Hôtel De Crozat
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Hôtel De Crozat
The Hôtel de Crozat, later the Hôtel de Choiseul, was a Parisian ''hôtel particulier'', constructed in 1704 to the designs of the French architect for the rich banker and art collector Pierre Crozat. It was located on the west side of the rue de Richelieu, south of its intersection with the Grand Boulevard (near today's 91 and 93 rue de Richelieu, between the rue d'Amboise and the rue Saint-Marc in the 2nd arrondissement of Paris). The Duke of Choiseul acquired the ''hôtel'' in 1750. It was demolished in 1780, the property subdivided, and a theatre, the Salle Favart, constructed in the former garden. Description The street facade was of modest width, but the property widened considerably toward the rear. A forecourt preceded the entry court with the typical U-shaped plan of flanking wings and a central ''corps de logis'' at the western end. The house received plentiful light, since it projected into the garden with three exterior facades providing garden views to the nor ...
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Pierre Le Gros The Younger
Pierre Le Gros (12 April 1666 Paris – 3 May 1719 Rome) was a French sculptor, active almost exclusively in Baroque Rome where he was the pre-eminent sculptor for nearly two decades.Gerhard Bissell, ''Pierre le Gros, 1666–1719'', Reading, Berkshire 1997. He created monumental works of sculpture for the Jesuits and the Dominicans and found himself centre stage of the two most prestigious artistic campaigns of his era, the ''Altar of Saint Ignatius of Loyola'' in the Gesù and the cycle of the twelve huge ''Apostle statues'' in the nave of the Lateran basilica. Le Gros' handling of the marble attracted powerful patrons like the papal treasurer Lorenzo Corsini (much later to become Pope Clement XII) and Cardinal de Bouillon, as Dean of the Sacred College the highest ranking cardinal. He also played a prominent role in more intimate settings like the chapel of the Monte di Pietà and the Cappella Antamori in San Girolamo della Carità, both little treasures of the Roman ...
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Parquet Floors
Parquet (; French for "a small compartment") is a geometric mosaic of wood pieces used for decorative effect in flooring. Parquet patterns are often entirely geometrical and angular—squares, triangles, Lozenge (shape), lozenges—but may contain curves. The most popular parquet flooring pattern is herringbone pattern, herringbone. Etymology The word derives from the Old French ''parchet'' (the diminutive of ''parc''), literally meaning "''a small enclosed space''". History Large diagonal squares known as ''parquet de Palace of Versailles, Versailles'' were introduced in 1684 as ''parquet de menuiserie'' ("woodwork parquet") to replace the marble flooring that required constant washing, which tended to rot the joists beneath the floors. Such ''parquets en losange'' were noted by the Swedish architect Daniel Cronström at Versailles and at the Grand Trianon in 1693. Materials Timber contrasting in color and grain, such as oak, walnut, cherry, tilia, lime, pine, maple etc. ...
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Panelling
Panelling (or paneling in the U.S.) is a millwork wall covering constructed from rigid or semi-rigid components. These are traditionally interlocking wood, but could be plastic or other materials. Panelling was developed in antiquity to make rooms in stone buildings more comfortable both by insulating the room from the stone, and reflecting radiant heat from wood fires, making heat more evenly distributed in the room. In more modern buildings, such panelling is often installed for decorative purposes. Panelling, such as wainscoting and boiserie in particular, may be extremely ornate and is particularly associated with 17th and 18th century interior design, Victorian architecture in Britain, and its international contemporaries. Wainscot panelling The term wainscot ( or ) originally applied to high quality riven oak boards. Wainscot oak came from large, slow-grown forest trees, and produced boards that were knot-free, low in tannin, light in weight, and easy to work wit ...
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Snuffbox
A decorative box is a form of packaging that is generally more than just functional, but also intended to be decorative and artistic. Many such boxes are used for promotional packaging, both commercially and privately. Historical objects are usually called caskets if larger than a few inches in more than one dimension, with only smaller ones called boxes. Gift box Traditionally gift boxes used for promotional and seasonal gifts are made from sturdy paperboard or corrugated fiberboard. These boxes normally consist of a base and detachable lid and are made by using a die cutting process to cut the board. The box is then covered with decorative paper. Gift boxes can be dressed with other gift packaging material, such as decorative ribbons and gift tissue paper. Work box The most common type of decorative box is the feminine work box. It is usually fitted with a tray divided into many small compartments for needles, reels of silk and cotton, and other necessaries for stitchery. ...
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Louis-Nicolas Van Blarenberghe
Van Blarenberghe was the name of a dynasty of painters, originally from French Flanders (Lille), but some of the most famous descendants also lived in Paris, France. They were all descendants from Joris van Blarenberghe (1612–1670). The first two painters were Hendrick van Blarenberghe (1646–1712) and his son Jacques-Guillaume van Blarenberghe (1679–1742). Their style was still heavily influenced by the Flemish Baroque style. Jacques-Guillaume had two painting sons, Louis-Nicolas van Blarenberghe (15 July 1716 – 1 May 1794) and Henri Désiré van Blarenberghe (1734–1812). Louis-Nicolas had a son who was also a painter and with whom he often collaborated: Henri-Joseph van Blarenberghe (24 November 1750 – 1 December 1826). Together with his father they stayed at the Palace of Versailles, where they worked as miniaturists for the high society of their day. They were especially famous for their paintings on snuff boxes. Louis-Nicolas also worked as official campaign pai ...
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Louis-François Crozat, Marquis Du Châtel
Louis-François or Louis François may refer to: * Louis François, Prince of Conti (1717–1776), French nobleman * Louis François Joseph, Prince of Conti (1734–1814), son of Louis François I * Louis-François de Bausset (1748–1824), French cardinal and writer * Louis-François Bertin (1766–1841), French journalist * Louis-François de Boufflers (1644–1711), Marshal of France * Louis François Cauchy (1760–1848), French official, father of mathematician Augustin Louis Cauchy * Louis-François Dunière (1754–1828), businessman in Lower Canada * Louis-François Richer Laflèche (1818–1898), Roman Catholic Bishop of Trois-Rivières, Quebec, Native American missionary * Louis-François Lejeune (1775–1848), French general, painter, and lithographer * Louis François de Pourtalès (1824–1880), American naturalist * Louis-François Roubiliac (1702–1762), French sculptor * Louis-François Bertin de Vaux Louis-François Bertin de Vaux (18 August 177123 April 1842) w ...
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Nicolas Lancret
Nicolas Lancret (22 January 1690 – 14 September 1743) was a French painter. Born in Paris, he was a brilliant depicter of light comedy which reflected the tastes and manners of French society during the regency of the Duke of Orleans and, later, early reign of King Louis XV. Career Lancret’s first master was Pierre d'Ulin, but his acquaintance with and admiration for Watteau induced him to leave Ulin for Gillot, whose pupil Watteau had been. Lancret, who remained a pupil of Gillot from 1712–1713, was heavily influenced by the older painter, whose typical slender figures can be found in many of his pupil's younger works. Two pictures painted by Lancret and exhibited on the Place Dauphine had a great success, which laid the foundation of his fortune, and, it is said, estranged Watteau, who had been complimented as their author. In 1718 he was received as an Academician, from thereon becoming a very respected artist, especially amongst the admirers of Watteau. He completed ...
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French Formal Garden
The French formal garden, also called the (), is a style of garden based on symmetry and the principle of imposing order on nature. Its epitome is generally considered to be the Gardens of Versailles designed during the 17th century by the landscape architect André Le Nôtre for Louis XIV and widely copied by other European courts. Éric Mension-Rigau, "Les jardins témoins de leur temps" in '' Historia'', n° 7/8 (2000). History Renaissance influence The ''jardin à la française'' evolved from the French Renaissance garden, a style which was inspired by the Italian Renaissance garden at the beginning of the 16th century. The Italian Renaissance garden, typified by the Boboli Gardens in Florence and the Villa Medici in Fiesole, was characterized by planting beds, or parterres, created in geometric shapes, and laid out symmetrical patterns; the use of fountains and cascades to animate the garden; stairways and ramps to unite different levels of the garden; grottos, ...
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Kitchen Garden
The traditional kitchen garden, vegetable garden, also known as a potager (from the French ) or in Scotland a kailyaird, is a space separate from the rest of the residential garden – the ornamental plants and lawn areas. It is used for growing edible plants and often some medicinal plants, especially historically. The plants are grown for domestic use; though some seasonal surpluses are given away or sold, a commercial operation growing a variety of vegetables is more commonly termed a market garden (or a farm). The kitchen garden is different not only in its history, but also its functional design. It differs from an allotment in that a kitchen garden is on private land attached or very close to the dwelling. It is regarded as essential that the kitchen garden could be quickly accessed by the cook. Historically, most small country gardens were probably mainly or entirely used as kitchen gardens, but in large country houses the kitchen garden was a segregated area, nor ...
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Palace Of Versailles
The Palace of Versailles ( ; french: Château de Versailles ) is a former royal residence built by King Louis XIV located in Versailles, Yvelines, Versailles, about west of Paris, France. The palace is owned by the French Republic and since 1995 has been managed, under the direction of the Ministry of Culture (France), French Ministry of Culture, by the Public Establishment of the Palace, Museum and National Estate of Versailles. Some 15,000,000 people visit the palace, park, or gardens of Versailles every year, making it one of the most popular tourist attractions in the world. Louis XIII built a simple hunting lodge on the site of the Palace of Versailles in 1623 and replaced it with a small château in 1631–34. Louis XIV expanded the château into a palace in several phases from 1661 to 1715. It was a favorite residence for both kings, and in 1682, Louis XIV moved the seat of his court and government to Versailles, making the palace the ''de facto'' capital of France. This ...
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Galerie Des Glaces
The Hall of Mirrors (french: Grande Galerie, Galerie des Glaces, Galerie de Louis XIV) is a grand Baroque style gallery and one of the most emblematic rooms in the royal Palace of Versailles near Paris, France. The grandiose ensemble of the hall and its adjoining salons was intended to illustrate the power of the absolutist monarch Louis XIV. Located on the first floor ('' piano nobile'') of the palace's central body, it faces west towards the Palace Gardens. The Hall of Mirrors has been the scene of events of great historic significance, including the Proclamation of the German Empire and the signing of the Treaty of Versailles. Cultural and historical background Construction In 1623 King Louis XIII ordered the construction of a modest two-story hunting lodge at Versailles, which he soon enlarged to a château from 1631 to 1634. His son Louis XIV declared the site his future permanent residence in 1661 and ordered the transformation into an extensive residence in sev ...
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