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I'll Take Romance
''I'll Take Romance'' is an album by saxophonist Bud Shank released on the World Pacific label.Edwards, D., Eyries, P. and Callahan, M.World Pacific Album Discography accessed January 9, 2016 Reception In an AllMusic review by Jason Ankeney, he states: "Far removed from the sometimes bloodless sensibilities of the West Coast cool school, ''I'll Take Romance'' is as warm as its title portends. The string arrangements are sweet but never sentimental, boasting a sensitivity that colors but never overwhelms Shank's lyrical alto and flute". Track listing # " Smoke Gets in Your Eyes" ( Jerome Kern, Otto Harbach) - 2:21 # "Deep Purple" ( Peter DeRose, Mitchell Parish) - 2:48 # " Out of This World" (Harold Arlen, Johnny Mercer) - 2:03 # " What a Difference a Day Made" ( María Grever, Stanley Adams) - 2:54 # "Embraceable You" ( George Gershwin, Ira Gershwin) - 2:30 # "I'll Take Romance" (Oscar Hammerstein II, Ben Oakland) - 1:56 # " These Foolish Things" (Jack Strachey, Eric Masc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bud Shank
Clifford Everett "Bud" Shank Jr. (May 27, 1926 – April 2, 2009) was an American alto saxophonist and flautist. He rose to prominence in the early 1950s playing lead alto and flute in Stan Kenton's Innovations in Modern Music Orchestra and throughout the decade worked in various small jazz combos. He spent the 1960s as a first-call studio musician in Hollywood. In the 1970s and 1980s, he performed regularly with the L. A. Four. Shank ultimately abandoned the flute to focus exclusively on playing jazz on the alto saxophone. He also recorded on tenor and baritone sax. His most famous recording is probably the version of "Harlem Nocturne" used as the theme song in ''Mickey Spillane's Mike Hammer''. He is also well known for the alto flute solo on the song "California Dreamin'" recorded by The Mamas & the Papas in 1965. Biography Bud Shank was born in Dayton, Ohio, United States. He began with clarinet in Vandalia, Ohio, but had switched to saxophone before attending the Universi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
María Grever
María Grever (14 September 1885 – 15 December 1951) was the first female Mexican composer to achieve international acclaim.Rodríguez, Lee M. L. María Grever: Poeta Y Compositora. Potomac, Md: Scripta Humanistica, 1994. Print. She is best known for the song "What A Difference A Day Makes" (originally "Cuando vuelva a tu lado"), which was popularized by Dinah Washington and has been covered by numerous artists. Early life María Joaquina de la Portilla Torres was born to a Spanish father (Francisco de la Portilla) and Mexican mother (Julia Torres) in León, Guanajuato. For the first six years of her life she lived in Mexico City, moving to her father's natal city, Sevilla, in 1891. She studied music in France, with Claude Debussy and Franz Lenhard among her teachers. In 1900, she moved back to Mexico and continued her musical studies at her aunt's solfège school. In 1907, the then 22-year-old de la Portilla married Leo A. Grever, an American oil company executive, and in 191 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Are Too Beautiful
You Are Too Beautiful is a 1932 song written by Richard Rodgers and Lorenz Hart for the 1933 film ''Hallelujah, I'm a Bum'', where it was sung by Al Jolson. It became a pop and jazz standard in the 1940s, with a notable recording made on August 3, 1945 by Dick Haymes (Decca 23750). Other recordings Other versions include those by: *Frank Sinatra (1945) *Cannonball Adderley on ''Julian Cannonball Adderley and Strings'' (1955) *Thelonious Monk on ''The Unique Thelonious Monk'' (1956) *Warne Marsh on ''Music for Prancing'' (1957) *David Whitfield on ''Alone'' (1961) *John Coltrane and Johnny Hartman on ''John Coltrane and Johnny Hartman'' (1963) *Sarah Vaughan Sarah Lois Vaughan (March 27, 1924 – April 3, 1990) was an American jazz singer. Nicknamed "Sassy" and "Jazz royalty, The Divine One", she won two Grammy Awards, including the Lifetime Achievement Award, and was nominated for a total of nine ... on '' Crazy and Mixed Up'' (1982) References 1932 songs 1930s ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Someone To Watch Over Me (song)
"Someone to Watch Over Me" is a 1926 song composed by George Gershwin with lyrics by Ira Gershwin, assisted by Howard Dietz who penned the title. It was written for the musical ''Oh, Kay!'' (1926), with the part originally sung on Broadway by English actress Gertrude Lawrence while holding a rag doll in a sentimental solo scene. The musical ran for more than 200 performances in New York and then saw equivalent acclaim in London in 1927, all with the song as its centerpiece. Lawrence released the song as a medium-tempo single which rose to #2 on the charts in 1927. Origin Initially, "Someone to Watch Over Me" was written by George Gershwin for the musical ''Oh, Kay!'' as a "fast and jazzy" up-tempo rhythm tune – marked ''scherzando'' (playful) in the sheet music – but in the 1930s and 1940s it was recorded by singers in a slower ballad form, which became the standard. The definitive slow torch song version was first released by Lee Wiley in 1939, followed by Margaret Whiting in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Link
Harry Link (born John Harry Linkey, January 25, 1896, Philadelphia – July 5, 1956, New York City) was an American vaudeville actor and songwriter. He wrote and co-wrote several well-known jazz standards. Career Link studied at the Wharton School of Business but was already publishing songs by his late teens; in 1914, he co-wrote "Along Came Ruth" with Irving Berlin. He attempted a career in acting, appearing in the 1916 film ''The Masked Rider'', but had little luck and soon gave it up for a sustained career in music publishing. In 1929, he co-wrote "I've Got a Feeling I'm Falling" with Billy Rose and Fats Waller. Waller turned the song into a hit; Louis Armstrong recorded the tune, as did many others. Link and Waller also co-wrote "Gone" with Andy Razaf and "I Hate to Leave You Now" with Dorothy Dick ''(née'' Dorothy Dickenshied; 1895–1986), whom Link married in 1916 in Philadelphia. Armstrong also recorded a version of "I Hate to Leave You Now". Link and Dick went on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Maschwitz
Albert Eric Maschwitz OBE (10 June 1901 – 27 October 1969), sometimes credited as Holt Marvell, was an English entertainer, writer, editor, broadcaster and broadcasting executive. Life and work Born in Edgbaston, Birmingham, England, and descendant of a traditional German family, Maschwitz was educated at Arden House preparatory school, Henley in Arden, Repton School and Gonville and Caius College, Cambridge. As a lyricist, Maschwitz wrote, often credited to his pseudonym "Holt Marvell," the screenplays of several successful films in the 1930s and 1940s, but is perhaps best remembered for his lyrics to 1940s popular songs such as "A Nightingale Sang in Berkeley Square" (music by Manning Sherwin) and "These Foolish Things" (music by Jack Strachey, reinterpreted in 1973 by Bryan Ferry on his first solo album of the same name). According to the ''Oxford Dictionary of National Biography'', Maschwitz had a brief romantic liaison with British cabaret singer Jean Ross, and their r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Strachey
Jack Strachey (25 September 1894 – 27 May 1972) was an English composer and songwriter Born John Francis Strachey in London on 25 September 1894, he began writing songs in the 1920s for the theatre and the music hall, scoring his first success with songs he had written for Frith Shephard's long running musical revue ''Lady Luck'' which opened at The Carlton Theatre in April 1927 where it ran for 324 performances. In the 1930s, he began to collaborate with Eric Maschwitz and in 1936 Strachey, Maschwitz (using the pen name Holt Marvell), and Harry Link co-wrote "These Foolish Things (Remind Me of You)", which was to provide a top ten hit for five separate artists in 1936. Benny Goodman was among the five artists to record the song in 1936, and it has been widely covered since - by Billie Holiday, Thelonious Monk and Bryan Ferry among others. Under the title "Ces Petites Choses", it was also a hit in France for Dorothy Dickson. Strachey scored another success in 1940 (this time ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
These Foolish Things (Remind Me Of You)
"These Foolish Things (Remind Me of You)" is a standard with lyrics by Eric Maschwitz, writing under the pseudonym Holt Marvell, and music by Jack Strachey, both Englishmen. Harry Link, an American, sometimes appears as a co-writer; his input was probably limited to an alternative "middle eight" (bridge) which many performers prefer. It is one of a group of "Mayfair songs", like "A Nightingale Sang in Berkeley Square". Maschwitz wrote the song under his pen name, Holt Marvell, at the behest of Joan Carr for a late-evening revue broadcast by the BBC. The copyright was lodged in 1936. According to the ''Oxford Dictionary of National Biography'', British cabaret singer Jean Ross, with whom Maschwitz had a youthful liaison, was the muse for the song. Creation Although Maschwitz's wife Hermione Gingold speculated in her autobiography that the haunting jazz standard was written for either herself or actress Anna May Wong, Maschwitz himself contradicted such claims. Maschwitz inste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben Oakland
Ben Oakland (September 24, 1907 – August 26, 1979) was an American composer, lyricist, and pianist, most active from the 1920s through the 1940s. He composed mainly for Broadway and vaudeville, though he also worked on several Hollywood scores including for the film ''My Little Chickadee''. Oakland often composed music only, collaborating with lyricists including Oscar Hammerstein II, Bob Russell, Milton Drake, L. Wolfe Gilbert, and Artie Shaw. Notable compositions include "Java Jive", "I'll Take Romance", and "I'm A Hundred Percent For You". The two songs that Oakland wrote with Oscar Hammerstein II are "I'll Take Romance" and "A Mist Over the Moon." The latter, which was written for a 1938 picture called ''The Lady Objects'' won Hammerstein and Oakland an Oscar nomination. The former, which was written for a 1937 film starring Grace Moore, won no awards but is frequently performed. June Christy sang it, to an arrangement by Pete Rugolo, on the 1954 album ''Something Cool'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Hammerstein II
Oscar Greeley Clendenning Hammerstein II (; July 12, 1895 – August 23, 1960) was an American lyricist, librettist, theatrical producer, and (usually uncredited) director in the musical theater for almost 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs. He is best known for his collaborations with composer Richard Rodgers, as the duo Rodgers and Hammerstein, whose musicals include ''Oklahoma!'', '' Carousel'', '' South Pacific'', ''The King and I'', and ''The Sound of Music''. Described by Stephen Sondheim as an "experimental playwright", Hammerstein helped bring the American musical to new maturity by popularizing musicals that focused on stories and character rather than the lighthearted entertainment that the musical had been known for beforehand. He also collaborated with Jerome Kern (with whom he wrote ''Show Boat''), Vincent Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as "I Got Rhythm", "Embraceable You", " The Man I Love" and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is an important source for studying t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
