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I'll Turn To Stone
The Four Tops are an American vocal quartet from Detroit who helped to define the city's Motown sound of the 1960s. The group's repertoire has included soul music, Rhythm and blues, R&B, disco, adult contemporary music, adult contemporary, doo-wop, jazz, and show tunes. Founded as the Four Aims, lead singer Levi Stubbs, Abdul "Duke" Fakir, Renaldo Benson, Renaldo "Obie" Benson and Lawrence Payton remained together for over four decades, performing from 1953 until 1997 without a change in personnel. The Four Tops were among a number of groups, including the the Miracles, Miracles, the the Marvelettes, Marvelettes, Martha and the Vandellas, the the Temptations, Temptations, and the the Supremes, Supremes, who established the Motown, Motown Sound heard around the world during the 1960s. They were notable for having Stubbs, a baritone, as their lead singer, whereas most other male and mixed vocal groups of the time were fronted by tenors. The group was the main male vocal group for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Levi Stubbs
Levi Stubbs (born Levi Stubbles, June 6, 1936 – October 17, 2008) was an American baritone singer, best known as the lead vocalist of the R&B group the Four Tops, who released a variety of Motown hit records during the 1960s and 1970s. He has been noted for his powerful, emotional, dramatic style of singing. In 1990, he was inducted into the Rock and Roll Hall of Fame as a member of the Four Tops. Stubbs was also a voice artist in film and television, and provided the voice of "Audrey II", the alien plant in the 1986 musical horror comedy film '' Little Shop of Horrors'' (an adaption of the stage musical of the same name), as well as Mother Brain in the 1989 TV series '' Captain N: The Game Master''. Stubbs was admired by his peers for his impressive vocal range, and influenced many later pop and soul artists, such as Daryl Hall of Hall and Oates. Stubbs was born and spent much of his life in Detroit, Michigan. He had five children with his wife Clineice Stubbs, to whom he w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ronnie McNeir
Lewis Ronald McNeir (born December 14, 1951) is an American singer and songwriter. Biography McNeir was born in Camden, Alabama. As a solo artist, he recorded for the De-to, RCA, Prodigal, Motown, Capitol, Expansion and Motor City labels, recording his first song when he was seventeen. His friendship with Kim Weston, for whom he was musical director, led to his recording for RCA, then for moonlighting Motown Vice-President Barney Ales, the owner of the Prodigal label. When Ales went back to Motown, McNeir became a Motown artist, recording the 1976 album "Love's Comin' Down". He would later duet with Teena Marie on the song "We've Got To Stop Meeting Like This" from her 1984 Epic album, ''Starchild'' and serve as the musical director for The Four Tops for several years. He became an official member of the Tops in 1999 when lead singer Levi Stubbs was too ill to continue singing with the group. He has been with the group ever since. He also was nominated for a Grammy Award in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martha And The Vandellas
Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included "Come and Get These Memories", "Heat Wave", "Quicksand", " Nowhere to Run", "Jimmy Mack", "I'm Ready for Love", "Bless You" and "Dancing in the Street", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the ''Billboard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Marvelettes
The Marvelettes were an American girl group that achieved popularity in the early to mid-1960s. They consisted of schoolmates Gladys Horton, Katherine Anderson, Georgeanna Tillman, Juanita Cowart (now Cowart Motley), and Georgia Dobbins, who was replaced by Wanda Young prior to the group signing their first deal. They were the first successful act of Motown Records after the Miracles and its first significantly successful female group after the release of the 1961 number-one single, " Please Mr. Postman", one of the first number-one singles recorded by an all-female vocal group and the first by a Motown recording act. Founded in 1960 while the group's founding members performed together at their glee club at Inkster High School in Inkster, Michigan, they signed to Motown's Tamla label in 1961. Some of the group's early hits were written by band members and some of Motown's rising singer-songwriters such as Smokey Robinson and Marvin Gaye, who played drums on a majority of their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Miracles
The Miracles (also known as Smokey Robinson and the Miracles from 1965 to 1972) were an American vocal group that was the first successful recording act for Berry Gordy's Motown Records, and one of the most important and most influential groups in pop, rock and roll, soul and R&B music history. Referred to as Motown's "soul supergroup", the Miracles recorded 26 Top 40 Pop hits, sixteen of which reached the ''Billboard'' Top 20, seven top 10 singles, and a number one single ("The Tears of a Clown") while the Robinsons and Tarplin were members. Following the departure of Tarplin and the Robinsons, the rest of the group continued with singer Billy Griffin and managed by Martin Pichinson who helped rebuild the Miracles, they scored two final top 20 singles, "Do It Baby" and " Love Machine", a second No. 1 hit, which topped the charts before the group departed for Columbia Records in 1977, recording as a quintet with Billy's brother Donald Griffin replacing Marv Tarplin, where afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Show Tunes
A show tune is a song originally written as part of the score of a work of musical theatre or musical film, especially if the piece in question has become a standard, more or less detached in most people's minds from the original context. Though show tunes vary in style, they do tend to share common characteristics—they usually fit the context of a story being told in the original musical, they are useful in enhancing and heightening choice moments. A particularly common form of show tune is the "I Want" song, which composer Stephen Schwartz noted as being particularly likely to have a lifespan outside the show that spawned it. Show tunes were a major venue for popular music before the rock and roll and television era; most of the hits of such songwriters as Jerome Kern, Cole Porter, and George Gershwin came from their shows. (Even into the television and rock era, a few stage musicals managed to turn their show tunes into major pop music hits, sometimes aided by film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doo-wop
Doo-wop (also spelled doowop and doo wop) is a genre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, DC, and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables (such as "doo-wop") is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was "artistically and commercially viable" until the early 1960s, but continued to influence performers in other genres.Hoffmann, FRoots of Rock: Doo-Wop In ''Survey of American Popular Music'', modified for the web by Robert Birklin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adult Contemporary Music
Adult contemporary music (AC) is a form of radio-played popular music, ranging from 1960s vocal and 1970s soft rock music to predominantly ballad-heavy music of the present day, with varying degrees of easy listening, pop, soul, R&B, quiet storm and rock influence. Adult contemporary is generally a continuation of the easy listening and soft rock style that became popular in the 1960s and 1970s with some adjustments that reflect the evolution of pop/rock music. Adult contemporary tends to have lush, soothing and highly polished qualities where emphasis on melody and harmonies is accentuated. It is usually melodic enough to get a listener's attention, and is inoffensive and pleasurable enough to work well as background music. Like most of pop music, its songs tend to be written in a basic format employing a verse–chorus structure. The format is heavy on romantic sentimental ballads which mostly use acoustic instruments (though bass guitar is usually used) such as aco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music ... ith aheavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music contr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an African-Ameri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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