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I'm Alabama Bound
"I'm Alabama Bound" is a ragtime melody composed by Robert Hoffman in 1909. Hoffman dedicated it to an M. T. Scarlata. The cover of its first edition, published by Robert Ebberman, New Orleans, 1909, advertises the music as "Also Known As The Alabama Blues" which has led some to suspect it of being one of the first blues songs. However, as written, it is an up-tempo rag (Rag Time Two Step) with no associated lyrics. The song has been recorded numerous times in different styles—both written and in sound recordings—with a number of different sets of lyrics. Two recording artists claimed composing credits for the tune under two different titles and both with differing lyrics: Trixie Smith for "Railroad Blues" (Paramount 12262, 1925) and Ferdinand "Jelly Roll" Morton for "Don't You Leave Me Here" (Bluebird 10450, 1939). In addition, Lead Belly also recorded another well-known version of "I'm Alabama Bound", in 1940. History The earliest lyrics expressing the sentiment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragtime
Ragtime, also spelled rag-time or rag time, is a musical style that flourished from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott and Joseph Lamb. Ragtime pieces (often called "rags") are typically composed for and performed on piano, though the genre has been adapted for a variety of instruments and styles. " Maple Leaf Rag", " The Entertainer", "Fig Leaf Rag", "Frog Legs Rag", and "Sensation Rag" are among the most popular songs of the genre. The genre emerged from African American communities in the Southern and Midwestern United States, evolving from folk and minstrel styles and popular dances such as the cakewalk and combining with elements of classical and march music. Ragtime significantly influenced the development of jazz. In the 1960's, the genre had began to be revived with the publication '' The All Played Ragtime'' and artists re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Folk Songs
The term American folk music encompasses numerous music genres, variously known as ''traditional music'', ''traditional folk music'', ''contemporary folk music'', ''vernacular music,'' or ''roots music''. Many traditional songs have been sung within the same family or folk group for generations, and sometimes trace back to such origins as the British Isles, Mainland Europe, or Africa. Musician Mike Seeger once famously commented that the definition of American folk music is "...all the music that fits between the cracks." American folk music is a broad category of music including bluegrass, gospel, old time music, jug bands, Appalachian folk, blues, Cajun and Native American music. The music is considered American either because it is native to the United States or because it developed there, out of foreign origins, to such a degree that it struck musicologists as something distinctly new. It is considered "roots music" because it served as the basis of music later develope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rags
Rag, rags, RAG or The Rag may refer to: Common uses * Rag, a piece of old cloth * Rags, tattered clothes * Rag (newspaper), a publication engaging in tabloid journalism * Rag paper, or cotton paper Arts and entertainment Film * ''Rags'' (1915 film), a silent film * ''Rags'' (2012 film), a modernization of the ''Cinderella'' fairy tale Music * Rag, a piece of ragtime music * ''Rags'' (musical), a 1986 Broadway musical * Ruhrpott AG, a German hip hop group * Rags, a former name of the band Tin Huey * ''Rags'' (EP), by EarthGang, 2017 Other uses in arts and entertainment * ''Rags'' (novel), a 2001 ''Doctor Who'' novel * Rags, a dog character in TV show ''Spin City'' Businesses and organisations * RAG AG, a German coal mining corporation * RAG Austria AG, a gas storage operator in Austria * RAGS International, later Messiah Foundation International, a spiritual organisation People *Rags (nickname), a list of people known as Rags *Ēriks Rags (born 1975), a Latvian javelin t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Train Songs
A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union club Other uses * Angle of list, the leaning to either port or starboard of a ship * List (information), an ordered collection of pieces of information ** List (abstract data type), a method to organize data in computer science * List on Sylt, previously called List, the northernmost village in Germany, on the island of Sylt * ''List'', an alternative term for ''roll'' in flight dynamics * To ''list'' a building, etc., in the UK it means to designate it a listed building that may not be altered without permission * Lists (jousting), the barriers used to designate the tournament area where medieval knights jousted * ''The Book of Lists'', an American series of books with unusual lists See also * The List (other) * Listing (di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Golden Gate Quartet
The Golden Gate Quartet (a.k.a. The Golden Gate Jubilee Quartet) is an American vocal group. It was formed in 1934 and, with changes in membership, remains active. Origins and early career The group was founded as the Golden Gate Jubilee Singers in 1934, by four students at Booker T. Washington High School in Norfolk, Virginia. According to the group's website, the original members were Willie Johnson (baritone; d. 1980), William Langford (tenor; d. 1970), Henry Owens (second tenor; d. 1970) and Orlandus Wilson (bass; 1917–1998); other sources state that Langford and Wilson replaced earlier members Robert "Peg" Ford and A.C. "Eddie" Griffin in 1935. From 1935, the group sang in churches and on local radio, gaining a regular spot on radio station WIS in Columbia, South Carolina in 1936.Seamus McGarvey, ''The Golden Gate Quartet'', in ''Juke Blues'' magazine, no. 71, 2011, pp. 42–45 They began as a traditional jubilee quartet, combining the clever arrangements associated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tympany Five
Tympany Five was a successful and influential American rhythm and blues and jazz dance band founded by Louis Jordan in 1938. The group was composed of a horn section of three to five different pieces and also drums, double bass, guitar and piano. Louis Jordan and His Tympany Five created many of the most influential songs of the early R&B and rock and roll era, including " Let The Good Times Roll", "Keep A-Knockin'", and " Caldonia". Carl Hogan's opening riff to " Ain't That Just Like A Woman" later became one of rock's most recognizable riffs in Chuck Berry's " Johnny B. Goode". Jordan first formed the band as "The Elks Rendezvous Band", named after the Elks Rendezvous jazz joint in Harlem. The original lineup of the sextet was Jordan (saxes, vocals), Courtney Williams (trumpet), Lem Johnson (tenor sax), Clarence Johnson (piano), Charlie Drayton (bass) and Walter Martin (drums). The various lineups of the Tympany Five (which often featured two or three extra players) includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Jordan
Louis Thomas Jordan (July 8, 1908 – February 4, 1975) was an American saxophonist, multi-instrumentalist, songwriter and bandleader who was popular from the late 1930s to the early 1950s. Known as " the King of the Jukebox", he earned his highest profile towards the end of the swing era. He was inducted into the Rock and Roll Hall of Fame as an "early influence" in 1987. Specializing in the alto sax, Jordan played all forms of the saxophone, as well as piano and clarinet. He also was a talented singer with great comedic flair, and fronted his own band for more than twenty years. He duetted with some of the biggest solo singing stars of his time, including Bing Crosby, Ella Fitzgerald and Louis Armstrong. Jordan was also an actor and a film personality—he appeared in dozens of "soundies" (promotional film clips) He also made numerous cameos in mainstream features and short films, and starred in two musical feature films: Swing Parade of 1946, probably targeting white viewers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delmore Brothers
Alton Delmore (December 25, 1908 – June 9, 1964) and Rabon Delmore (December 3, 1916 – December 4, 1952), billed as The Delmore Brothers, were country music pioneer singer-songwriters and musicians who were stars of the Grand Ole Opry in the 1930s. The Delmore Brothers, together with other brother duos such as the Louvin Brothers, the Blue Sky Boys, the Monroe Brothers (Birch Monroe, Charlie Monroe and Bill Monroe), the McGee Brothers, and The Stanley Brothers, had a profound impact on the history of country music and American popular music. The duo performed extensively with Arthur Smith as the Arthur Smith Trio throughout the 1930s. Biography The brothers were born into poverty in Elkmont, Alabama, United States, as the sons of tenant farmers amid a rich tradition of gospel music and Appalachian folk. Their mother, Mollie Delmore, wrote and sang gospel songs for their church. The Delmores blended gospel-style harmonies with the quicker guitar work of traditional folk music a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Johnson (bandleader)
Charlie "Fess" Johnson (November 21, 1891, Philadelphia – December 13, 1959, New York City) was an American jazz bandleader and pianist. Johnson led an ensemble called the Paradise Ten, who played at Smalls Paradise from 1925–1935, and recorded five times between 1925 and 1929. Though Johnson was a capable pianist, he rarely soloed on his recordings. The Paradise Ten ensemble included trumpeters Jabbo Smith, Leonard Davis, Sidney DeParis, and Thomas Morris, trombonists Charlie Irvis and Jimmy Harrison, alto saxophonists Benny Carter and Edgar Sampson, and tenor saxophonist Benny Waters Benjamin Waters (January 23, 1902, Brighton, Baltimore, Maryland – August 11, 1998, Columbia, Maryland) was an American jazz saxophonist and clarinetist. known in part for the longevity of his career. He began on organ, then switched to cl .... Johnson led the ensemble until 1938; following this he freelanced in various ensembles until he retired owing to health problems in the 1950 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papa Charlie Jackson
Papa Charlie Jackson (November 10, 1887 – May 7, 1938) was an early American bluesman and songster who accompanied himself with a banjo guitar, a guitar, or a ukulele. His recording career began in 1924. Much of his life remains a mystery, but his draft card lists his birthplace as New Orleans, Louisiana, and his death certificate states that he died in Chicago, Illinois, on May 7, 1938. Career He was born William Henry Jackson. Initially, he performed in minstrel shows and medicine shows. Harris, Sheldon (1994). ''Blues Who's Who'' (rev. ed.). New York: Da Capo Press. p. 263. . From the early 1920s into the 1930s, he played frequent club dates in Chicago and was noted for busking at Chicago's Maxwell Street Market. In August 1924, he recorded the commercially successful "Airy Man Blues" and "Papa's Lawdy Lawdy Blues" for Paramount Records. In April 1925, Jackson released his version of " Shave 'Em Dry". One of his subsequent tracks, " Salty Dog Blues", became his most famo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Whiteman & His Orchestra
Paul Samuel Whiteman (March 28, 1890 – December 29, 1967) was an American bandleader, composer, orchestral director, and violinist. As the leader of one of the most popular dance bands in the United States during the 1920s and early 1930s, Whiteman produced recordings that were immensely successful, and press notices often referred to him as the "King of Jazz". His most popular recordings include "Whispering", "Valencia", "Three O'Clock in the Morning", "In a Little Spanish Town", and "Parade of the Wooden Soldiers". Whiteman led a usually large ensemble and explored many styles of music, such as blending symphonic music and jazz, as in his debut of ''Rhapsody in Blue'' by George Gershwin. Whiteman recorded many jazz and pop standards during his career, including "Wang Wang Blues", "Mississippi Mud", "Rhapsody in Blue", "Wonderful One", " Hot Lips (He's Got Hot Lips When He Plays Jazz)", "Mississippi Suite", "Grand Canyon Suite", and " Trav'lin' Light". He co-wrote the 1925 j ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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