) *European Hot 100 Singles The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately ... (sales) *European Airplay Top 50 (airplay) (previously called European Hit Radio Top 40) *European Border Breakers (airplay of European songs brea ...
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VIVA (German TV Channel)
VIVA (abbreviation for: translating to "Video Exploitation Facility") was a German free-to-air music television channel, first broadcast on 1 December 1993. The channel was intended to compete against MTV Europe and was the first German-language music TV channel, while MTV was only broadcast in English until the introduction of MTV Germany in 1997. It was also supposed to focus more on German music and pop culture while MTV only broadcast anglophone music by artists mostly from North America, the United Kingdom, Ireland and Australia. After years of competition for audience share, MTV Networks Europe eventually acquired VIVA on 14 January 2005 after it had outrun its own efforts for better ratings. MTV operated VIVA channels in Austria, Germany, Hungary, Ireland, Poland, Switzerland and the United Kingdom. In June 2018, Viacom announced that it would shut down all Viva operations worldwide at the end of 2018. The channel ceased to broadcast at 14:00 on 31 December 2018, being ...
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Howard Greenhalgh
Howard Douglas Greenhalgh (born 19 February 1963) is a British director of music videos and advertising. Biography Greenhalgh was born in Halifax, West Riding of Yorkshire and studied at the Royal College of Art, setting up the firm Why Not after graduating. He came to prominence in the early 1990s with his direction of the music video for the Snap! song " Rhythm is a Dancer". Greenhalgh then was hired by the Pet Shop Boys to direct videos for their successful album '' Very'' and later its follow-up '' Bilingual''. His work has also included the video for George Michael's song 'Jesus to a Child', several videos for Muse, Placebo, Soundgarden and others. His videos for ''Very'' make extensive and early use of computer animation and blue screen to create environments of geometric shapes and patterns in which the group members Neil Tennant and Chris Lowe are inserted. His clip for the song "Liberation" was later reused in the 2000 animation anthology '' CyberWorld''. He late ...
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Music Video
A music video is a video of variable duration, that integrates a music song or a music album with imagery that is produced for promotion (marketing), promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of Music Recording, music recordings. Although the origins of music videos date back to musical short, musical short films that first appeared, they again came into prominence when Paramount Global's MTV based its format around the medium. These kinds of videos were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip", "film clip" or simply "video". Music videos use a wide range of styles and contemporary video-making techniques, including animation, live action, live-action, documentary film, documentary, and non-narrative approaches such as Non-narrative film, abstract fi ...
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Spin (magazine)
''Spin'' (stylized in all caps) is an American music magazine founded in 1985 by publisher Bob Guccione, Jr. Now owned by Next Management Partners, the magazine is an online publication since it stopped issuing a print edition in 2012. History Early history ''Spin'' was established in 1985 by Bob Guccione, Jr. In August 1987, the publisher announced it would stop publishing ''Spin'', but Guccione Jr. retained control of the magazine and partnered with former MTV president David H. Horowitz to quickly revive the magazine. During this time, it was published by Camouflage Publishing with Guccione Jr. serving as president and chief executive and Horowitz as investor and chairman. In its early years, ''Spin'' was known for its narrow music coverage with an emphasis on college rock, grunge, indie rock, and the ongoing emergence of hip-hop, while virtually ignoring other genres, such as country and metal. It pointedly provided a national alternative to ''Rolling Stone's'' more e ...
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Record Mirror
''Record Mirror'' was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the ''NME'', it never attained the circulation of its rival. The first UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and ''Top of the Pops'', as well as the US ''Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine ''Sounds'', to concentrate on trade papers like ''Music Week''. In 2010 Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music gossip website in 2011. The website became inactive in 2013 following di Stefano's jailing for fraud. Early years, 1954–1963 ''Record Mirror'' was founded by for ...
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James Hamilton (DJ And Journalist)
James Hamilton (25 December 1942 – 17 June 1996) was a British DJ and dance music columnist for ''Record Mirror'', and later for ''Music Week'', where he worked until his death in 1996. He is recognised as a pioneering advocate of disco mixing in the UK and the addition of beats per minute (bpm) calculations to record reviews. Hamilton started as a DJ in his early 20s, playing rhythm & blues in a nightclubs in London. He then headed to New York to work for Seltaeb, the US company who’d acquired the merchandising rights for The Beatles, becoming a talent scout for their newly formed music division. After returning to the UK, he adopted the DJ name Doctor Soul, and also compiled an album with this title for Sue Records. He set up as one of the first mobile DJs, and began writing US reviews for ''Record Mirror'' in 1964. In 1975, he began the magazine's weekly ‘Disco’ column, named ''James Hamilton's Disco Page''. He pioneered several features that was copied by other ...
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DJ Pierre
Nathaniel Pierre Jones, better known by his stage name DJ Pierre, is an American DJ and performer of house music based in Chicago. He helped to develop the house music subgenre of acid house, as member of Phuture, whose 1987 EP ''Acid Tracks'', is considered the first acid-house recording. Allmusic.com calls Jones a crucial DJ and the production wizard partly responsible for the development of Chicago acid-house. Jones' first single, "Generate Power," became standard fare for scores of producers during the next few years. Philippe Renaud, a journalist for '' La Presse'' in Montreal, states that the term ''acid house'' was coined in Chicago in 1987 to describe the sound of the Roland 303 bass machine, which made its first significant recording appearance on Phuture's Acid Trax (DJ Pierre) in that year. Musical career Phuture Jones has recorded under the names Audio Clash, Darkman, Disco Fuhrer, DJ Pierre, DJ Pierre's Afro Acid Project, Doomsday, M & M, Nathaniel Pierre Jones, ...
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Beatmasters
The Beatmasters are an English electronic music group who gained success in the UK in the late 1980s with four top 20 hit singles. They then went on to produce and remix records for many other artists. The group's string of chart hit singles include "Burn It Up", "Hey DJ! (I Can't Dance to that Music You're Playing)", "Who's in the House" (featuring Merlin) and "Rok da House". The latter, having been recorded in 1986, is one of the earliest examples of hip house and most likely the first song of the genre. Hip house is a subgenre of house music which features rap vocals performed over a house rhythm track. Their initial success brought comparisons with pop record producers Stock Aitken Waterman, but the Beatmasters cited rival producers Coldcut as their major competitor. Formation Manda Glanfield and Paul Carter (both regulars on the London club scene) were working in the TV commercial jingle industry where they were introduced to third member, Richard Walmsley. Signing to ...
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James Masterton
James Masterton (born 2 September 1973) is a music writer and columnist, his work focusing on the UK Singles Chart having been an online fixture on various sites since the 1990s. Masterton is also a producer for talkSPORT, and has worked on air as a presenter at the Bradford independent local radio station the Pulse. Music writing Masterton began posting his weekly comments about the latest singles chart on Usenet in 1992, while a student at Lancaster University, whence he graduated in 1994. In 1995 he became an important element of BT's Dotmusic website, an online hub for the UK music scene and one of the few sites that posted the entire UK top 75 every week. When Dotmusic was purchased from BT by Yahoo! on October 28, 2003, Masterton's commentary moved to Yahoo! Launch with it, remaining with the site as it transformed into Yahoo! Music UK and Ireland until the site's closure in September 2011. His chart column moved to About.com, where it remained until the summer of 2016. ...
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