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I Believe To My Soul (album)
''I Believe to My Soul'' is an album by jazz pianist Junior Mance which was released on the Atlantic label in 1968. accessed September 18, 2015 Reception awarded the album 3 stars with the review by Dave Nathan stating, "Mance never ventures far from that jazzy soulfulness which characterized his playing. This is a good representative recording by an artist who was never able to raise himself to the top tier of jazz pianists".Track listing ''All compositions by Junior Mance except where indicated'' # "I Believe to My Soul" ( |
Junior Mance
Julian Clifford Mance, Jr. (October 10, 1928 – January 17, 2021), known as Junior Mance, was an American jazz pianist and composer. Biography Early life (1928–1947) Mance was born in Evanston, Illinois. When he was five years old, Mance started playing piano on an Upright piano#Upright (vertical), upright in his family's home in Evanston. His father, Julian, taught Mance to play Stride (music), stride piano and boogie-woogie. With his father's permission, Mance had his first professional gig in Chicago at the age of ten when his upstairs neighbor, a saxophone player, needed a replacement for a pianist who was ill. Mance was known to his family as "Junior" (to differentiate him from his father), and the nickname stuck with him throughout his professional career. Mance's mother encouraged him to study medicine at nearby Northwestern University in Evanston, but agreed to let him attend Roosevelt University, Roosevelt College in Chicago instead. Despite urging him to enroll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mort Shuman
Mortimer Shuman (12 November 1938 – 2 November 1991) was an American singer, pianist and songwriter, best known as co-writer of many 1960s rock and roll hits, including "Viva Las Vegas". He also wrote and sang many songs in French, such as "Le Lac Majeur", "Papa-Tango-Charly", "Sha Mi Sha", "Un Été de Porcelaine", and "Brooklyn by the Sea" which became hits in France. Life and career Shuman was born in Brooklyn, New York, United States, of Polish Jewish immigrants and went to Abraham Lincoln High School, subsequently studying music at the New York Conservatory. He became a fan of R&B music and after he met Doc Pomus the two teamed up to compose for Aldon Music at offices in New York City's Brill Building. Their songwriting collaboration saw Pomus write the lyrics and Shuman the melody, although occasionally each worked on both. Their compositions would be recorded by artists such as Dion, The Flamingos, Andy Williams, Bobby Darin, Fabian, Ajda Pekkan, The Drifters, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Cunningham (musician)
Bob Cunningham (December 28, 1934 – April 1, 2017) was an American jazz bassist. Cunningham was born on December 28, 1934, in Cleveland. In the 1990s he was a member of The 3B's, with Bross Townsend and Bernard Purdie. He died in New York on April 1, 2017, at the age of 82.Ron Scott"Bob Cunningham, master bassist, dies at 83" ''New York Amsterdam News'', April 13, 2017. Retrieved on April 13, 2017. Discography As leader *1985: ''Walking Bass'' ( Nilva) With The 3B's * 1993: ''After Hours with The 3B's'' * 1994: ''Soothin' n Groovin' with The 3B's'' As sideman With Gary Bartz * '' Home!'' (Milestone, 1970) With Walt Dickerson * '' Impressions of a Patch of Blue'' (MGM, 1965) With Frank Foster *'' Fearless Frank Foster'' (Prestige, 1965) *'' Soul Outing!'' (Prestige, 1966) With Dizzy Gillespie * ''An Electrifying Evening with the Dizzy Gillespie Quintet'' (Verve, 1961) With Bill Hardman *'' Saying Something'' ( Savoy 1961) With Freddie Hubbard * ''Backlash'' (Atlantic, 1967 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haywood Henry
Frank Haywood Henry (January 10, 1913 – September 15, 1994) was an American jazz baritone saxophonist. In 1978 he was induced into the Alabama Jazz Hall of Fame. Career Born in Birmingham, Alabama, Henry began on clarinet before choosing baritone saxophone as his primary instrument. He continued to play clarinet throughout his career. While he was a student at Alabama State Teachers College, he played with the Bama State Collegians in 1930 and became a member four years later. The Collegians became the Erskine Hawkins Orchestra when Hawkins led it. Henry was a member of the orchestra from 1934 through the 1950s. Following his period with Hawkins, Henry worked with Tiny Grimes, Julian Dash (1951), and the Fletcher Henderson Reunion Band (1957–58), and occasionally substituted for Harry Carney in the Duke Ellington Orchestra. He played on over 1,000 rock and roll records in the 1950s and 1960s, many of them anonymously and often with Mickey Baker. In the 1960s, he pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hubert Laws
Hubert Laws (born November 10, 1939) is an American flutist and saxophonist with a career spanning over 40 years in jazz, classical, and other music genres. Laws is one of the few classical artists who has also mastered jazz, pop, and rhythm-and-blues genres, moving effortlessly from one repertory to another. Biography Hubert Laws, Jr. was born November 10, 1939, in the Studewood section of Houston, Texas, the second of eight children to Hubert Laws, Sr. and Miola Luverta Donahue. Many of his siblings also entered the music industry, including saxophonist Ronnie and vocalists Eloise, Debra, and Johnnie Laws. He began playing flute in high school after volunteering to substitute for the school orchestra's regular flutist. He became adept at jazz improvisation by playing in the Houston-area jazz group the Swingsters, which eventually evolved into the Modern Jazz Sextet, the Night Hawks, and The Crusaders. At the age of 15, he was a member of the early Jazz Crusaders while in T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Wess
Frank Wellington Wess (January 4, 1922 – October 30, 2013) was an American jazz saxophonist and flutist. In addition to his extensive solo work, Wess is remembered for his time in Count Basie's band from the early 1950s into the 1960s. Critic Scott Yanow described him as one of the premier proteges of Lester Young, and a leading jazz flutist of his era—using the latter instrument to bring new colors to Basie's music. Biography Wess was born in Kansas City, Missouri, United States, the son of a principal father and a schoolteacher mother. He began with classical music training and played in Oklahoma in high school. He later switched to jazz on moving to Washington, D.C. and by nineteen was working with big bands. His career was interrupted by World War II although he did play with a military band in the period. After leaving the military, he joined Billy Eckstine's orchestra. He returned to Washington D.C. a few years afterwards and received a degree in flute at the city's Mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David "Fathead" Newman
David "Fathead" Newman (February 24, 1933 – January 20, 2009) was an American jazz and rhythm-and-blues saxophonist, who made numerous recordings as a session musician and leader, but is best known for his work as a sideman on seminal 1950s and early 1960s recordings by Ray Charles. The AllMusic Guide to Jazz wrote that "there have not been many saxophonists and flutists more naturally soulful than David 'Fathead' Newman." Newman was a leading exponent of the "Texas Tenor" saxophone style, a big-toned, bluesy approach popularized by jazz tenor players from that state. Early life Newman was born in Corsicana, Texas, United States, on February 24, 1933, but grew up in Dallas, where he studied first the piano and then the saxophone. According to one account, he got his nickname "Fathead" in school when "an outraged music instructor used it as an epithet after catching Mr. Newman playing a Sousa march from memory rather than from reading the sheet music, which rested upside down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Owens (musician)
Jimmy Owens (born December 9, 1943) is an American jazz trumpeter, composer, arranger, lecturer, and educator. He has played with Lionel Hampton, Charles Mingus, Hank Crawford, Dizzy Gillespie, Count Basie, Herbie Mann, among many others. Since 1969, he has led his own group, Jimmy Owens Plus. Biography Jimmy Owens was born in New York City, New York, United States. He is a jazz trumpeter and, in addition, plays the flugelhorn. He is also a composer, lecturer, arranger and music education consultant, harnessing more than 45 years of musical experience. Owens does not have an enormous number of recordings as a leader; however, his career was instead nourished through session work with groups and band leaders.“Jimmy Owens.” AllMusic. Accessed on April 23, 2012. His encounter with music encompasses a vast ran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Newman (trumpeter)
Joseph Dwight Newman (September 7, 1922 – July 4, 1992) was an American jazz trumpeter, composer, and educator, best known as a musician who worked with Count Basie during two periods. Early life and education Newman was born in New Orleans, Louisiana, to Dwight, (pianist) and Louise Newman, a musical family, having his first music lessons from David Jones. He attended Alabama State College, where he joined the college band (the Bama State Collegians), became its leader, and took it on tour. Career In 1941, he joined Lionel Hampton for two years, before signing with Count Basie, with whom he stayed for a total of thirteen years, interrupted by short breaks and a long period (1947–1952) spent first with saxophonist Illinois Jacquet and then drummer J. C. Heard. During his second period with Basie, which lasted for about nine years, he made a number of small-group recordings as the leader. He also played on Benny Goodman's 1962 tour of the Soviet Union. In 1961, Newman l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melvin Lastie
Melvin Clarke Lastie, Sr. (November 18, 1930 – December 4, 1972) was an American R&B trumpeter, flugelhornist, and cornetist. He also played jazz and was a session musician on many soul and rock records of the 1960s. Lastie was born in New Orleans, Louisiana to Frank and Alice Hill Lastie. Melvin's four brothers were Chester, David, Joseph, and Walter, and his sister was Betty Ann. Lastie played with Paul Barbarin and Fats Domino while he was still a teenager. He served in the military during the Korean War, then formed a group with his brother David Lastie, which backed Big Joe Turner on tour throughout North America. He worked as a studio musician in the 1950s, including on recordings by Roy Brown, and played in a band led by Clarence Samuels alongside Ornette Coleman. In 1961, he co-founded AFO Records and worked with them as a producer and studio player both in New Orleans and after the company moved to Los Angeles. He played extensively on soul and jazz recordings, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
