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I'm A Man (The Spencer Davis Group Song)
"I'm a Man" is a rock song written by Steve Winwood and record producer Jimmy Miller. It was first recorded in 1967 by the Spencer Davis Group, in which Winwood sang lead vocals and played keyboards. The song was a hit in the United Kingdom and the United States, reaching No. 9 and No. 10, respectively. It has been recorded by many other performers over the years, most successfully by Chicago, whose version charted at No. 8 in the UK in 1970 and No. 49 in the US in 1971. Original song The original recording was a Hammond organ-driven blues rock track released as a single by the Spencer Davis Group in early 1967, reaching number nine in the UK Singles Chart. In the US, it peaked at number 10 in the US ''Billboard'' Hot 100, as well as number 48 in the magazine's Top Selling R&B Singles. It was the last hit single by the band before the brothers Steve and Muff Winwood left to pursue their own separate careers. The is included on the band's 1967 album, ''I'm a Man''. Chicago ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Spencer Davis Group
The Spencer Davis Group were a British band formed in Birmingham in 1963 by Spencer Davis (guitar), brothers Steve Winwood (keyboards, guitar) and Muff Winwood (bass guitar), and Pete York (drums). Their best known songs include the UK number ones "Somebody Help Me" and "Keep on Running" (both written by reggae musician Jackie Edwards), " I'm a Man" and "Gimme Some Lovin'", which reached #2 in the UK and #7 in the US. Steve Winwood left in 1967 to form rock band Traffic. After releasing a few more singles, the band ceased to be active in 1969. Davis revived the group on two more occasions, without the involvement of the Winwood brothers, first in 1973–1974 for two more albums, and again from 2006, since when they had primarily been a touring act. Davis died on 19 October 2020, effectively ending the band. History Formation The Spencer Davis Group was formed in 1963 in Birmingham after the Welsh guitarist Spencer Davis encountered vocalist and organist Steve Winwood (then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Chicago Transit Authority (album)
''Chicago Transit Authority'' is the debut album by the Chicago-based rock band Chicago (then known as Chicago Transit Authority). It was recorded and released in 1969 and became a sleeper hit, reaching number 17 on the ''Billboard'' 200 by 1971 and spawning several successful singles, including " Does Anybody Really Know What Time It Is?", "Questions 67 and 68" and "Beginnings". The album stayed on the ''Billboard'' chart for 171 weeks, beating the previous record for a rock album's longevity of 155 weeks and has been certified double by the Recording Industry Association of America (RIAA)
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Robert Lamm
Robert William Lamm (born October 13, 1944) is an American keyboardist, guitarist, singer and songwriter best known as a founding member of the rock band Chicago. He wrote many of the band's biggest hits, including " Questions 67 & 68", " Does Anybody Really Know What Time It Is?", "Beginnings", " 25 or 6 to 4", " Saturday in the Park", "Dialogue (Part I & II)" and "Harry Truman". Lamm is one of three founding members (alongside James Pankow and Lee Loughnane) still performing with the group. Biography Lamm was born on October 13, 1944, in Brooklyn, New York City. His parents had a collection of jazz records, which were an early influence on him. As a youth, he performed in the boys' and men's choir at Grace Episcopal Church in Brooklyn Heights. Also in the choir was Harry Chapin .In a 2003 interview, Lamm said, "My first musical training came as a member of that choir. It exposed me to some of the great sacred music from the Middle Ages, right up through Bach and into the 20t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Cetera
Peter Paul Cetera ( ; born September 13, 1944) is an American retired musician best known for being a lead vocalist and the bassist of the rock band Chicago from 1967 until his departure in 1985, before launching a successful solo career. His career as a recording artist encompasses 17 albums with Chicago and eight solo albums. With " If You Leave Me Now", a song written and sung by Cetera on the group's tenth album, Chicago garnered its first Grammy Award. It was also the group's first number one single. As a solo artist, Cetera has scored six Top 40 singles, including two that reached number one on ''Billboards Hot 100 chart in 1986, " Glory of Love" and "The Next Time I Fall". "Glory of Love", the theme song from the film ''The Karate Kid Part II'' (1986), was co-written by Cetera, David Foster, and Diane Nini, and was nominated for both an Academy Award and a Golden Globe Award for best original song from a motion picture. In 1987, Cetera received an ASCAP award for "Gl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terry Kath
Terry Alan Kath (January 31, 1946 – January 23, 1978) was an American guitarist, singer and songwriter, best known as a founding member of the rock band Chicago. He played guitar and sang lead vocals on many of the band's early hit singles. He has been praised by his bandmates and other musicians for his guitar skills and Ray Charles–influenced vocal style, and was said to be one of Jimi Hendrix's favorite guitarists. Growing up in a musical family, Kath took up a variety of instruments in his teens, including the drums and banjo. He played bass in a number of bands in the mid-1960s, before settling on the guitar when forming the group that became Chicago. His guitar playing was an important component of the group's sound from the start of their career. He used a number of different guitars, but eventually became identified with a Fender Telecaster fitted with a single neck-position humbucker pickup combined with a bridge position angled single-coil pickup and decorated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song "Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a cop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saturday In The Park (song)
"Saturday in the Park" is a song written by Robert Lamm and recorded by the group Chicago for their 1972 album '' Chicago V''. It was very successful upon release, reaching on the ''Billboard'' Hot 100, and became the band's highest-charting single at the time, helping lift the album to . ''Billboard'' ranked it as the No. 76 song for 1972. The single was certified Gold by the RIAA, selling over 1,000,000 units in the U.S. alone. Background According to fellow Chicago member Walter Parazaider, Lamm was inspired to write the song during the recording of ''Chicago III'' in New York City on Saturday, July 4, 1970: However, Lamm recalls the story differently, as he told ''Billboard'' magazine: In the studio version of the song, the line "singing Italian songs" is followed by " Eh Cumpari" (the title of a song made famous by Julius La Rosa in 1953), and then Italian-sounding nonsense words, rendered in the printed lyrics as "?". Piano, guitar, and vocal sheet music arrangement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colour My World (Chicago Song)
"Colour My World" is a song written by American musician James Pankow, one of the founding members of the rock/jazz fusion band Chicago. Part of Pankow's "Ballet for a Girl in Buchannon" song cycle/suite, it was recorded for their second album ''Chicago'', also called ''Chicago II'' (1970). Terry Kath sings the lead vocal, and Walter Parazaider performs the memorable flute solo. The song was initially released as the B-side to "Make Me Smile" in March 1970. It was re-released in June 1971 as the B-side to the re-release of "Beginnings"; this second single reached on the U.S. ''Billboard'' Hot 100. "Colour My World" is the first significant hit by Chicago to largely abstain from their heavy woodwind and brass oriented sound. It became a popular "slow dance" song at high school proms, university dances and weddings during the 1970s. Chicago continues to perform the song, either on its own, or as part of the Ballet. Since Kath's death in 1978 and being brought back into their set ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beginnings (Chicago Song)
"Beginnings" is a song written by Robert Lamm for the rock band Chicago Transit Authority and recorded for its debut album ''Chicago Transit Authority'', released in 1969. The song is the band's second single (after "Questions 67 and 68"), but failed to chart on its initial release. After the band's success with subsequent singles, "Beginnings" was re-released in June 1971, backed with " Colour My World". Both sides became U.S. radio hits, and the combined single climbed to number seven on the U.S. ''Billboard'' Hot 100 singles chart. "Beginnings" reached number one on the U.S. Easy Listening chart. Writing for ''Ultimate Classic Rock'', Dave Swanson rates "Beginnings" as number two in his list of top ten Chicago songs. It has been covered by many bands, including the tribute band Leonid and Friends. Composition Robert Lamm said "Beginnings" was inspired by a performance by Richie Havens that he attended at the Ash Grove music club in Los Angeles when the group moved to that are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James William Guercio
James William Guercio (born July 18, 1945) is an American music producer, musician, songwriter, and director. He is well known for his work as the producer of Chicago's early albums as well as early recordings of The Buckinghams and Blood, Sweat & Tears. He has worked briefly in the motion picture industry as a producer and director. In the mid-1970s, Guercio managed the Beach Boys and was a member of their backing band. Early life and music industry accomplishments Guercio was born on July 18, 1945, in Chicago, IL to James Guercio, Sr (1922-1998) and Grace Guercio (née Williams, October 11, 1923 – August 23, 2010). He is of Italian, German, Irish, Scottish and English ancestry. He has 4 brothers and 2 sisters. As a child, he was friends with future Styx keyboardist and vocalist Dennis DeYoung. Guercio moved to Los Angeles in the mid-1960s and began working as a session musician and songwriter. He played on several recordings, wrote Chad & Jeremy's 1966 Top 30 pop hit " Dis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
