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I Don't Want A Lover
"I Don't Want a Lover" is the debut single of Scottish band Texas, taken from their first album, ''Southside'' (1989). The music starts with blues slide guitar followed by a throbbing rhythm section before the vocals break in. It was released on 23 January 1989 and peaked at number eight on the UK Singles Chart. In 2001, Norwegian production team Stargate remixed and re-released the song to promote '' The Greatest Hits'' compilation album. Released on 9 July 2001, this version peaked at number 16 on the UK chart. Critical reception In an ironic review of 4 February 1989 the Phil Cheeseman, reviewer of British music newspaper ''Record Mirror'', chided the song for lack of individuality. He wrote: "It Begins brightly with some welcome slide guitar work but even before its slide towards American FM rock you're already scouring the sleeve in a vague attempt to find something, anything of interest". Track listings Original release 7-inch, mini-CD, and cassette single :A. "I Don't W ...
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Texas (band)
Texas are a Scottish alternative rock Alternative rock, or alt-rock, is a category of rock music that emerged from the independent music underground of the 1970s and became widely popular in the 1990s. "Alternative" refers to the genre's distinction from Popular culture, mainstre ... band from Glasgow. They were founded in 1986 by Johnny McElhone (formerly of the bands Altered Images and Hipsway) and Sharleen Spiteri on lead vocals. Texas made their performing debut in March 1988 at the University of Dundee. They took their name from the 1984 Wim Wenders movie ''Paris, Texas (film), Paris, Texas''. The band released their debut album ''Southside (Texas album), Southside'' in 1989, along with the debut single "I Don't Want a Lover", which was a top-ten hit on the UK Singles Chart and peaked within the top ten of the charts in many other European countries. ''Southside'' entered at number three on the UK Albums Chart and number 88 on the Billboard 200, ''Billboard'' 200 albu ...
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StoneBridge (DJ)
Sten Hallström, also known by his stage name StoneBridge, is a Swedish DJ and record producer. He received international acclaim with the remix of the 1993 hit " Show Me Love" with Robin S. and his remix for " Closer" by Ne-Yo which received a 2008 Grammy nomination. StoneBridge is also a resident at Sirius XM/BPM with his show StoneBridge #bpmMix every Saturday 11pm (PST) over North America. He also mixes his weekly StoneBridge HKJ podcast and runs his two record labels Stoney Boy Music and Dirty Harry Records. Biography StoneBridge started releasing remix records in the 80's with the label Remixed Records, he had also been running the Swedish DJ/remix outfit SweMix, formed at the end of the 1980s.IMO Records"Stonebridge Biography", IMO Records. Retrieved on 17 April 2011. He has released several 12" remixes, CDs, and has several singles, including "Put 'Em High", " Take Me Away" and " Freak On" from the debut album 'Can't Get Enough' 2005. Some of his singles featured the Sw ...
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Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ...
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Modern Rock Tracks
Alternative Airplay (formerly known as Modern Rock Tracks (1988–2009) and Alternative Songs (2009–2020)) is a music chart in the United States that has appeared in ''Billboard'' magazine since September 10, 1988. It ranks the 40 most-played songs on alternative and modern rock radio stations. Introduced as Modern Rock Tracks, the chart served as a companion to the Mainstream Rock chart (then called Album Rock Tracks), and its creation was prompted by the explosion of alternative music on American radio in the late 1980s. During the first several years of the chart, it regularly featured music that did not receive commercial radio airplay anywhere but on a few modern rock and college rock radio stations. This included many electronic and post-punk artists. Gradually, as alternative rock became more mainstream (spearheaded by the grunge explosion in the early 1990s), alternative and mainstream rock radio stations began playing many of the same songs. By the late 2000s, the genr ...
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Album Rock Tracks
Mainstream Rock is a music chart in ''Billboard'' magazine that ranks the most-played songs on mainstream rock radio stations in the United States, a category that combines the formats of active rock and heritage rock. The chart was launched in March 1981 as Rock Albums & Top Tracks, after which the name changed first to Top Rock Tracks, then to Album Rock Tracks, and finally to its current Mainstream Rock in 1996. History The Rock Albums & Top Tracks charts were introduced in the March 21, 1981, issue of ''Billboard''.Joel Whitburn. ''Joel Whitburn Presents Rock Tracks 1981–2008.'' Hal Leonard Corporation, 2008p. 6. The 50- and 60-position charts ranked airplay on album rock radio stations in the United States. Because album-oriented rock stations focused on playing tracks from albums rather than specifically released singles, these charts were designed to measure the airplay of any and all tracks from an album. Rock Albums was a survey of the top albums on American rock radio, ...
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Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ...
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Music & Media
''Music & Media'' was a pan-European magazine for radio, music and entertainment. It was published for the first time in 1984 as ''Eurotipsheet'', but in 1986 it changed name to ''Music & Media''. It was originally based in Amsterdam, but later moved to London. The magazine focused specifically on radio, TV, music, charts and related areas of entertainment such as music festivals and events. ''Music & Media'' ceased in August 2003. ''Music & Media'' was the sister publication of '' Billboard'' magazine. Record charts Main charts *European Top 100 Albums (sales) *European Hot 100 Singles The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately ... (sales) *European Airplay Top 50 (airplay) (previously called European Hit Radio Top 40) *European Border Breakers (airplay of European songs brea ...
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European Hot 100 Singles
The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately for Flanders and Wallonia), Denmark, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, and the United Kingdom. , the European Hot 100 had accumulated 400 number one hits. The final chart was published on December 11, 2010, following the news of ''Billboard'' closing their London office and letting their UK-based staff go. The final number one single on the chart was "Only Girl (in the World)" by Rihanna. History Europarade Top 30 The first attempt at a Europe-wide chart was the Europarade, which was started in early 1976 by the Dutch TROS radio network. The chart initially consisted of only six countries: the Netherlands, UK, France, Germany, Belgium and Spain. In 197 ...
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Mark Feltham (musician)
Mark Feltham (born 20 October 1955, Bermondsey, Southwark, London) is an English musician, best known for his harmonica playing. Feltham is a long-term member of the British rhythm and blues band Nine Below Zero, and Rory Gallagher's band; and is often used as a session musician. In an interview on the ''South Bank Show'' broadcast in 1981, Nine Below Zero guitarist and singer Dennis Greaves noted that Feltham's 'nan' had played the harmonica and his dad bought him his first instrument. Greaves also stated that Feltham had been playing in his bedroom for 11 years, but had given the instrument up for a time before joining Nine Below Zero, his first band. In addition, when he joined he did not know how to play through a microphone or what an amplifier was. Greaves also noted that Feltham studied the music of Little Walter, Charlie McCoy and Junior Wells. Selected discography Albums * Nine Below Zero: ''Live at the Marquee'' (1980); ''Don't Point Your Finger'' (1981); ''Thir ...
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Wix Wickens
Paul Wickens (born 27 March 1956) is an English musician, composer, and record producer, professionally known as Wix. In a career spanning more than 40 years, Wickens has worked with artists including Nik Kershaw, Bob Dylan, Joni Mitchell, Bon Jovi, Edie Brickell, Kevin Coyne and many others. Wickens has been a member of the Paul McCartney Band since 1989. Career In the early 1980s Wickens was a member of Woodhead Monroe, a band that issued two singles distributed by Stiff, "Mumbo Jumbo" and "Identify." Wickens began touring with Paul McCartney in 1989. Since then, Wickens has served as the musical director for many of McCartney's tours. He continues to tour with McCartney (as his keyboardist, occasional guitarist and backing vocalist), and of the four musicians in McCartney's touring band, he has worked with McCartney the longest by a considerable margin. Wickens played on albums by Tommy Shaw of the American rock band Styx, the Damned, Tim Finn, Paul Carrack, Nik Kershaw ...
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Craig Armstrong (composer)
Craig Armstrong, (born 29 April 1959) is a Scottish composer of modern orchestral music, electronica and film scores. He graduated from the Royal Academy of Music in 1981, and has since written music for the Royal Shakespeare Company, the Royal Scottish National Orchestra and the London Sinfonietta. Armstrong's score for Baz Luhrmann's ''Romeo + Juliet'' earned him a BAFTA for Achievement in Film Music and an Ivor Novello. He would collaborate with Luhrmann again on his next two films, ''Moulin Rouge!'' and ''The Great Gatsby (2013 film), The Great Gatsby''. His score for the former earned him the 2001 American Film Institute's composer of the Year award, a Golden Globe Award for Best Original Score and a BAFTA. Armstrong was awarded a Grammy Award for Best Original Score in 2004 for the biopic ''Ray (film), Ray''. His other feature film scoring credits include ''Love Actually'', Oliver Stone's ''World Trade Center (film), World Trade Center'', ''Elizabeth: The Golden Age ...
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