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I'll Close My Eyes (Doug Raney Album)
''I'll Close My Eyes'' is an album by guitarist Doug Raney recorded in 1982 and released on the Danish label, SteepleChase. accessed March 23, 2017 Track listing # " I'll Close My Eyes" ( Billy Reid, Buddy Kaye) – 9:40 # "Billy's Bossa" (Horace Parlan) – 9:37 # "You've Changed" () – 7:58 # "Bolivia" ( < ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doug Raney
Doug Raney (August 29, 1956 – May 1, 2016) was an American jazz guitarist. He was the son of jazz guitarist Jimmy Raney. Career Raney was born in New York City. He began to play the guitar when he was 14, beginning with rock and blues. He was given lessons by guitarist Barry Galbraith and became more interested in jazz. When he was 18, he played at a club in New York with pianist Al Haig. In 1977, he accompanied his father, jazz guitarist Jimmy Raney, in a duo. They toured Europe, and then Doug Raney moved to Copenhagen, Denmark. When he was 21, he recorded his first album as a leader, ''Introducing Doug Raney'', for SteepleChase Records, SteepleChase in 1977. Beginning in 1979, he recorded several albums with his father. During his career, he worked with Chet Baker, George Cables, Joey DeFrancesco, Kenny Drew, Tal Farlow, Tomas Franck, Dexter Gordon, Johnny Griffin, Billy Hart, Hank Jones, Clifford Jordan, Duke Jordan, Jesper Lundgaard, Red Mitchell, Adam Nussbaum, Niels-Henn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cedar Walton
Cedar Anthony Walton Jr. (January 17, 1934 – August 19, 2013) was an American hard bop jazz pianist. He came to prominence as a member of drummer Art Blakey's band, The Jazz Messengers, before establishing a long career as a bandleader and composer. Several of his compositions have become jazz standards, including "Mosaic", "Bolivia", "Holy Land", "Mode for Joe" and "Ugetsu/Fantasy in D". Early life Walton was born and grew up in Dallas, Texas."Pianist-Composer Cedar Walton Dies at Age 79" , ''DownBeat'', August 20, 2013. His mother Ruth, an aspiring concert pianist, was his first teacher, and took him to jazz performances around Dallas. Walton cited |
Doug Raney Albums
Doug is a male personal name (or, depending on which definition of "personal name" one uses, part of a personal name). It is sometimes a given name (or "first name"), but more often it is hypocorism (affectionate variation of a personal name) which takes the place of a given name, usually Douglas. Notable people with the name include: Douglas Grosch, ex. People A–C * Doug Allison (1846–1916), American baseball player * Doug Anderson (other), multiple people * Doug Applegate (other), multiple people * Doug Armstrong (born 1964), Canadian National Hockey League team general manager * Doug Armstrong (broadcaster) (1931–2015), New Zealand cricketer, television sports broadcaster and politician * Doug Baldwin (born 1988), American football player * Doug Baldwin (ice hockey) (1922–2007), Canadian ice hockey player * Doug Bennett (other), multiple people * Doug Bereuter (born 1939), American former politician * Doug Bing (born 1950/51), Canadian polit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ole Jacob Hansen
Ole Jacob Hansen (16 April 1940 in Oslo, Norway – 6 March 2000) was a Norwegian jazz musician (drums), known from a number recordings and international cooperation. Career Hansen established himself on the Oslo jazz scene first in Tore Sandnæs Big Band (1958), Mikkel Flagstad Quintet (1959), Bjørn Jacobsen Septet (1958–60), Arild Wikstrøm Quartet (1961) and within Kjell Karlsen's various ensembles including at Moldejazz (1962), Bjørn Johansen Quartet (1962). He was subsequently within Bernt Rosengren Orchestra in Stockholm (1963–64), with Idrees Sulieman (1964), and in Paris with Eric Dolphy and Donald Byrd. At the Metropol Jazz Club he played with a number of the world's leading jazz musicians. During the 1970s, he contributed to several recordings with Ditlef Eckhoff, Paul Weeden and Terje Bjørklund, as well as within Adonis (74–75) with several gigs at Club 7. He established the club Jazz Alive (1980) in Oslo, and in the 1980s and 1990s he played with Tho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesper Lundgaard
Jesper Lundgaard (born 12 June 1954) is a Danish jazz bassist, bandleader, composer and record producer. Since his debut in the mid-1970s, he has been among the most prominent bassists in Danish jazz and as a sideman he has appeared on more than 400 albums both with Danish and leading American jazz musicians. Biography Jesper Lundgaard was born in 1954 in Hillerød, Denmark. After first playing guitar for a few years, he started to play bass at age 16. In 1976 he began to study music at Århus University and the same year he became part of Århus' jazz scene when he joined Bent Eriksen's trio. There he met Danish jazz musicians such as Thomas Clausen, Alex Riel, Niels Jørgen Steen, Finn Ziegler, Jesper Thilo, Jørgen Emborg and Jan Zum Vohrde as well as many American musicians, including Dexter Gordon, Harry Sweets Edison, Eddie Lockjaw Davis, Joe Newman, Benny Waters, Hal Singer, Thad Jones, Mel Lewis, Pepper Adams, Howard McGhee, Roy Eldridge and Doug and Jimmy Raney. Lund ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace Parlan
Horace Parlan (January 19, 1931 – February 23, 2017) was an American pianist and composer known for working in the hard bop and post-bop styles of jazz. In addition to his work as a bandleader Parlan was known for his contributions to the Charles Mingus recordings ''Mingus Ah Um'' and ''Blues & Roots''. Early life He was born in Pittsburgh, Pennsylvania, United States. In his birth year, Parlan was stricken with polio, resulting in the partial crippling of his right hand. The handicap contributed to his development of a particularly "pungent" left-hand chord voicing style, while comping with highly rhythmic phrases with the right. Later life and career Between 1952 and 1957, he worked in Washington D.C. with Sonny Stitt, then spent two years with Mingus' Jazz Workshop. In 1973, Parlan moved to Copenhagen, Denmark. He later settled in the small village of Rude in southern Zealand. In 1974, he completed a State Department tour of Africa with Hal Singer. His later work, such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Flute
The alto flute is an instrument in the Western concert flute family, the second-highest member below the standard C flute after the uncommon flûte d'amour. It is the third most common member of its family after the standard C flute and the piccolo. It is characterized by its rich, mellow tone in the lower portion of its range. Unlike the flute and piccolo, it is a transposing instrument in G (a perfect fourth below written C), although it uses the same fingerings as the C flute. The bore of the alto flute is considerably larger in diameter and longer than a C flute and requires more breath from the player. This gives it a greater dynamic presence in the bottom octave and a half of its range. It was the favourite flute variety of Theobald Boehm, who perfected its design, and is pitched in the key of G (sounding a perfect fourth lower than written). Its range is from G3 (the G below middle C) to G6 (4 ledger lines above the treble clef staff) plus an altissimo register str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernt Rosengren
Bernt Rosengren (born 24 December 1937, in Stockholm, Sweden) is a Swedish jazz tenor saxophonist. His recordings earned him five Gyllene Skivan awards in Sweden over more than forty years. Biography Rosengren first played professionally at age 19, as a member of the Jazz Club 57, and two years later in 1959 he played in the Newport Jazz Band. Roman Polanski's film score composer Krzysztof Komeda used Rosengren in the performance of his jazz score for Polanski's film ''Knife in the Water'' (1962). Rosengren recorded a string of highly regarded albums in the 1960s and 1970s, including ''Stockholm Dues'' (1965), ''Improvisations'' (1969), and ''Notes from Underground'' (1974). He played in a sextet led by George Russell in the 1960s in Europe. Later in the decade, he moved from hard bop into post-bop experimentation, playing with Don Cherry (jazz), Don Cherry; in the 1970s, as a member of Sevda led by trumpeter Muvaffak "Maffy" Falay, he began working with elements of Turkish an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Young
Albert Victor Young (August 8, 1899– November 10, 1956)"Victor Young, Composer, Dies of Heart Attack", ''Oakland Tribune'', November 12, 1956. was an American composer, arranger, violinist and conductor. Biography Young is commonly said to have been born in Chicago on August 8, 1900, but according to Census data and his birth certificate, his birth year is 1899. His grave marker shows his birth year as 1901. He was born into a very musical Jewish family, his father being a tenor with Joseph Sheehan's touring opera company. After his mother died, his father abandoned the family. The young Victor, who had begun playing violin at the age of six, and was sent to Poland when he was ten to stay with his grandfather and study at Warsaw Imperial Conservatory (his teacher was Polish composer Roman Statkowski), achieving the Diploma of Merit. He studied the piano with Isidor Philipp of the Paris Conservatory. While still a teenager he embarked on a career as a concert violinist with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
