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I. K. Dairo
Isaiah Kehinde Dairo MBE (1930 – 7 February 1996) was a Nigerian Jùjú musician. Early life I.K. Dairo was born in the town of Offa, located in present-day Kwara State; his family was originally from Ijebu-Jesa before migrating to Offa. He attended a Christian Missionary primary school in Offa, however, he later quit his studies due to a lean year in his family's finances. He left Offa and traveled to Ijebu-Jesa where he chose to work as a barber. On his journey, he took along with him a drum built by his father when he was seven years old. By the time he was residing in Ijebu-Jesa, he was already an avid fan of drumming.Ellison, Jen. Dairo Brings Juju Sound to UW, ''The Skanner''. (Seattle edition). Seattle, Washington: 29 March 1995. Vol.5, Iss. 48; pg. 1. When he was unoccupied with work, he spent time listening to the early pioneers of jùjú music in the area and experimented with drumming. His interest in jùjú music increased over time, and in 1942, he joined a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accordion
Accordions (from 19th-century German ''Akkordeon'', from ''Akkord''—"musical chord, concord of sounds") are a family of box-shaped musical instruments of the bellows-driven free-reed aerophone type (producing sound as air flows past a reed in a frame), colloquially referred to as a squeezebox. A person who plays the accordion is called an accordionist. The concertina , harmoneon and bandoneón are related. The harmonium and American reed organ are in the same family, but are typically larger than an accordion and sit on a surface or the floor. The accordion is played by compressing or expanding the bellows while pressing buttons or keys, causing ''pallets'' to open, which allow air to flow across strips of brass or steel, called '' reeds''. These vibrate to produce sound inside the body. Valves on opposing reeds of each note are used to make the instrument's reeds sound louder without air leaking from each reed block.For the accordion's place among the families of musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urhobo Language
Urhobo is a South-Western Edoid language spoken by the Urhobo people of southern Nigeria. From the region of Delta and Bayelsa State. They are also known as fishermen. Their neighbours are the Isoko to the South East, the Itsekiri to the West, Ijaw to the South and Ukwuani people to the North East. Urhobo people are referred to as "Urhobians" or "Urhobeans" Phonology Urhobo has a rather reduced system of sound inventory compared to proto-Edoid. The inventory of Urhobo consists of seven vowels; which form two harmonic sets, and . It has a conservative consonant inventory for an Edoid language. It maintains three nasals, and only five oral consonants, , have nasal allophones before nasal vowels.Rolle, N. 2013. “Phonetics and phonology of Urhobo.”UC Berkeley Phonology Lab Annual Report, 2013: 281-326. * is interchangeable with only before nasal vowels. * can be heard as before non-front vowels. * Nasal consonants can have allophones of nasalized approximants as , , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ethnomusicology
Ethnomusicology is the study of music from the cultural and social aspects of the people who make it. It encompasses distinct theoretical and methodical approaches that emphasize cultural, social, material, cognitive, biological, and other dimensions or contexts of musical behavior, in addition to the sound component. Within musical ethnography it is the first-hand personal study of musicking as known as the act of taking part in a musical performance. Folklorists, who began preserving and studying folklore music in Europe and the US in the 19th century, are considered the precursors of the field prior to the Second World War. The term ''ethnomusicology'' is said to have been coined by Jaap Kunst from the Greek words ἔθνος (''ethnos'', "nation") and μουσική (''mousike'', "music"), It is often defined as the anthropology or ethnography of music, or as musical anthropology.Seeger, Anthony. 1983. ''Why Suyá Sing''. London: Oxford University Press. pp. xiii-xvii. Du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Property Rights
The right to property, or the right to own property (cf. ownership) is often classified as a human right for natural persons regarding their possessions. A general recognition of a right to private property is found more rarely and is typically heavily constrained insofar as property is owned by legal persons (i.e. corporations) and where it is used for production rather than consumption. A right to property is recognised in Article 17 of the Universal Declaration of Human Rights, but it is not recognised in the International Covenant on Civil and Political Rights or the International Covenant on Economic, Social and Cultural Rights. The European Convention on Human Rights, in Protocol 1, article 1, acknowledges a right for natural and legal persons to "peaceful enjoyment of his possessions", subject to the "general interest or to secure the payment of taxes." Definition The right to property is one of the most controversial human rights, both in terms of its existence and inte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Sunny Adé
Chief Sunday Adeniyi Adegeye (born 22 September 1946), known professionally as King Sunny Adé, is a Nigerian jùjú singer, songwriter and multi-instrumentalist. He is regarded as one of the first African pop musicians to gain international success, and has been called one of the most influential musicians of all time. Sunny Adé formed his own backing band in 1967, eventually known as his African Beats. After achieving national success in Nigeria during the 1970s and founding his own independent label, Sunny Adé signed to Island Records in 1982 and achieved international success with the albums ''Juju Music'' (1982) and '' Synchro System'' (1983); the latter garnered him a Grammy nomination, a first for a Nigerian artist. His 1998 album '' Odu'' also garnered a Grammy nomination. Sunny Adé currently serves as chairperson of the Musical Copyright Society of Nigeria. Early life Sunny Adé was born in Osogbo to a Nigerian royal family from Ondo and Akure, thereby making hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell (instrument)
A bell is a directly struck idiophone percussion instrument. Most bells have the shape of a hollow cup that when struck vibrates in a single strong strike tone, with its sides forming an efficient resonator. The strike may be made by an internal "clapper" or "uvula", an external hammer, or—in small bells—by a small loose sphere enclosed within the body of the bell (jingle bell). Bells are usually cast from bell metal (a type of bronze) for its resonant properties, but can also be made from other hard materials. This depends on the function. Some small bells such as ornamental bells or cowbells can be made from cast or pressed metal, glass or ceramic, but large bells such as a church, clock and tower bells are normally cast from bell metal. Bells intended to be heard over a wide area can range from a single bell hung in a turret or bell-gable, to a musical ensemble such as an English ring of bells, a carillon or a Russian zvon which are tuned to a common scale and instal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maracas
A maraca (), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas (from Guaraní ), also known as tamaracas, were rattles of divination, an oracle of the Brazilian Tupinamba people, found also with other Indigenous ethnic groups, such as the Guarani, Orinoco and in Florida. Rattles made from ''Lagenaria'' gourds are being shaken by the natural grip, while the round ''Crescentia'' calabash fruits are fitted to a handle. Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which their shamans (''payes'') made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the (scarlet ibis). Every man had his maraca. It was used at their dances and to heal the sick. Andean curandero A ''curandero'' (, healer; f. , also spelled , , f. ) is a traditional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
