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I'm Still In Love With You (Sean Paul Song)
"I'm Still in Love with You" is a song by Jamaican recording artist Sean Paul for his second studio album, ''Dutty Rock'' (2002). It features vocals from Sasha. Released on 6 October 2003, the song reached number six in the United Kingdom and number 14 on the US ''Billboard'' Hot 100 chart. It also became a top-10 hit in Hungary, Italy, Ireland, and Switzerland. Composition The song is an interpolation of "I'm Still in Love with You" by Alton Ellis. Sean Paul and Sasha (the female counterpart) are discussing a stalled and seemingly unfulfilled relationship. Paul's character is trying to explain that the relationship was somewhat of an extended one-night stand, and that it has no future; Sasha's character seems to want to continue the relationship, despite Paul's admittance of "thug" love because she remains in love with him. Though the original version's message was more vague, the message in this version seems much clearer in explaining the relationship between the character ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sean Paul
Sean Paul Ryan Francis Henriques OD (born 9 January 1973) is a Jamaican rapper and singer who is regarded as one of dancehall's most prolific artists. Paul's singles "Get Busy" and "Temperature" topped the ''Billboard'' Hot 100 chart in the United States and most of his albums have been nominated for the Grammy's Best Reggae Album, with ''Dutty Rock'' winning the award. Paul has also been featured in many other singles including chart-toppers " Baby Boy" with Beyoncé, "What About Us" by The Saturdays, " Rockabye" by Clean Bandit, and " Cheap Thrills" by Sia. As well as his own top ten UK hit " No Lie" (featuring the Youngest English-Albanian singer Dua Lipa), the EP's lead single. " No Lie" and " Cheap Thrills"and " Rockabye", each have over 1 billion views on YouTube, with "Rockabye" having reached over 2.7 billion views. Early life Sean Paul Ryan Francis Henriques was born in Kingston, Jamaica, on 9 January 1973. His mother Frances, a painter, is of English and Chine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canadian Singles Chart
The Canadian Singles Chart was a chart compiled by the American-based music sales tracking company, Nielsen SoundScan, which began publication in November 1996. It was published every Wednesday and also published on Thursday by '' Jam!''/Canoe. It was superseded by the '' Billboard''-published Canadian Hot 100 in 2007. History In the 1960s, the Canadian music industry was disparate and regionally focused, and English-speaking Canadian artists were often overlooked in favour of American acts. To encourage a more national focus and ensure that domestic artists were promoted across Canada, the Maple Leaf System (MLS) was set up in 1969. The MLS produced its own national singles chart, which '' Billboard'' magazine reproduced as Canada's entry in its weekly Hits of the World section. The MLS struggled to achieve widespread support in Canada, however, particularly as participating radio stations failed to give the nominated Canadian records the requisite national airplay. In November ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urban Radio
Urban contemporary music, also known as urban music, hip hop, urban pop, or just simply urban, is a music radio format. The term was coined by New York radio DJ Frankie Crocker in the early to mid-1970s as a synonym for Black music. Urban contemporary radio stations feature a playlist made up entirely of Black genres such as R&B, pop-rap, quiet storm, urban adult contemporary, hip hop, Latin music such as Latin pop, Chicano R&B and Chicano rap, and Caribbean music such as reggae and soca. Urban contemporary was developed through the characteristics of genres such as R&B and soul. Because urban music is a largely US phenomenon, virtually all urban contemporary formatted radio stations in the United States are located in cities that have sizeable African-American populations, such as New York City, Washington, D.C., Detroit, Atlanta, Miami, Chicago, Cleveland, Philadelphia, Montgomery, Memphis, St. Louis, Newark, Charleston, New Orleans, Cincinnati, Dallas, Houston, Oakland, Los ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Hit Radio
Contemporary hit radio (also known as CHR, contemporary hits, hit list, current hits, hit music, top 40, or pop radio) is a radio format that is common in many countries that focuses on playing current and recurrent popular music as determined by the Top 40 music charts. There are several subcategories, dominantly focusing on rock, pop, or urban music. Used alone, ''CHR'' most often refers to the CHR-pop format. The term ''contemporary hit radio'' was coined in the early 1980s by ''Radio & Records'' magazine to designate Top 40 stations which continued to play hits from all musical genres as pop music splintered into Adult contemporary, Urban contemporary, Contemporary Christian and other formats. The term "top 40" is also used to refer to the actual list of hit songs, and, by extension, to refer to pop music in general. The term has also been modified to describe top 50; top 30; top 20; top 10; hot 100 (each with its number of songs) and hot hits radio formats, but carrying more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythmic Contemporary
Rhythmic contemporary, also known as Rhythmic Top 40, Rhythmic CHR or rhythmic crossover, is a primarily American music-radio format that includes a mix of EDM, upbeat rhythmic pop, hip hop and upbeat R&B hits. Rhythmic contemporary never uses hard rock or country in its airplay, but it may occasionally use a reggae, Latin, reggaeton, or a urban contemporary gospel hit. Essentially, the format is a cross between mainstream radio and urban contemporary radio formats. Format history Although some top-40 stations such as CKLW in Windsor, Ontario, made their mark by integrating a large amount of R&B and soul product into their predominantly pop playlists as early as 1967, such stations were still considered mainstream top 40 (a cycle that continues to dominate the current Top 40/CHR chart). It was not until the disco era of the late 1970s that such stations came to be considered as a format of their own as opposed to top-40 or soul. This development was largely spurred by the high ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Year-End Hot 100 Singles Of 2004
This is a list of '' Billboard'' magazine's Top Hot 100 songs of 2004. References See also * 2004 in music *List of Billboard Hot 100 number-one singles of 2004 *List of Billboard Hot 100 top-ten singles in 2004 This is a list of singles that charted in the top ten of the ''Billboard'' Hot 100 during 2004. Usher scored five top ten hits during the year with " Yeah!", "Burn", "Confessions Part II", " My Boo", and " Lovers & Friends", the most among all ... {{italic title, string=Billboard Billboard charts United States Hot 100 Year-end ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
FIMI
The Federazione Industria Musicale Italiana (FIMI) is an umbrella organization that keeps track of virtually all aspects of the music recording industry in Italy. It was established in 1992, when major corporate labels left the previously existing Associazione dei Fonografici Italiani (AFI). During the following years, most of the remaining Italian record labels left AFI to join the new organisation. As of 2011, FIMI represents 2,500 companies operating in the music business. FIMI is a member of the International Federation of the Phonographic Industry and of the Italian employers' federation, Confindustria. Its main purpose is to protect the interests of the Italian record industry. Starting in March 1995, the Italian Music Industry Federation began providing the Italian official albums chart. In January 1997, FIMI also became the provider of the Italian official singles chart. Due to the decrease of CD singles sales in Italy, FIMI replaced its physical singles chart with a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanian Top 100
Multiple record charts have been inaugurated in Romania since the 1990s. The Romanian Top 100 was the country's national chart until 2012. Founded in 1995, it was a ranking based on the compilation of charts submitted by local Romanian radio stations. The Romanian Top 100 was published weekly and was also announced during a radio show starting in 1998. Compilation of the list was first handled by Body M Production A-V, followed by Media Forest. In the 2010s, the chart was announced during a podcast on Kiss FM, but the broadcast ended in February 2012. Later that month, the Airplay 100—which was compiled by Media Forest and also broadcast by Kiss FM—replaced the Romanian Top 100 as a national chart. Until its cancellation in November 2021, it measured the airplay of songs on radio stations and television channels throughout the country. For a short period of time during the late 2000s and early 2010s, Nielsen Music Control and Uniunea Producătorilor de Fonograme din România ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
