I'm Not That Kind Of Girl
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I'm Not That Kind Of Girl
''I'm Not That Kind of Girl'' is a studio album released in 1983 by British singer Marti Webb. It was a follow-up to 1981's '' Won't Change Places''. The songs on the album are linked by a story and were written by David Hentschel and Don Black. Background The album was produced by David Hentschel, who also composed the music. The lyrics were written by Don Black who was at the time, Webb's manager. It was in the song cycle format that had proved successful for Webb's 1980 album ''Tell Me On a Sunday'' which Black had co-written with Andrew Lloyd Webber. The story is about a woman meeting up with a former lover and embarking on a new relationship with him, dealing with her insecurities in between, and ending with her about to marry him. Some of the songs are humorous in tone with Janet Reger and Jane Fonda referenced in the titles, although takes a more dramatic theme in the closing two tracks. The album's genre is contemporary pop, somewhat at odds with Webb's usual style, bu ...
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Marti Webb
Marti Webb (born 13 December 1943) is an English actress and singer, who appeared on stage in ''Evita (musical), Evita'', before starring in Andrew Lloyd Webber's one-woman show ''Tell Me on a Sunday'' in 1980. This included her biggest hit single, "Take That Look Off Your Face", a UK top three hit, with the parent album also reaching the top three. Early life and education Marti Webb was born in Hampstead to Cecil (a clockmaker) and Selina Elizabeth Webb, and raised in Cricklewood. Her parents took her to variety shows and pantomimes as a child. Her father played the violin and her mother sang and played the piano. She attended dance lessons from the age of 3 and first performed in public at the age of 7, at the Scala Theatre, London, initially hoping to be a ballerina. After a school teacher suggested to her parents that her natural talent for singing and dancing should be nurtured, she was educated at the Aida Foster stage school from the age of 12, where she eventually bec ...
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Phil Collins
Philip David Charles Collins (born 30 January 1951) is an English singer, musician, songwriter, record producer and actor. He was the drummer and lead singer of the rock band Genesis and also has a career as a solo performer. Between 1982 and 1990, Collins scored three UK and seven US number-one singles as a solo artist. When his work with Genesis, his work with other artists, as well as his solo career is totalled, he had more US top 40 singles than any other artist during the 1980s. His most successful singles from the period include "In the Air Tonight", "Against All Odds (Take a Look at Me Now)", " One More Night", and "Another Day in Paradise". Born and raised in west London, Collins played drums from the age of five and completed drama school training, which secured him various roles as a child actor, with his first major role, aged 13, as the Artful Dodger in the West End musical '' Oliver!''. He then pursued a music career, joining Genesis in 1970 as their drummer and ...
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Marti Webb Albums
Marti may refer to People Surname * Benedictus Aretius (non-Latinized surname Marti; 1504-1574), Swiss Protestant theologian and natural philosopher * Berthe Marti (1904–1995), French scholar of mediaeval Latin * Debbie Marti (born 1968), English high jumper * Lara Marti (born 1999), Swiss footballer * Marcel Marti (ski mountaineer) (born 1983), Swiss ski mountaineer * Min Li Marti (born 1974), Swiss politician, publisher, sociologist and historian * Yann Marti (born 1988), Swiss tennis player Given name * Marti Caine (1944–1995), English comedian * Marti Noxon (born 1964), U.S. scriptwriter * Marti Pellow (born 1965), Scottish singer * Marti Webb (born 1944), UK singer/actress * Marti Wong, Chinese games designer Other uses * Marti, Montopoli in Val d'Arno, a village in the province of Pisa, Italy * MARTI Electronics, a manufacturer of remote location broadcasting equipment * Soviet minelayer ''Marti'', originally the Russian yacht ''Standart'' * Marti Venturi, fictional c ...
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1983 Albums
The year 1983 saw both the official beginning of the Internet and the first mobile cellular telephone call. Events January * January 1 – The migration of the ARPANET to TCP/IP is officially completed (this is considered to be the beginning of the true Internet). * January 24 – Twenty-five members of the Red Brigades are sentenced to life imprisonment for the 1978 murder of Italian politician Aldo Moro. * January 25 ** High-ranking Nazi war criminal Klaus Barbie is arrested in Bolivia. ** IRAS is launched from Vandenberg AFB, to conduct the world's first all-sky infrared survey from space. February * February 2 – Giovanni Vigliotto goes on trial on charges of polygamy involving 105 women. * February 3 – Prime Minister of Australia Malcolm Fraser is granted a double dissolution of both houses of parliament, for elections on March 5, 1983. As Fraser is being granted the dissolution, Bill Hayden resigns as leader of the Australian Labor Party, and in the subsequent lea ...
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Audio Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who designs, dev ...
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Yamaha CS-80
The Yamaha CS-80 is an analog synthesizer released in 1977. It supports true 8-voice polyphony, with two independent synthesizer layers per voice each with its own set of front panel controls, in addition to a number of hardwired preset voice settings and four parameter settings stores based on banks of subminiature potentiometers (rather than the digital programmable presets the Prophet-5 would sport soon after). It has exceptionally complete performer expression features, such as a layered keyboard that was both velocity-sensitive (like a piano's) and pressure-sensitive (" after-touch") but unlike most modern keyboards the aftertouch could be applied to individual voices rather than in common, and a ribbon controller allowing for polyphonic pitch-bends and glissandos. Production of the instrument ceased in 1980. Vying with the Sequential Circuits Prophet-5 and Oberheim OB-X polysynths for the title, the CS-80 is often described as the pre-eminent polyphonic analog synthes ...
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Vocoder
A vocoder (, a portmanteau of ''voice'' and ''encoder'') is a category of speech coding that analyzes and synthesizes the human voice signal for audio data compression, multiplexing, voice encryption or voice transformation. The vocoder was invented in 1938 by Homer Dudley at Bell Labs as a means of synthesizing human speech. This work was developed into the channel vocoder which was used as a voice codec for telecommunications for speech coding to conserve bandwidth in transmission. By encrypting the control signals, voice transmission can be secured against interception. Its primary use in this fashion is for secure radio communication. The advantage of this method of encryption is that none of the original signal is sent, only envelopes of the bandpass filters. The receiving unit needs to be set up in the same filter configuration to re-synthesize a version of the original signal spectrum. The vocoder has also been used extensively as an electronic musical instrument. ...
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Synclavier
The Synclavier is an early digital synthesizer, polyphonic digital sampling system, and music workstation manufactured by New England Digital Corporation of Norwich, Vermont. It was produced in various forms from the late 1970s into the early 1990s. The instrument has been used by prominent musicians. History The original design and development of the Synclavier prototype occurred at Dartmouth College with the collaboration of Jon Appleton, Professor of Digital Electronics, Sydney A. Alonso, and Cameron Jones, a software programmer and student at Dartmouth's Thayer School of Engineering. Synclavier I First released in 1977–78, it proved to be highly influential among both electronic music composers and music producers, including Mike Thorne, an early adopter from the commercial world, due to its versatility, its cutting-edge technology, and distinctive sounds. The early Synclavier I used FM synthesis, re-licensed from Yamaha, and was sold mostly to universities. The ...
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LinnDrum
The LinnDrum, also referred to as the LM-2, is a drum machine manufactured by Linn Electronics between 1982 and 1985. About 5,000 units were sold. Its high-quality samples, flexibility and affordability made the LinnDrum popular; it sold far more units than its predecessor (the LM-1) and its successor (the Linn 9000) combined. Roger Linn re-used the moniker on the LinnDrum Midistudio and the Roger Linn Designs' LinnDrum II. The LinnDrum was used on many recordings throughout the 1980s, including international hits such as Frankie Goes to Hollywood's "Relax", a-Ha's "Take On Me", Harold Faltermeyer's "Axel F", Billy Idol's " Eyes Without a Face", Deniece Williams's "Let's Hear It for the Boy" and Madonna's " Lucky Star". When Linn Electronics closed in 1986, Forat Electronics purchased its assets and offered service, sounds and modifications for the LinnDrum. The LinnDrum was pre-MIDI, using a DIN sync interface, but MIDI Retrofit Kits were offered by JL Cooper and are curre ...
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E-mu Emulator
The Emulator is a series of digital sampling synthesizers using floppy disk storage, manufactured by E-mu Systems from 1981 until 2002. Though not the first commercial sampler, the Emulator was among the first to find wide use among ordinary musicians, due to its relatively low price and fairly contained size, which allowed for its use in live performances. It was also innovative in its integration of computer technology. The samplers were discontinued in 2002. Impetus E-mu Systems was founded in 1971 and began business as a manufacturer of microprocessor chips, digital scanning keyboards and components for electronic instruments. Licensing this technology gave E-mu ample funds to invest in research and development, and it began to develop boutique synthesizers for niche markets, including a series of modular synthesizers and the high-end Audity system. In 1979, founders Scott Wedge and Dave Rossum saw the Fairlight CMI and the Linn LM-1 at a convention, inspiring them to de ...
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Clavinet
The Clavinet is an electrically amplified clavichord invented by Ernst Zacharias and manufactured by the Hohner company of Trossingen, West Germany, from 1964 to 1982. The instrument produces sounds by a rubber pad striking a point on a tensioned string, and was designed to resemble the Renaissance-era clavichord. Although originally intended for home use, the Clavinet became popular on stage, and could be used to create electric guitar sounds on a keyboard. It is strongly associated with Stevie Wonder, who used the instrument extensively, particularly on his 1972 hit "Superstition", and was regularly featured in rock, funk and reggae music throughout the 1960s and 1970s. Modern digital keyboards can emulate the Clavinet sound, but there is also a grass-roots industry of repairers who continue to maintain the instrument. Description The Clavinet is an electromechanical instrument that is usually used in conjunction with a keyboard amplifier. Most models have 60 keys ranging ...
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Autoharp
An autoharp or chord zither is a string instrument belonging to the zither family. It uses a series of bars individually configured to mute all strings other than those needed for the intended chord. The term ''autoharp'' was once a trademark of the Oscar Schmidt company, but has become a generic designation for all such instruments, regardless of manufacturer. History Charles F. Zimmermann, a German immigrant in Philadelphia, was awarded a patent in 1882 for a “Harp” fitted with a mechanism that muted strings selectively during play. He called a zither-sized instrument using this mechanism an “autoharp.” Unlike later designs, the instrument shown in the patent was symmetrical, and the damping mechanism engaged with the strings laterally instead of from above. It is not known if Zimmermann ever produced such instruments commercially. Karl August Gütter of Markneukirchen, Germany, built a model that he called a ''Volkszither'', which was more clearly the prototype of the ...
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