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Hò Khoan Lệ Thủy
Traditional Vietnamese music encompasses a large umbrella of Vietnamese music from antiquity to present times, and can also encompass multiple groups, such as those from Vietnam's ethnic minority tribes. History Traditional Vietnamese music has been mainly used for religious activities, in daily life, and in traditional festivals. Vietnam's ethnic diversity has also made its music scene diverse. Each of Vietnam's ethnic group owns many unique types of musical instruments. The influence of Chinese culture on Vietnamese music is also quite prevalent, such as maids, harps and erhu. However, traditional Vietnamese music, whilst often compared to traditional Chinese music, is not exactly the same. Royal court music Royal Vietnamese court music first appeared in the 1040s after a successful seaborne raid against Champa led by king Lý Thái Tông in 1044. Cham women were taken as singers, dancers and entertainers for the court. The chronicles recorded that a special palace for Cham w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ca Trù Performance
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Ca Huế
Ca Huế (, Chữ Hán: 歌化, "Huế songs") is a form of classical Vietnamese music of Central Vietnam, particularly the Huế region. It contrasts with the ca trù ''Ca trù'' (, , "tally card songs"), also known as hát cô đầu or hát nói, is a Vietnamese genre of musical storytelling performed by a featuring female vocalist, with origins in northern Vietnam. For much of its history, it was associated ... genre to the North, and the đờn ca tài tử "gifted scholar" style to the South. The singer sings solo, as in the ca trù genre, accompanying herself with small wooden clappers, sometimes similar to the phách sticks used in ca trù, sometimes shaped like small teacups. Before and between the solo songs a traditional ensemble plays instrumental sections to complement the singer. The ''ca huế'' ensemble should be of five excellent instruments, ''ngũ tuyệt.''The Garland handbook of Southeast Asian music p269 Terry E. Miller, Sean Williams - 2008 "The ensembl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bài Chòi
Bài Chòi is a combination of arts in Central Vietnam including music, poetry, acting, painting and literature, providing recreation, entertainment and socialising within village communities. It was Inscribed on the UNESCO's Intangible Cultural Heritage of Humanity UNESCO established its Lists of Intangible Cultural Heritage with the aim of ensuring better protection of important intangible cultural heritages worldwide and the awareness of their significance.Compare: This list is published by the Intergover ... list in 2017. Bài Chòi was recognised as Vietnam's national intangible cultural heritage during 2014-2016 by the Ministry of Culture, Sports and Tourism. Bài Chòi games and performance involve a card game similar to bingo, played with songs and music performed by Hieu artists, during the Lunar New Year, Tet. References {{Vietnam-stub Vietnamese culture Intangible Cultural Heritage of Humanity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hát Xoan
''Xoan'' singing or ''hát xoan'' (, Chữ Nôm: 咭春) is a genre of Vietnamese folk music performed in spring during the first two months of the lunar new year (''Tết'') in Phú Thọ Province.Ellen Koskoff, ed. (2008). ''The Concise Garland Encyclopedia of World Music: The Middle East, South Asia, East Asia, Southeast Asia, Volume 2'', p.1307. . and Terry E. Miller, Sean Williams, eds. (2008). ''The Garland Handbook of Southeast Asian Music'', p.265. . The genre includes acting, ceremony, chant, dancing, drumming, and singing; with themes involve romance, riddles, and work. Traditionally occurring in temples, shrines, and communal homes, the songs are performed by a guild, led by a ''trùm'', consisting of male instrumentalists, or ''kép'', and female singers, or ''đào''.Intangible Cultural Heritage:Xoan singing of Phú Thọ Province, Viet Nam, ''UNESCO.org''. A guild consists of ten to fifteen performers, but there are few remaining, increasingly aging, guilds and teach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ca Trù
''Ca trù'' (, , "tally card songs"), also known as hát cô đầu or hát nói, is a Vietnamese genre of musical storytelling performed by a featuring female vocalist, with origins in northern Vietnam. For much of its history, it was associated with a pansori-like form of entertainment, which combined entertaining wealthy people as well as performing religious songs for the royal court.Ca trù singing , ''UNESCO.org''. Ca trù is inscribed on the list of in need of Urgent Safeguarding in 2009. History There are different myths and theories related to ca trù's conception. There is a theory ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quan Họ
''Quan họ'' () singing is a Vietnamese folk music style characterized both by its antiphonal nature, with alternating groups of female and male singers issuing musical challenges and responses. Quan họ is common in rituals and festivals, and a common theme in many songs is love and sentimentality as experienced by young adults. Quan họ was recognised as a UNESCO Intanginble Cultural Heritage practice in 2009. The quan họ style originated in what is now Bắc Ninh Province and was first recorded in the 13th century, and has traditionally been associated with the spring festivals that follow the celebration of Tết Tết (), short for Tết Nguyên Đán ( Chữ Hán: 節元旦), Spring Festival, Lunar New Year, or Vietnamese Lunar New Year is one of the most important celebrations in Vietnamese culture. The colloquial term "Tết" is a shortened form of ... (the Vietnamese New Year). Historically, the singing began on the evening before the festival, but today it i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dân Ca
Traditional Vietnamese music encompasses a large umbrella of Vietnamese music from antiquity to present times, and can also encompass multiple groups, such as those from Vietnam's ethnic minority tribes. History Traditional Vietnamese music has been mainly used for religious activities, in daily life, and in traditional festivals. Vietnam's ethnic diversity has also made its music scene diverse. Each of Vietnam's ethnic group owns many unique types of musical instruments. The influence of Chinese culture on Vietnamese music is also quite prevalent, such as maids, harps and erhu. However, traditional Vietnamese music, whilst often compared to traditional Chinese music, is not exactly the same. Royal court music Royal Vietnamese court music first appeared in the 1040s after a successful seaborne raid against Champa led by king Lý Thái Tông in 1044. Cham women were taken as singers, dancers and entertainers for the court. The chronicles recorded that a special palace for Cham w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garland Encyclopedia Of World Music
''The Garland Encyclopedia of World Music'' is an academic reference work. It was initiated by editors at Garland Publishing in 1988 as a 10-volume series of encyclopedias of world music. The final volumes appeared in 2001, but editions have since been updated. It is widely regarded as an authoritative academic source for ethnomusicology.J.E. Druesedow ''Reference sources'' 2000 - JSTOR "... Sachs, Frances Densmore, and many others, but nearly the whole century passed before such a comprehensive series as The Garland Encyclopedia of World Music" It is published by Routledge, which, like Garland Science, is now part of Taylor & Francis Group. * Volume 1: Africa - ed. Ruth M. Stone (Professor of Folklore and Ethnomusicology, Indiana), 1997 * Volume 2: South America, Mexico, Central America, and the Caribbean - ed. Daniel E. Sheehy and Dale A. Olsen, 1998 * Volume 3: The United States and Canada - ed. Ellen Koskoff (Professor of Ethnomusicology. Eastman School of Music), 2000 * Volume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
