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IBM Executive Series Typewriter
The IBM Electric typewriters were a series of electric typewriters that IBM manufactured, starting in the mid-1930s. They used the conventional moving carriage and typebar mechanism, as opposed to the fixed carriage and type ball used in the IBM Selectric, introduced in 1961. After 1944, each model came in both "Standard" and "Executive" versions, the latter featuring proportional spacing. History The IBM Electromatic typewriter was the first electric typewriter to enjoy long-term commercial success. Unlike the later IBM Selectric typewriter, this typewriter model used a conventional moving carriage and typebar mechanism. The history of the Electromatic goes back to 1924, when the North East Electric Company received patent rights for the power roller from James Smathers. At that time, the company was selling electric motors, and wanted to get into the typewriter business. They reached an arrangement with Remington, securing a contract for 2,500 machines in 1925. N. E. Electric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IBM Selectric Typewriter
The IBM Selectric typewriter was a highly successful line of electric typewriters introduced by IBM on 31 July 1961. Instead of the "basket" of individual typebars that swung up to strike the ribbon and page in a typical typewriter of the period, the Selectric had an "element" (frequently called a "typeball", or less formally, a "golf ball") that rotated and pivoted to the correct position before striking the paper. The element could be easily interchanged to use different fonts within the same document typed on the same typewriter, resurrecting a capability which had been pioneered by typewriters such as the Hammond and Blickensderfer in the late 19th century. The Selectric also replaced the traditional typewriter's horizontally-moving carriage with a roller ( platen) that turned to advance the paper vertically, while the typeball and ribbon mechanism moved horizontally across the paper. The Selectric mechanism was notable for using internal mechanical binary coding and two me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IBM 1130
The IBM 1130 Computing System, introduced in 1965, was IBM's least expensive computer at that time. A binary 16-bit machine, it was marketed to price-sensitive, computing-intensive technical markets, like education and engineering, succeeding the decimal IBM 1620 in that market segment. Typical installations included a 1 megabyte disk drive that stored the operating system, compilers and object programs, with program source generated and maintained on punched cards. Fortran was the most common programming language used, but several others, including APL, were available. The 1130 was also used as an intelligent front-end for attaching an IBM 2250 Graphics Display Unit, or as remote job entry (RJE) workstation, connected to a System/360 mainframe. Description The total production run of the 1130 has been estimated at 10,000. The 1130 holds a place in computing history because it (and its non-IBM clones) gave many people their first direct interaction with a computer. Its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IBM Selectric
The IBM Selectric typewriter was a highly successful line of electric typewriters introduced by IBM on 31 July 1961. Instead of the "basket" of individual typebars that swung up to strike the ribbon and page in a typical typewriter of the period, the Selectric had an "element" (frequently called a "typeball", or less formally, a "golf ball") that rotated and pivoted to the correct position before striking the paper. The element could be easily interchanged to use different fonts within the same document typed on the same typewriter, resurrecting a capability which had been pioneered by typewriters such as the Hammond and Blickensderfer in the late 19th century. The Selectric also replaced the traditional typewriter's horizontally-moving carriage with a roller ( platen) that turned to advance the paper vertically, while the typeball and ribbon mechanism moved horizontally across the paper. The Selectric mechanism was notable for using internal mechanical binary coding and two m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German language, German, ) or "Gothic", and serif typefaces as "Roman type, roman". Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with Roman square capitals, inscriptional lettering—words carved into stone in Roman Classical antiquity, antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush marks, which flared at stroke ends and corners, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Font
In movable type, metal typesetting, a font is a particular #Characteristics, size, weight and style of a typeface. Each font is a matched set of type, with a piece (a "Sort (typesetting), sort") for each glyph. A typeface consists of a range of such fonts that shared an overall design. In modern usage, with the advent of computer fonts, the term "font" has come to be used as a synonym for "typeface", although a typical typeface (or "font family") consists of a number of fonts. For instance, the typeface "Bauer Bodoni" (sample shown here) includes fonts "Roman (typeface), Roman" (or "Regular"), "Emphasis (typography), Bold" and ''"Italic type, Italic"''; each of these exists in a variety of sizes. The term "font" is correctly applied to any one of these alone but may be seen used loosely to refer to the whole typeface. When used in computers, each style is in a separate digital "font file". In both traditional typesetting and modern usage, the word "font" refers to the delivery ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typesetting
Typesetting is the composition of text by means of arranging physical ''type'' (or ''sort'') in mechanical systems or '' glyphs'' in digital systems representing '' characters'' (letters and other symbols).Dictionary.com Unabridged. Random House, Inc. 23 December 2009Dictionary.reference.com/ref> Stored types are retrieved and ordered according to a language's orthography for visual display. Typesetting requires one or more fonts (which are widely but erroneously confused with and substituted for typefaces). One significant effect of typesetting was that authorship of works could be spotted more easily, making it difficult for copiers who have not gained permission. Pre-digital era Manual typesetting During much of the letterpress era, movable type was composed by hand for each page by workers called compositors. A tray with many dividers, called a case, contained cast metal '' sorts'', each with a single letter or symbol, but backwards (so they would print correctly) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Justification (typesetting)
In typesetting and page layout, alignment or range is the setting of text flow or image placement relative to a page, column (measure), table cell, or tab (and often to an image above it or under it). The type alignment setting is sometimes referred to as text alignment, text justification, or type justification. The edge of a page or column is known as a '' margin'', and a gap between columns is known as a ''gutter''. Basic variations There are four basic typographic alignments: * flush left—the text is aligned along the left margin or gutter, also known as ''left-aligned'', ''ragged right'' or ''ranged left''; * flush right—the text is aligned along the right margin or gutter, also known as ''right-aligned'', ''ragged left'' or ''ranged right''; * justified—text is aligned along the left margin, with letter-spacing and word-spacing adjusted so that the text falls flush with both margins, also known as ''fully justified'' or ''full justification''; * centered—text is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Point (typography)
In typography, the point is the smallest typographic unit, unit of measure. It is used for measuring typeface, font size, leading, and other items on a printed page. The size of the point has varied throughout printing's history. Since the 18th century, the size of a point has been between 0.18 and 0.4 millimeters. Following the advent of desktop publishing in the 1980s and 1990s, digital printing has largely supplanted the printing press, letterpress printing and has established the DTP point (DeskTop Publishing point) as the de facto standard, ''de facto'' standard. The DTP point is defined as of an inch, international inch () and, as with earlier American point sizes, is considered to be of a pica (typography), pica. In metal type, the point size of the font describes the body height (typography), height of the metal body (typography), body on which the typeface's characters were cast. In digital type, letters of a font are designed around an imaginary space called an ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sentence Spacing
Sentence spacing concerns how spaces are inserted between sentences in typeset text and is a matter of typographical convention. Since the introduction of movable-type printing in Europe, various sentence spacing conventions have been used in languages with a Latin alphabet. These include a normal word space (as between the words in a sentence), a single enlarged space, and two full spaces. Until the 20th century, publishing houses and printers in many countries used additional space between sentences. There were exceptions to this traditional spacing method—some printers used spacing between sentences that was no wider than word spacing. This was ''French spacing''—a term synonymous with single-space sentence spacing until the late 20th century. With the introduction of the typewriter in the late 19th century, typists used two spaces between sentences to mimic the style used by traditional typesetters. Bringhurst 2004. p. 28. While wide sentence spacing was phased ou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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