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I'm Not Your Hero
"I'm Not Your Hero" is a song written, recorded and performed by Canadian duo Tegan and Sara and produced by Greg Kurstin for the album ''Heartthrob'' (2013). Recorded at Echo Studio and EastWest Studios in California in 2012, it was released on October 21 of that year as a promotional single. The lyrics for the new wave synthpop ballad were written by Sara Quin, and discuss her teenage life in the 1990s when she was unable to identify with the lives of pop culture figures and had unforeseen thoughts about her later life. Guitar chords, drums, bass guitar, synths and harmonized vocals are also played in the track. "I'm Not Your Hero" was mostly well received by critics for its songwriting and composition. The track garnered comparisons to the works of Santigold, Fleetwood Mac and The Temper Trap. Commercially, it peaked at number 58 on the ''Billboard'' Canadian Hot 100 and 157 on the French SNEP singles chart. Tegan and Sara have performed it at the Austin City Limits Mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Promotional Single
A promotional recording, or promo, or plug copy, is an audio or video recording distributed free, usually in order to promote a recording that is or soon will be commercially available. Promos are normally sent directly to broadcasters, such as music radio and music television, television stations, and to tastemakers, such as DJs, music journalism, music journalists, and music criticism, critics, in advance of the release of commercial editions, in the hope that airplay, reviews, and other forms of exposure will result and stimulate the public's interest in the commercial release. Promos are often distributed in plain packaging, without the text or artwork that appears on the commercial version. Typically a promo is marked with some variation of the following text: "Licensed for promotional use only. Sale is prohibited." It may also state that the promo is still the property of the distributor and is to be "returned upon demand." However, it is not illegal to sell promotional re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Austin City Limits Music Festival
The Austin City Limits (ACL) Music Festival is an annual music festival held in Zilker Park in Austin, Texas on two consecutive three-day weekends. Inspired by the KLRU/PBS music series of the same name, the festival is produced by Austin-based company C3 Presents, which also produces Chicago's Lollapalooza. The ACL Music Festival has eight stages where musical groups from genres including rock, indie, country, folk, electronic, and hip hop perform for fans. The concerts continue from 10 AM to 10 PM on Friday, Saturday, and Sunday during the festival with various stages spread out in the park. Approximately 450,000 people attend the festival each year. In addition to the music performances, there are food and drinks, an art market, a kids area for families, and other activities for attendees. History Founded in 2002, the festival began as a one-weekend event and remained as such through the 2012 date. On August 16, 2012, Austin City Council members voted unanimously to allow th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord Progression
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of Western popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the common chord progression I–vi–ii–V, are usually expressed by Roman numerals in Classical music theory. In many styles of popular and traditional music, chord progressions are expressed using the name and " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D (musical Note)
D basicmusictheory.com is a musical note a above C, and is known as Re within the fixed-Do solfege system. Its enharmonic equivalents are C (C-double sharp) and E (E-double flat). When calculated in equal temperament with a reference of A above middle C as 440 H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E (musical Note)
E is the third note and the fifth semitone of the C major scale, and mi in fixed-do solfège. It has enharmonic equivalents of F♭ F-flat) which is by definition a diatonic semitone above Eand D (D-double sharp), amongst others. When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of Middle E (E4) is approximately 329.628 Hz. See pitch (music) for a discussion of historical variations in frequency. Designation by octave Scales Common scales in the key of E. * E major: E F G A B C D E * E natural minor: E F G A B C D E * E harmonic minor: E F G A B C D E * E melodic minor ascending: E F G A B C D E * E melodic minor descending: E D C B A G F E E major modes (diatonic scales). * E Ionian: E F G A B C D E * E Dorian: E F G A B C D E * E Phrygian: E F G A B C D E * E Lydian: E F G A B C D E * E Mixolydian: E F G A B C D E * E Aeolian: E F G A B C D E * E Locrian: E F G A B C D E E melodic (Jazz) minor modes * E ascending ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Major
A major (or the key of A) is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has three sharps. Its relative minor is F-sharp minor and its parallel minor is A minor. The key of A major is the only key where the Neapolitan sixth chord on (''i.e.'' the flattened supertonic) requires both a flat and a natural accidental. The A major scale is: : In the treble, alto, and bass clefs, the G in the key signature is placed higher than C. However, in the tenor clef, it would require a ledger line and so G is placed lower than C. History Although not as rare in the symphonic literature as sharper keys (those containing more than three sharps), symphonies in A major are less common than in keys with fewer sharps such as D major or G major. Beethoven's Symphony No. 7, Bruckner's Symphony No. 6 and Mendelssohn's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era. Mozart's Clarinet Concerto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beats Per Minute
Beat, beats or beating may refer to: Common uses * Patrol, or beat, a group of personnel assigned to monitor a specific area ** Beat (police), the territory that a police officer patrols ** Gay beat, an area frequented by gay men * Battery (crime), a criminal offense involving unlawful physical contact * Assault, inflicting physical harm or unwanted physical contact * Corporal punishment, punishment intended to cause physical pain * Strike (attack), repeatedly and violently striking a person or object * Victory, success achieved in personal combat, military operations or in any competition People * Beat (name), a German male given name * Jackie Beat, drag persona of Kent Fuher (born 1963) * Aone Beats (born 1984) Nigerian record producer * Billy Beats (1871-1936) British footballer * Cohen Beats (Michael Cohen, born 1986), Israeli record producer * Eno Beats (Enock Kisakye, born 1991), Ugandan record producer * Laxio Beats (Bernard Antwi-Darko, born 1987), Ghanaian recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Common Time
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exclaim!
''Exclaim!'' is a Canadian music and entertainment publisher based in Toronto, which features in-depth coverage of new music across all genres with a special focus on Canadian and emerging artists. The monthly Exclaim! print magazine publishes 7 issues per year, distributing over 103,000 copies to over 2,600 locations across Canada. The magazine has an average of 361,200 monthly readers and their website, exclaim.ca, has an average of 675,000 unique visitors a month. History ''Exclaim!'' began as a discussion among campus and community radio programmers at Ryerson's CKLN-FM in 1991. It was started by then-CKLN programmer Ian Danzig, together with other programmers and Toronto musicians. The goal of the publication was to support great Canadian music that was otherwise going unheralded. The group worked through 1991 to produce their first issue in April 1992, with monthly issues being produced since. Ian Danzig has been the publisher of the magazine since its start. James Keast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitchfork Media
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously reviewed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Under The Radar (magazine)
''Under the Radar'' is an American music magazine that features interviews with accompanying photo-shoots. Each issue includes opinion and commentary of the indie music scene as well as reviews of books, DVDs, and albums. The magazine posts web-exclusive interviews and reviews on its website. Items are reviewed based on a rating system in which each album, book, and DVD receives a rating from 1 to 10. The magazine has been in publication since late 2001 and is issued three times per year. The magazine was founded by co-publishers (and husband and wife) Mark Redfern and Wendy Lynch Redfern, who were married on June 2, 2007 and currently run the magazine. Mark is the magazine's Senior Editor and writes many of the magazine's articles. Wendy is the Creative Director and lays out each issue. She is also a music photographer and conducts photo-shoots for the magazine, including many of its covers. Contents It was the first American magazine to interview the following non-American b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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