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I'm Not The One
"I'm Not the One" is a song by the American rock band the Cars, from their fourth album, ''Shake It Up''. It features Ric Ocasek on lead vocals, Benjamin Orr singing the 'You Know Why' phrase, with the whole group repeating "going round and round" as backing vocals throughout the song. Overview "I'm Not the One" first appeared in 1981 on ''Shake It Up''. In 1985, the song was remixed for the ''Greatest Hits'' album, emphasizing the drum track with added reverb. It was released as a single in 1986, following "Tonight She Comes", also from the ''Greatest Hits'' album. "I'm Not the One" debuted on the ''Billboard'' Top 40 chart on March 8, 1986, and peaked at number 32. AllMusic reviewer Donald A. Guarisco described "I'm Not the One" as one of ''Shake It Up'' "strongest and most memorable tunes", commenting that its sound still sounded fresh upon its 1986 re-release, five years after its first appearance on ''Shake It Up''. ''Cash Box'' called it a "laid back tune hatmay get new life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Cars
The Cars were an American rock band formed in Boston in 1976. Emerging from the new wave scene in the late 1970s, they consisted of Ric Ocasek ( rhythm guitar), Benjamin Orr (bass guitar), Elliot Easton (lead guitar), Greg Hawkes (keyboards), and David Robinson ( drums). Ocasek and Orr shared lead vocals, and Ocasek was the band's principal songwriter and leader. The Cars were at the forefront of the merger of 1970s guitar-oriented rock with the new synthesizer-oriented pop that became popular in the early 1980s. Robert Palmer, music critic for ''The New York Times'' and ''Rolling Stone'', described the Cars' musical style: "They have taken some important but disparate contemporary trends—punk minimalism, the labyrinthine synthesizer and guitar textures of art rock, the '50s rockabilly revival and the melodious terseness of power pop—and mixed them into a personal and appealing blend."Palmer, Robert. "Pop: Cars Merge Styles" ''The New York Times'' August 9, 1978: C17 T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord Progression
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of Western popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the common chord progression I–vi–ii–V, are usually expressed by Roman numerals in Classical music theory. In many styles of popular and traditional music, chord progressions are expressed using the name and " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counter-melody
In music, a counter-melody (often countermelody) is a sequence of notes, perceived as a melody, written to be played simultaneously with a more prominent lead melody. In other words, it is a secondary melody played in counterpoint with the primary melody. A counter-melody performs a subordinate role, and it is typically heard in a texture consisting of a melody plus accompaniment. In marches, the counter-melody is often given to the trombones or horns. American composer David Wallis Reeves is credited with this innovation in 1876. The more formal term countersubject applies to a secondary or subordinate melodic idea in a fugue. A countermelody differs from a harmony part sung by a backup singer in that whereas the harmony part typically lacks its own independent musical line, a countermelody is a distinct melodic line. See also *Nebenstimme *Parallel harmony *Traditional sub-Saharan African harmony Traditional sub-Saharan African harmony is a music theory of harmony in s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B Minor
B minor is a minor scale based on B, consisting of the pitches B, C, D, E, F, G, and A. Its key signature has two sharps. Its relative major is D major and its parallel major is B major. The B natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The B harmonic minor and melodic minor scales are: : : Christian Friedrich Daniel Schubart (1739–1791) regarded B minor as a key expressing a quiet acceptance of fate and very gentle complaint, something commentators find to be in line with Bach's use of the key in his ''St John Passion''. By the end of the Baroque era, however, conventional academic views of B minor had shifted: Composer-theorist Francesco Galeazzi (1758–1819) opined that B minor was not suitable for music in good taste. Beethoven labelled a B-minor melodic idea in one of his sketchbooks as a "black key". Notable compositions in B minor * Johann Sebastian Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in classical, Western art, and Western pop music. The group features a '' tonic note'' and its corresponding ''chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same group, their corresponding chords, and pitches and chords outside the group. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major or minor mode, though musicians assume major when this is not specified, e.g., "This piece is in C" implies that the key of the song is C major. Popular songs are usually in a key, and so is classical music during the common practice period, around 1650–1900. Longer pieces in the classical repertoire may have sections in contrasting keys. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history In music, a refrain has two parts: the lyrics of the song, and the melody. Sometimes refrains vary their words slightly when repeated; recognizability is given to the refrain by the fact that it is always sung to the same tune, and the rhymes, if present, are preserved despite the variations of the words. Such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Introduction (music)
In music, the introduction is a passage or section which opens a movement or a separate piece, preceding the theme or lyrics. In popular music, this is often known as the song intro or just the intro. The introduction establishes melodic, harmonic or rhythmic material related to the main body of a piece.Pease, Ted (2003), p.172. ''Jazz Composition : Theory and Practice''. . Introductions may consist of an ostinato that is used in the following music, an important chord or progression that establishes the tonality and groove for the following music, or they may be important but disguised or out-of-context motivic or thematic material. As such, the introduction may be the first statement of primary or other important material, may be related to but different from the primary or other important material, or may bear little relation to any other material. A common introduction to a rubato ballad is a dominant seventh chord with fermata, an introduction that works for many songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gigolo Aunts
Gigolo Aunts are an American power pop band, who formed in 1981. Biography Early history The band was formed by middle school students Steve Hurley, Dave Gibbs, Phil Hurley, and Paul Brouwer in 1981 in Potsdam, New York, United States, originally known as Sniper. In 1986, their name changed to Gigolo Aunts (after the Syd Barrett song, "Gigolo Aunt", from his 1970 album '' Barrett'') and became a staple on the Northern New York music scene, gaining a reputation for frenetic live sets that featured the close harmonies of the Hurley brothers and Gibbs. In the summer of 1987 the band relocated to Boston, Massachusetts, and within a year were signed to Hoboken's Coyote Records (then home of the Feelies and Yo La Tengo). Their first album entitled ''Everybody Happy'' was produced by former Bongo bassist (and late version Velvet Underground member), Rob Norris, and released in 1988. After touring up and down the east coast, the band returned to Boston and began working on their follo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Not Lame Recordings
Not Lame Recordings was a Ft. Collins, Colorado based independent record label specializing in power pop music. History The label was started by Bruce Brodeen in November 1994Not Lame Recordings (2010)"About us" Retrieved November 17, 2010. It primarily focused on power pop, a form of guitar and harmony driven retro-rock. Within this genre, the label quickly became the center of a small but ever expanding cult of power pop enthusiasts. Not Lame released over 100 albums, including the annual 3-CD compilation of the International Pop Overthrow festival from 1997 through 2010 (with later years being brought out by Brodeen privately). The label also released albums for artists like Tommy Keene, Dwight Twilley, Doug Powell, and Mark Helm, as well as bands such as Myracle Brah, The Deal,Loftus, Johnny"Review: The Deal, Goodbye September" Allmusic Guide. Sweet Apple Pie, Hawks, and Wanderlust; and box sets for such notables as Jellyfish and The Posies. The company's online store ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Tribute To The Cars
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lil' Bow Wow
Shad Gregory Moss (born March 9, 1987), better known by his stage name Bow Wow (formerly Lil' Bow Wow), is an American rapper and actor. His career began upon being discovered by rapper Snoop Dogg in the late 1990s, eventually being brought to record producer Jermaine Dupri and signed to So So Def Recordings. As Lil' Bow Wow, he released his first album at age 13, '' Beware of Dog'', in 2000, which was followed by ''Doggy Bag'' a year later. In 2003, Bow Wow released his third album ''Unleashed'', which was the first album released after dropping the "Lil'" from his stage name, and the first not to be released by So So Def. His next album, '' Wanted'' (2005), spawned his two highest-charting singles, "Let Me Hold You" (featuring Omarion) and " Like You" (featuring Ciara). In September 2015, Bow Wow signed a management deal with Puff Daddy's Bad Boy Records. Bow Wow made his first movie appearance in the 2002 movie ''All About the Benjamins'' as a cameo. In the same year, Bow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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