|
Hésione
''Hésione'' (English: ''Hesione'') is an opera by the French composer André Campra. It takes the form of a ''tragédie en musique'' in a prologue and five acts. The libretto, by Antoine Danchet, is based on the Greek myth of Hesione and Laomedon. Performance history ''Hésione'' was first performed on 21 December 1700 by the Académie royale de musique in the Salle du Palais-Royal in Paris. The opera was a great success at its premiere. Roles *The Priestess of the Sun (Prologue), a priestess of Flora, mezzo-soprano, Julie d'Aubigny *The Sun (Prologue), Laomédon, baritone, Charles Hardouin *Anchise, bass-baritone, Gabriel-Vincent Thévenard *Hésione, soprano, Fanchon Moreau *Vénus, soprano, Marie-Louise Desmatins *Télamon, haute-contre, Pierre Chopelet *Cléon, Neptune, bass-baritone, Jean Dun *A Grace, Mlle Heusé *'A pleasure', haute-contre, Jean Boutelou Synopsis *Prologue A depiction of celebrations of the Sun in an amphitheatre in ancient Rome. *Act One Télamon (Tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Campra
André Campra (; baptized 4 December 1660 – 29 June 1744) was a French composer and conductor of the Baroque era. The leading French opera composer in the period between Jean-Baptiste Lully and Jean-Philippe Rameau, Campra wrote several '' tragédies en musique'' and ''opéra-ballets'' that were extremely well received. He also wrote three books of cantatas as well as religious music, including a requiem. Biography Campra was the son of Giovanni Francesco Campra, a surgeon and violinist from Graglia, Italy, and Louise Fabry, from Aix-en-Provence. His father was his first music teacher. He was baptised on 4 December 1660 in the Église de la Madeleine in Aix. He became a choirboy in the Cathédrale Saint-Sauveur there in 1674 and commenced ecclesiastical studies four years later. He was reprimanded by his superiors in 1681 for having taken part in theatrical performances without permission, but was nevertheless made a chaplain on 27 May of that year. He served as ''maître de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Campra
André Campra (; baptized 4 December 1660 – 29 June 1744) was a French composer and conductor of the Baroque era. The leading French opera composer in the period between Jean-Baptiste Lully and Jean-Philippe Rameau, Campra wrote several '' tragédies en musique'' and ''opéra-ballets'' that were extremely well received. He also wrote three books of cantatas as well as religious music, including a requiem. Biography Campra was the son of Giovanni Francesco Campra, a surgeon and violinist from Graglia, Italy, and Louise Fabry, from Aix-en-Provence. His father was his first music teacher. He was baptised on 4 December 1660 in the Église de la Madeleine in Aix. He became a choirboy in the Cathédrale Saint-Sauveur there in 1674 and commenced ecclesiastical studies four years later. He was reprimanded by his superiors in 1681 for having taken part in theatrical performances without permission, but was nevertheless made a chaplain on 27 May of that year. He served as ''maître de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie En Musique
Tragédie en musique (, ''musical tragedy''), also known as tragédie lyrique (, ''lyric tragedy''), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from Classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Earlier works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits airs'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Danchet
Antoine Danchet (7 September 1671 – 21 February 1748) was a French playwright, librettist and dramatic poet. Biography Danchet was born in Riom, in the Auvergne, France. Having been a professor of rhetoric at Chartres and then a tutor at Paris, Danchet gave up teaching to write for the theatre. He wrote some opera libretti which, set to music by André Campra, met with success. By contrast, his tragedies, mediocre imitations of Racine, almost all failed. He died in Paris. An associate member of the Académie des inscriptions et belles-lettres from 1705, he was elected to the Académie française in 1712 thanks to the patronage of Mesdames de Ferriol et de Tencin. Voltaire wrote an epigram about him stating that his membership was more for his good deeds than his writing. :fr:Antoine Danchet He died in Paris. His works, published in 1751 include, in addition to dramatic works, odes, cantatas, and letters. Principal works * ''Hésione'' (1700) ; * ''Tancrède'' (1702) ; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fanchon Moreau
Françoise 'Fanchon' Moreau (1668 – after 1743) was a French operatic soprano who belonged to the Académie Royale de Musique, also a celebrated beauty who was a favourite of the Louis, Dauphin of France (1661-1711), Great Dauphin. Opera career Following her older sister Louison Moreau, Fanchon made her debut at the Académie Royale de Musique, Paris Opéra in 1683 in the prologue of ''Phaëton (Lully), Phaëton'' by Jean-Baptiste Lully, Lully, probably playing the role of Astrée. She remained with the company until at least 1702. Her sister stayed until 1692, during which period both sisters were referred to as Mlle Moreau, which sometimes makes it difficult to determine who sang what. She sang in operas by Lully, André Campra, Campra, Marc-Antoine Charpentier, Charpentier, André Cardinal Destouches, Destouches, Pascal Collasse, Collasse, Henri Desmarets, Desmarets, and :fr:Theobaldo di Gatti, Theobaldo Gatti including many premieres. Roles created *Astrée (?) in Lully ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel-Vincent Thévenard
Gabriel-Vincent Thévenard (10 August 1669 – 24 August 1741) was a French operatic baritone (''basse taille''). Thévenard was born at Orléans or possibly Paris. Arriving in Paris in 1690, he studied under the composer André Cardinal Destouches and went on to become a member of the Académie Royale de Musique. He was notable for playing tragic roles that made use of his skill at declamatory recitatives. He appeared in over 80 tragédies en musique and opéras ballet before finally retiring in 1729. He died in Paris. Roles created *Apollon/Vertumne/l'Automne in Pascal Colasse et Louis Lully's ''Ballet des Saisons'' (Paris, 1695) *Jupiter/Hylas in Destouches's '' Issé'' (Fontainebleau, 1697) *Silvandre/Zuliman in André Campra's L'Europe galante (Paris, 1697) *The title role in Destouches's ''Amadis de Grèce'' (Paris, 1699) *Argapise in Destouches's ''Marthesie, première reine des Amazones'' (Paris, 1699) *Pygmalion in Michel de la Barre's ''Le triomphe des arts'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mount Ida
In Greek mythology, two sacred mountains are called Mount Ida, the "Mountain of the Goddess": Mount Ida in Crete, and Mount Ida in the ancient Troad region of western Anatolia (in modern-day Turkey), which was also known as the '' Phrygian Ida'' in classical antiquity and is mentioned in the ''Iliad'' of Homer and the ''Aeneid'' of Virgil. Both are associated with the mother goddess in the deepest layers of pre-Greek myth, in that Mount Ida in Anatolia was sacred to Cybele, who is sometimes called ''Mater Idaea'' ("Idaean Mother"), while Rhea, often identified with Cybele, put the infant Zeus to nurse with Amaltheia at Mount Ida in Crete. Thereafter, his birthplace was sacred to Zeus, the king and father of Greek gods and goddesses. Etymology The term ''Ida'' (Ἴδη) is of unknown origin. Instances of ''i-da'' in Linear A probably refer to the mountain in Crete. Three inscriptions bear just the name ''i-da-ma-te'' ( AR Zf 1 and 2, and KY Za 2), and may refer to ''mount Ida'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salamis Island
Salamis ( ; el, Σαλαμίνα, Salamína; grc, label=Ancient and Katharevousa, Σαλαμίς, Salamís) is the largest Greek island in the Saronic Gulf, about off-coast from Piraeus and about west of central Athens. The chief city, Salamina, lies in the west-facing core of the crescent on Salamis Bay, which opens into the Saronic Gulf. On the eastern side of the island is its main port, Paloukia, in size second in Greece only to the port of Piraeus. Name The traditional etymology of Salamis derives it from the eponymous nymph Salamis, the mother of Cychreus, the legendary first king of the island. A more modern theory considers "Salamis" to come from the root ''sal'' 'salt' and ''-amis'' 'middle'; thus ''Salamis'' would be the place amid salt water. Other fringe theories have attempted to connect the name to the Semitic root Š-L-M 'health, safety, peace', because of the well-sheltered harbor, but have been for the most part rejected by the academic community. From ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anchises
Anchises (; grc-gre, Ἀγχίσης, Ankhísēs) was a member of the royal family of Troy in Greek and Roman legend. He was said to have been the son of King Capys of Dardania and Themiste, daughter of Ilus, who was son of Tros. He is most famous as the father of Aeneas and for his treatment in Virgil's ''Aeneid''."Anchises" in ''The New Encyclopædia Britannica''. Chicago: Encyclopædia Britannica Inc., 15th edn., 1992, Vol. 1, p. 377. Anchises' brother was Acoetes, father of the priest Laocoön.Hyginus, ''Fabulae'135/ref> He was a mortal lover of the goddess Aphrodite (equivalent to the Roman goddess Venus). Zeus made her fall in love with Anchises while he was herding sheep at the foot of Mount Ida.Roman, L., & Roman, M. (2010). One version is that Aphrodite pretended to be a Phrygian princess and seduced him, only to later reveal herself and inform him that they would have a son named Aeneas; Aphrodite had warned Anchises that if he told anyone about her being the mot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venus (mythology)
Venus (), , is a Roman goddess, whose functions encompass love, beauty, desire, sex, fertility, prosperity, and victory. In Roman mythology, she was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy. Julius Caesar claimed her as his ancestor. Venus was central to many religious festivals, and was revered in Roman religion under numerous cult titles. The Romans adapted the myths and iconography of her Greek counterpart Aphrodite for Roman art and Latin literature. In the later classical tradition of the West, Venus became one of the most widely referenced deities of Greco-Roman mythology as the embodiment of love and sexuality. She is usually depicted nude in paintings. Etymology The Latin theonym ''Venus'' and the common noun ''venus'' ('love, charm') stem from a Proto-Italic form reconstructed as ''*wenos-'' ('desire'), itself from Proto-Indo-European (PIE) ' ('desire'; cf. Messapic ''Venas'', Old Indic ''vánas'' 'de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troy
Troy ( el, Τροία and Latin: Troia, Hittite language, Hittite: 𒋫𒊒𒄿𒊭 ''Truwiša'') or Ilion ( el, Ίλιον and Latin: Ilium, Hittite language, Hittite: 𒃾𒇻𒊭 ''Wiluša'') was an ancient city located at Hisarlik in present-day Turkey, south-west of Çanakkale and about miles east of the Aegean Sea. It is known as the setting for the Greek mythology, Greek myth of the Trojan War. In Ancient Greek literature, Troy is portrayed as a powerful kingdom of the Greek Heroic Age, Heroic Age, a mythic era when monsters roamed the earth and gods interacted directly with humans. The city was said to have ruled the Troad until the Trojan War led to its complete destruction at the hands of the Greeks. The story of its destruction was one of the cornerstones of Greek mythology and literature, featuring prominently in the ''Iliad'' and the ''Odyssey'', and referenced in numerous other poems and plays. Its legacy played a large role in Greek society, with many prominent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neptune (mythology)
Neptune ( la, Neptūnus ) is the god of freshwater and the sea in Roman religion. He is the counterpart of the Greek god Poseidon.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. In the Greek tradition, he is a brother of Jupiter and Pluto; the brothers preside over the realms of heaven, the earthly world (including the underworld), and the seas. Salacia is his wife. Depictions of Neptune in Roman mosaics, especially those in North Africa, were influenced by Hellenistic conventions. He was likely associated with freshwater springs before the sea. Like Poseidon, he was also worshipped by the Romans as a god of horses, as ''Neptunus equestris'' (a patron of horse-racing). Worship The theology of Neptune is limited by his close identification with the Greek god Poseidon, one of many members of the Greek pantheon whose theology was later tied to a Roman deity. The ''lectisternium'' of 399 BC indicated that the Greek figures of Poseidon, Art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
