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I'm Beginning To See The Light (album)
''I'm Beginning to See the Light'' is an acoustic jazz album by American mandolinist David Grisman, British guitarist Martin Taylor, George Marsh, and Jim Kerwin. Track listing # I'm Beginning to See the Light (Duke Ellington, Don George, Johnny Hodges, Harry James) – 4:00 # Autumn Leaves ( Joseph Kosma, Johnny Mercer, Jacques Prévert) – 4:22 # Do You Know What It Means (To Miss New Orleans?) ( Louis Alter, Eddie DeLange) – 5:11 # East of the Sun (Brooks Bowman) – 4:43 # Autumn in New York (Vernon Duke) – 4:40 # Makin' Whoopee ( Walter Donaldson, Gus Kahn) – 5:11 # Lover Man ( Jimmy Davis, Roger Ramirez, Jimmy Sherman) – 5:27 # Exactly Like You ( Jimmy McHugh, Dorothy Fields) – 4:02 # Willow Weep for Me ( Ann Ronell) – 7:05 # A Foggy Day (George Gershwin, Ira Gershwin) – 4:19 # Cheek to Cheek ( Irving Berlin) – 5:09 # Bewitched, Bothered and Bewildered (Richard Rodgers, Lorenz Hart) – 5:10 Personnel * David Grisman – mandolin A man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Grisman
David Grisman (born March 23, 1945) is an American mandolinist. His music combines bluegrass, folk, and jazz in a genre he calls "Dawg music". He founded the record label Acoustic Disc, which issues his recordings and those of other acoustic musicians. Biography Grisman grew up in a Conservative Jewish household in Passaic, New Jersey. His father was a professional trombonist who gave him piano lessons when he was seven years old. As a teenager, he played piano, mandolin, and saxophone. In the early 1960s, he attended New York University. He belonged to the Even Dozen Jug Band with Maria Muldaur and John Sebastian. He played in the bluegrass band the Kentuckians led by Red Allen, then in the psychedelic rock band Earth Opera with Peter Rowan. He moved to San Francisco, met Jerry Garcia, and appeared on the Grateful Dead album ''American Beauty''. He played in Garcia's bluegrass band Old & In the Way with Peter Rowan and Vassar Clements. When Grisman was 17 years old, he was in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Alter
Louis Alter (June 18, 1902 – November 5, 1980) was an American pianist, songwriter and composer. At 13, he began playing piano in theaters showing silent films. He studied at the New England Conservatory of Music under the tutelage of Stuart Mason. Biography He was born on June 18, 1902, in Haverhill, Massachusetts. Alter played in vaudeville houses as the accompanist for the headliners Irène Bordoni and Nora Bayes. He appeared with Bayes from 1924 until her death in 1928, touring the United States and abroad. Since he had previously written some songs for Broadway shows, Alter decided to concentrate on songwriting after her death. His first hit was " Manhattan Serenade" (1929), originally an instrumental that later became the theme music of the ''Easy Aces'' radio program. There are numerous recordings of "Manhattan Serenade" and it was featured prominently in Nancy Groce's book, ''New York: Songs of the City'' (Watson-Guptill, 1999). Alter recalled, "I was a great fan o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy McHugh
James Francis McHugh (July 10, 1894 – May 23, 1969) was an American composer. One of the most prolific songwriters from the 1920s to the 1950s, he is credited with over 500 songs. His songs were recorded by many artists, including Chet Baker, June Christy, Bing Crosby, Deanna Durbin, Ella Fitzgerald, Judy Garland, Adelaide Hall, Billie Holiday, Beverly Kenney, Bill Kenny, Peggy Lee, Carmen Miranda, Nina Simone, Frank Sinatra, and Dinah Washington. Career McHugh began his career in his hometown of Boston, Massachusetts Massachusetts (Massachusett language, Massachusett: ''Muhsachuweesut [Massachusett writing systems, məhswatʃəwiːsət],'' English: , ), officially the Commonwealth of Massachusetts, is the most populous U.S. state, state in the New England ..., United States, where he published about a dozen songs with local publishers. His first success was with the World War I song "Keep the Love-Light Burning in the Window Till the Boys Come Marching Home", and this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exactly Like You (song)
"Exactly Like You" is a popular song with music written by Jimmy McHugh and lyrics by Dorothy Fields and published in 1930. The song was introduced by Harry Richman and Gertrude Lawrence in the 1930 Broadway show ''Lew Leslie's International Revue'' which also featured McHugh and Fields's "On the Sunny Side of the Street". Other versions * Ruth Etting (1930) * Louis Armstrong (1930) * Casa Loma Orchestra (1930) * Count Basie with Jimmy Rushing on vocals * Django Reinhardt (1937) * Don Byas with Thelonious Monk (1941) * Dizzy Gillespie and Stan Getz – ''Diz and Getz'' (1953) * Erroll Garner (1954) * Bing Crosby - for his album ''Bing with a Beat'' (1957). * Aretha Franklin * Nina Simone (1959) * Sue Raney - ''Songs for a Raney Day'' (1960) *Sam Cooke - My Kind of Blues (1961) * Benny Goodman with Lionel Hampton on vocals * The Masakowski Family, ''N. O. Escape'' * Dave McKenna, ''Live at Maybeck Recital Hall Volume 2'' (1989) * Willie Nelson * Frank Sinatra * Frank Stallone - ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ram Ramirez
Roger "Ram" Ramirez (September 15, 1913 – 11 January 1994) was a Puerto Rican jazz pianist and composer. He was a co-composer of the song "Lover Man (Oh, Where Can You Be?)" Early life Ramirez was born in San Juan, Puerto Rico on September 15, 1913. He grew up in New York and started playing the piano at a young age. Later life and career Ramirez's first professional performances were in the early 1930s. In 1933 he played with Monette Moore, then with Rex Stewart and Sid Catlett in New York. He joined Willie Bryant in 1935, and toured Europe with Bobby Martin in 1937. During the first half of the 1940s Ramirez played with Ella Fitzgerald, Frankie Newton, Charlie Barnet, John Kirby, and Catlett, in addition to leading his own band. Ramirez wrote "Lover Man (Oh, Where Can You Be?)" in 1942, which became a jazz standard following Billie Holiday's recording of it two years later. He was a freelance into the mid-1950s, when he added electronic organ to his instruments. In 1953 he w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Davis (songwriter)
James Edward Davis (1915 – 1997) was an American songwriter, composer, singer, pianist and actor. He co-wrote the song "Lover Man (Oh, Where Can You Be?)". Davis was born in Madison, Georgia. He and his family moved to Gary, Illinois, and then to Englewood, New Jersey, where he completed his high school education. Being musically gifted, he was accepted into the Juilliard School in New York to study piano and composition, his fees being paid by a benefactress. In the late 1930s he wrote the song "Lover Man (Oh, Where Can You Be?)" with Ram Ramirez but could not initially place it, until he offered it to Billie Holiday in 1942. Because of the 1942–44 musicians' strike Holiday didn't record the song until October 1944, and although at first only a minor hit it soon achieved widespread success and went on to become a jazz standard, recorded by numerous artists including Linda Ronstadt, Barbra Streisand and Petula Clark. During the early 1940s Davis struggled to make a li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lover Man (Oh, Where Can You Be?)
"Lover Man (Oh, Where Can You Be?)" (often called simply "Lover Man") is a 1941 popular song written by Jimmy Davis, Roger ("Ram") Ramirez, and James Sherman. It is particularly associated with Billie Holiday, for whom it was written, and her version was inducted into the Grammy Hall of Fame in 1989. Holiday's version reached No. 5 on the R&B chart and No. 16 on pop in 1945. In July 1946, Charlie Parker recorded a rendition of "Lover Man" while he was intoxicated. Dial Records producer Ross Russell had to hold him up to the microphone during the recording. Sonny Stitt played the song many times on alto saxophone in a virtuoso way, in the original key of D flat. Most jazz musicians play the song nevertheless in F. Barbra Streisand recorded a version for her album Simply Streisand in 1967, her version peaked #29 at Billboard Adult Contemporary chart. Cover versions *Sarah Vaughan recorded the song for the Guild label in 1945 with backing by an instrumental ensemble that includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gus Kahn
Gustav Gerson Kahn (November 6, 1886October 8, 1941) was an American lyricist who contributed a number of songs to the Great American Songbook, including "Pretty Baby", "Ain't We Got Fun?", "Carolina in the Morning", "Toot, Toot, Tootsie (Goo' Bye!)", " My Buddy" " I'll See You in My Dreams", " It Had to Be You", " Yes Sir, That's My Baby", " Love Me or Leave Me", "Makin' Whoopee", " My Baby Just Cares for Me", "I'm Through with Love", "Dream a Little Dream of Me" and "You Stepped Out of a Dream". Life and career Kahn was born in 1886 in Bruschied, in the Rhine Province of the Kingdom of Prussia, the son of Theresa (Mayer) and Isaac Kahn, a cattle farmer. The Jewish family emigrated to the United States and moved to Chicago in 1890. After graduating from high school, he worked as a clerk in a mail order business before launching one of the most successful and prolific careers from Tin Pan Alley. Kahn married Grace LeBoy in 1916 and they had two children, Donald and Irene. In hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Donaldson
Walter Donaldson (February 15, 1893 – July 15, 1947) was an American prolific popular songwriter and publishing company founder, composing many hit songs of the 1910s to 1940s, that have become standards and form part of the Great American Songbook. History Walter Donaldson was born in Brooklyn, New York State, United States, the son of a piano teacher. While still in school he wrote original music for school productions, and had his first professional songs published in 1915. In 1918, he had his first major hit with "The Daughter of Rosie O'Grady". During World War I, Donaldson entertained troops at Camp Upton, New York. His time there inspired him to write " How Ya Gonna Keep 'em Down on the Farm (After They've Seen Paree)?" After serving in the United States Army in World War I, Donaldson was hired as a songwriter by Irving Berlin Music Company. He stayed with Berlin until 1928, producing many hit songs, then in 1928 established his own publishing company. His company was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Makin' Whoopee
"Makin' Whoopee" is a jazz/blues song, first popularized by Eddie Cantor in the 1928 musical ''Whoopee!''. Gus Kahn wrote the lyrics and Walter Donaldson composed the music for the song as well as for the entire musical. The title refers to celebrating a marriage. Eventually "making whoopee" became a euphemism for intimate sexual relations. The song has been called a "dire warning", largely to men, about the "trap" of marriage. A review of a James Naughton cabaret performance. "Mr. Naughton pounces on the dire warning to men lurking beneath the song's playful surface: that once the honeymoon is over, marriage can become a trap from which there is no escape." "Makin' Whoopee" begins with the celebration of a wedding, honeymoon and marital bliss, but moves on to babies and responsibilities, and ultimately on to affairs and possible divorce, ending with a judge's advice. Other versions *1928 George Olsen and His Music. Released by Victor on November 12, 1928 as catalog number 21816- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vernon Duke
Vernon Duke ( 16 January 1969) was a Russian-born American composer/songwriter who also wrote under his birth name, Vladimir Dukelsky. He is best known for "Taking a Chance on Love," with lyrics by Ted Fetter and John Latouche (1940), "I Can't Get Started," with lyrics by Ira Gershwin (1936), " April in Paris," with lyrics by E. Y. ("Yip") Harburg (1932), and "What Is There To Say," for the ''Ziegfeld Follies'' of 1934, also with Harburg. He wrote the words and music for " Autumn in New York" (1934) for the revue '' Thumbs Up!'' In his book, ''American Popular Song, The Great Innovators 1900-1950'', composer Alec Wilder praises this song, writing, “The verse may be the most ambitious I’ve ever seen." Duke also collaborated with lyricists Johnny Mercer, Ogden Nash, and Sammy Cahn. Early life Vladimir Aleksandrovich Dukelsky (Russian: Владимир Александрович Дукельский) was born in 1903 into a Belarusian noble family in the village of Parfyan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autumn In New York (song)
"Autumn in New York" is a jazz standard and popular song composed by Vernon Duke in Westport, Connecticut in the summer of 1934. It was written without a commission or for a specific show, but Duke offered it to producer Murray Anderson for his Broadway musical '' Thumbs Up!''. The play opened on December 27, 1934 where the song was performed by singer J. Harold Murray. Many versions of the song have been recorded over the years by numerous musicians and singers. The only version to achieve chart success as a single in the USA was that by Frank Sinatra, which reached No. 27 in 1949. Jazz versions have been performed by The Hi Lo's, Charlie Parker, Billie Holiday, Bing Crosby, Mary Lou Williams, Stan Kenton, Sarah Vaughan, Sheila Jordan, Bill Evans, Tal Farlow, Ahmad Jamal, Buddy De Franco, Salvador Sobral, Al Haig, Diana Krall, and a duet version by Scottish singers Todd Gordon and Carol Kidd. The song was also recorded by Jo Stafford, and by Louis Armstrong and Ella Fitzgerald ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
