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I Ain't Gonna Stand For It
"I Ain't Gonna Stand for It" is the second single from Stevie Wonder's 1980 album, '' Hotter Than July''. It reached number four on the ''Billboard'' R&B singles chart and number 11 on the Hot 100. It also hit number 10 on the UK Singles Chart. The song is famous for Wonder's imitation of a seasoned country-and-western crooner and his inspiring drumming. Charlie and Ronnie Wilson of The Gap Band provide backing vocals on the song. It was covered by Eric Clapton in 2001. '' Record World'' called it a "beautifully constructed song" and praised the "warm, universal lyrics" as well as the "irresistible chorus hook." Personnel *Stevie Wonder – lead vocals, piano, clavinet, cabasa, drums, background vocals *Nathan Watts – bass *Ben Bridges – acoustic guitar, electric guitar *Isaiah Sanders – Fender Rhodes *Hank Devito – steel guitar *Charlie Wilson – background vocals *Ronnie Wilson – background vocals Chart history Weekly charts Year-end charts Eric Clapton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stevie Wonder
Stevland Hardaway Morris ( Judkins; May 13, 1950), known professionally as Stevie Wonder, is an American singer-songwriter, who is credited as a pioneer and influence by musicians across a range of genres that include rhythm and blues, Pop music, pop, Soul music, soul, Gospel music, gospel, funk, and jazz. A virtual one-man band, Wonder's use of synthesizers and other electronic musical instruments during the 1970s reshaped the conventions of Contemporary R&B, R&B. He also helped drive such genres into the album era, crafting his LP record, LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions. Visual impairment, Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder. Wonder's single "Fingertips" was a No. 1 hit on the Billboard Hot 100, ''Billboard'' Hot 100 in 1963, at the age of 13, making him the List o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hook (music)
A hook is a musical idea, often a short riff, passage, or phrase, that is used in popular music to make a song appealing and to "catch the ear of the listener". The term generally applies to popular music, especially rock, R&B, hip hop, dance, and pop. In these genres, the hook is often found in, or consists of, the chorus. A hook can be either melodic or rhythmic, and often incorporates the main motif for a piece of music.Davidson, Miriam; Heartwood, Kiya (1996). ''Songwriting for Beginners'', p.7. Alfred Music Publishing. . Definitions One definition of a hook is "a musical or lyrical phrase that stands out and is easily remembered." Definitions typically include some of the following: that a hook is repetitive, attention-grabbing, memorable, easy to dance to, and has commercial potential and lyrics. A hook has been defined as a "part of a song, sometimes the title or key lyric line, that keeps recurring." Alternatively, the term has been defined as and can be something as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Help The Poor
Help is a word meaning to give aid or signal distress. Help may refer to: Arts, entertainment, and media Films * ''Help'' (2010 film), a Bollywood horror film * ''Help'' (2021 theatrical film), a British psychological thriller film * ''Help!'' (film), a 1965 film directed by Richard Lester starring The Beatles * ''Help'' (2021 television film), a TV film about the COVID-19 pandemic * ''The Help'' (film), a 2011 period drama, set in Jackson, Mississippi, in 1963 Television * ''Help'' (Australian TV series), a documentary series * ''Help'' (Dutch TV series), a drama series * ''Help'' (British TV series), a comedy series * ''H.E.L.P.'', a 1990 American TV drama series * ''The Help'' (TV series), a 2004 American sitcom * ''Dr. Henry's Emergency Lessons for People'', also known as ''H.E.L.P.!'', a 1979 American series of animated public service announcements Episodes * "Help" (''Buffy'' episode) * "Help", an episode of ''The Protector'' Literature * ''Help!'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reprise Records
Reprise Records is an American record label founded in 1960 by Frank Sinatra. It is owned by Warner Music Group, and operates through Warner Records, one of its flagship labels. Artists currently signed to Reprise Records include Enya, Michael Bublé, Eric Clapton, Stevie Nicks, Neil Young, Deftones, Mastodon (band), Mastodon, Lindsey Buckingham, Josh Groban, Disturbed (band), Disturbed, Idina Menzel, My Chemical Romance, Gerard Way, Green Day, Dwight Yoakam, and Never Shout Never. Company history Beginnings Reprise Records was formed in 1960 by Frank Sinatra in order to allow more artistic freedom for his own recordings. Soon thereafter, he garnered the nickname "The Chairman of the Board". Because of dissatisfaction with Capitol Records, and after trying to buy Norman Granz's Verve Records, the first album Sinatra released on Reprise was ''Ring-a-Ding-Ding!'' As CEO of Reprise, Sinatra recruited several artists for the fledgling label, such as fellow Rat Pack members Dean Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Rock
Pop rock (also typeset as pop/rock) is a fusion genre with an emphasis on professional songwriting and recording craft, and less emphasis on attitude than rock music. Originating in the late 1950s as an alternative to normal rock and roll, early pop rock was influenced by the beat, arrangements, and original style of rock and roll (and sometimes doo-wop). It may be viewed as a distinct genre field rather than music that overlaps with pop and rock. The detractors of pop rock often deride it as a slick, commercial product and less authentic than rock music. Characteristics and etymology Much pop and rock music has been very similar in sound, instrumentation and even lyrical content. The terms "pop rock" and "power pop" have been used to describe more commercially successful music that uses elements from, or the form of, rock music. Writer Johan Fornas views pop/rock as "one single, continuous genre field", rather than distinct categories. To the authors Larry Starr and Chri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reptile (album)
''Reptile'' is the fourteenth solo studio album by Eric Clapton. The album was produced by Eric Clapton with Simon Climie and is Clapton's first album to include keyboard work by Billy Preston and background vocals by the Impressions. The album reached the Top 10 in 20 countries, topping the national album charts in three of them. In total, the album sold more than 2.5 million copies and gained several certification awards around the globe. To help promote album sales, music network VH1 streamed the album in full on TV. Clapton presented the album on his Reptile World Tour in 2001. Critical reception ''Rolling Stones Anthony DeCurtis thought Clapton combines both blues and pop music very well and "blends virtually every style he's worked in during the past thirty-five years". ''PopMatters'' critic Simon Warner felt the album "could have been mawkish but it's actually quite moving. Clapton, circumspect as a composer and still highly adept as a musical practitioner, has his own ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Year-End Hot 100 Singles Of 1981
This is a list of '' Billboard'' magazine's Top Hot 100 songs of 1981. The Top 100, as revealed in the year-end edition of ''Billboard'' dated December 26, 1981, is based on Hot 100 charts from the issue dates of November 1, 1980 through October 31, 1981. See also * 1981 in music * List of Billboard Hot 100 number-one singles of 1981 These are the ''Billboard'' Hot 100 number-one hits of 1981. The longest running number-one single of 1981 is " Physical" by Olivia Newton-John which stayed at the top of the chart for six weeks in 1981 and then for four additional weeks in 1982, ... * List of Billboard Hot 100 top-ten singles in 1981 References {{DISPLAYTITLE:''Billboard'' Year-End Hot 100 singles of 1981 1981 record charts Billboard charts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RPM Year-End
RPM Year-End charts are a cumulative measure of a single (music), single or album's performance in Canada, based upon the ''RPM (magazine), RPM'' magazine charts during any given chart year. ''RPM'' year-end number ones See also *Billboard Year-End References {{Canadian Albums RPM (magazine) charts Lists of number-one songs in Canada Lists of number-one albums in Canada ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cashbox (magazine)
''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1952–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were '' Billboard'' and '' Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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