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Hélène Bouchet
Hélène Bouchet (born 1980) is a French ballet dancer is a principal dancer at the Hamburg Ballet. Early life Bouchet was born in Cannes in the south of France. She studied ballet at École supérieure de danse de Cannes Rosella Hightower and at the École Nationale de Danse in Marseille under Raymond Franchetti and Dominique Khalfouni. Career After dancing with the Roland Petit's Ballet National de Marseille and English National Ballet, she joined the Hamburg Ballet in 1998. She became a soloist in 2003 and principal dancer in 2005. She had originated a number of roles in John Neumeier's works, including La Barbarina in ''Death in Venice'', Tatiana Larina in ''Tatiana'' and Eurydice in ''Orpheus''. She won the Prix Benois de la Danse for the latter. As a guest artists, she took part in the Tokyo Ballet's 50-year anniversary celebrations, dancing the title role in ''Romeo and Juliet'' with Thiago Bordin, and ''Jewels'' with the Mariinsky Ballet, as well as in Germany, Fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cannes
Cannes ( , , ; oc, Canas) is a city located on the French Riviera. It is a communes of France, commune located in the Alpes-Maritimes departments of France, department, and host city of the annual Cannes Film Festival, Midem, and Cannes Lions International Festival of Creativity. The city is known for its association with the rich and famous, its luxury hotels and restaurants, and for several conferences. History By the 2nd century BC, the Ligurian Oxybii established a settlement here known as ''Aegitna'' ( grc, Αἴγιτνα). Historians are unsure what the name means. The area was a fishing village used as a port of call between the Lérins Islands. In 154 Before Christ, BC, it became the scene of violent but quick conflict between the troops of Quintus Opimius and the Oxybii. In the 10th century, the town was known as Canua. The name may derive from "canna", a Reed (plant), reed. Canua was probably the site of a small Ligurian port, and later a Roman outpost on Le Suquet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mariinsky Ballet
The Mariinsky Ballet (russian: Балет Мариинского театра) is the resident classical ballet company of the Mariinsky Theatre in Saint Petersburg, Russia. Founded in the 18th century and originally known as the Imperial Russian Ballet, the Mariinsky Ballet is one of the world's leading ballet companies. Internationally, the Mariinsky Ballet continues to be known by its former Soviet name the Kirov Ballet. The Mariinsky Ballet is the parent company of the Vaganova Ballet Academy, a leading international ballet school. History The Mariinsky Ballet was founded in the 1740s, following the formation of the first Russian dance school in 1738. The Imperial Theatre School, as it was originally known, was established on 4 May 1738, at the Winter Palace in Saint Petersburg. It would become the predecessor of today's Vaganova Academy of Russian Ballet. The school's founder director was the French ballet master and teacher Jean-Baptiste Landé and the purpose of cr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Of The Earth (ballet)
''Das Lied von der Erde'' (The Song of the Earth) is a symphonic work written by the Austrian composer Gustav Mahler in 1908–1909. It is scored for two voices and orchestra, and has been used for ballets by several well-known choreographers, including Antony Tudor (1908–1987), Kenneth MacMillan (1929–1992), Heinz Spoerli (born 1940), and John Neumeier (born 1939). Tudor version As staff choreographer with Ballet theatre (later American Ballet Theatre), Antony Tudor began creating a ballet set to Mahler's ''Das Lied von der Erde''. The six songs based on ancient Chinese poems, expressing the transience of human existence, had long interested him as a choreographic possibility. He explained their appeal: "Like the seasons, human experience is cyclical and has no sudden beginning or end." His ballet, entitled ''Shadow of the Wind'', had its premiere on 14 April 1948 at the Metropolitan Opera House in New York. Scenery, costumes, and lighting were designed by Jo Mielziner. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afternoon Of A Faun (Robbins)
''Afternoon of a Faun'' is a ballet choreographed by Jerome Robbins to Claude Debussy's ''Prélude à l'après-midi d'un faune''. The ballet features two young dancers meeting at a rehearsal studio. Robbins was influenced by Stéphane Mallarmé's poem '' L'après-midi d'un faune'', the inspiration for Debussy's score, as well as Vaslav Nijinsky's 1912 ballet to the same score, and his own observation of dancers. The ballet was made for the New York City Ballet, and premiered on May 14, 1953, at the City Center of Music and Drama, with the two roles of the ballet originated by Tanaquil Le Clercq and Francisco Moncion. ''Afternoon of a Faun'' has since been performed by various other ballet companies. Background and development Claude Debussy's ''Prélude à l'après-midi d'un faune'' was inspired by Stéphane Mallarmé's poem '' L'après-midi d'un faune'', about a faun's encounter with nymphs. The first ballet set to the score was choreographed by Vaslav Nijinsky and premiered i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Onegin (Cranko)
''Onegin'' is a ballet created by John Cranko for the Stuttgart Ballet, premiered on 13 April 1965 at Staatstheater Stuttgart. The ballet was based on Alexander Pushkin's 1825-1832 novel ''Eugene Onegin'', to music by Pyotr Ilyich Tchaikovsky and arrangements by Kurt-Heinz Stolze. The ballet had since been in the repertoires of The Australian Ballet, National Ballet of Canada, American Ballet Theatre and The Royal Ballet. Background and production Cranko first discovered Alexander Pushkin's verse-novel ''Eugene Onegin'' when he choreographed the dances for Tchaikovsky's opera of the same name in 1952. He first proposed a ballet based on Pushkin's story to the Royal Opera House board in the 1960s, but it was turned down, and he pursued the idea when he moved to Stuttgart. The Stuttgart Ballet premiered the work in 1965. The Royal Ballet did not present the work until 2001. The choreography for his ballet includes a wide range of styles, including folk, modern, ballroom and acrob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dances At A Gathering
''Dances at a Gathering'' is a ballet choreographed by Jerome Robbins to music by Frédéric Chopin, with costumes designed by Joe Eula. The ballet premiered on May 22, 1969, at the New York State Theater, performed by the New York City Ballet. Production ''Dances at a Gathering'' is the first ballet Robbins created for the New York City Ballet (NYCB) in years, after he worked on Broadway theatre. He first planned to make a pas de deux for Patricia McBride and Edward Villella, but it was eventually expanded to five couples. According to NYCB, after George Balanchine saw 25 minutes of the ballet, he said: " ke more, make it like popcorn", so Robbins enlarged the ballet to an hour long. With costumes by Joe Eula and lighting by Thomas Skelton, the ballet had a gala preview on May 8, 1969, before premiering on May 22. Robbins dedicated the ballet to lighting designer Jean Rosenthal, who had died on May 1. Following the premiere, there were many speculations regarding the narrative ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Sylphide
''La Sylphide'' ( en, The Sylph; da, Sylfiden) is a romantic ballet in two acts. There were two versions of the ballet; the original choreographed by Filippo Taglioni in 1832, and a second version choreographed by August Bournonville in 1836. Bournonville's is the only version known to have survived and is one of the world's oldest surviving ballets. Taglioni version On 12 March 1832 the first version of ''La Sylphide'' premiered at the Salle Le Peletier of the Paris Opéra with choreography by the groundbreaking Italian choreographer Filippo Taglioni and music by Jean Schneitzhoeffer, Jean-Madeleine Schneitzhoeffer. Taglioni designed the work as a showcase for his daughter Marie Taglioni, Marie. ''La Sylphide'' was the first ballet where dancing ''en pointe'' had an aesthetic rationale and was not merely an acrobatic stunt, often involving ungraceful arm movements and exertions, as had been the approach of dancers in the late 1820s. Marie was known for shortening her skirts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bayadère
''La Bayadère'' ("the temple dancer") ( ru. «Баядерка», ''Bayaderka'') is a ballet, originally staged in four acts and seven tableaux by French choreographer Marius Petipa to the music of Ludwig Minkus. The ballet was staged especially for the benefit performance of the Russian ''Prima ballerina'' Ekaterina Vazem, who created the principal role of Nikiya. ''La Bayadère'' was first presented by the Imperial Ballet at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia, on . From the first performance the ballet was universally hailed by contemporary critics as one of the choreographer Petipa's supreme masterpieces, particularly the scene from the ballet known as ''The Kingdom of the Shades'', which became one of the most celebrated pieces in all of classical ballet. By the turn of the 20th century, ''The Kingdom of the Shades'' scene was regularly extracted from the full-length work as an independent showpiece, and it has remained so to the present day. Nea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sylvia (ballet)
''Sylvia'', originally ''Sylvia, ou La nymphe de Diane'', is a full-length ballet in two or three act (theatre), acts, first choreography, choreographed by Louis Mérante to music by Léo Delibes in 1876. ''Sylvia'' is a typical classical ballet in many respects, yet it has many interesting features that make it unique. The work is notable for its mythological Arcadia (paradise), Arcadian setting, creative choreographies, expansive sets and, above all, its remarkable Sheet music, score. When ''Sylvia, ou La nymphe de Diane'' premiered on 14 June 1876 at the Palais Garnier, it went largely unnoticed by the critics. The first seven productions of ''Sylvia'' were not commercially successful. The 1952 revival, choreographed by Frederick Ashton, Sir Frederick Ashton, popularized the ballet. The 1997, 2004, 2005 and 2009 productions were all based on Ashton's original choreography. History Preparations The origins of the ballet ''Sylvia'' are in the Italian poet Torquato Tasso, Ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romeo And Juliet (ballet)
''Romeo and Juliet'' (russian: Ромео и Джульетта, Romeo i Dzhulyetta), Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play ''Romeo and Juliet''. First composed in 1935, it was substantially revised for its Soviet premiere in early 1940. Prokofiev reused music from the ballet in three suites for orchestra and a solo piano work. Background and premiere Based on a synopsis created by Adrian Piotrovsky (who first suggested the subject to Prokofiev) and Sergey Radlov, the ballet was composed by Prokofiev in September 1935 to their scenario which followed the precepts of "drambalet" (dramatised ballet, officially promoted at the Kirov Ballet to replace works based primarily on choreographic display and innovation). Following Radlov's acrimonious resignation from the Kirov in June 1934, a new agreement was signed with the Bolshoi Theatre in Moscow on the understanding that Piotrovsky would remain involved. However, the ballet's original happy en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Midsummer Night's Dream (ballet)
''A Midsummer Night's Dream'' is a two-act ballet choreographed by George Balanchine to Felix Mendelssohn's music to Shakespeare's play of the same name. History ''A Midsummer Night's Dream'', Balanchine's first completely original full-length ballet, premiered at New York City Ballet on 17 January 1962, with Edward Villella in the role of Oberon, Melissa Hayden in the role of Titania, and Arthur Mitchell in the role of Puck. They were joined by Francisco Moncion in the role of Theseus- Duke of Athens. Description In addition to the incidental music, Balanchine incorporated other Mendelssohn works into the ballet, including the Overtures to ''Athalie'', '' Son and Stranger'', and ''The Fair Melusine'', the "String Symphony No. 9 in C minor" and '' The First Walpurgis Night''. The ballet employs a large children's corps de ballet. Act I tells Shakespeare's familiar story of lovers and fairies while Act II presents a strictly classical dance wedding celebration. The ball ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sleeping Beauty (ballet)
''The Sleeping Beauty'' ( rus, Спящая красавица, Spyashchaya krasavitsa ) is a ballet in a prologue and three acts, first performed in 1890. The music was composed by Pyotr Ilyich Tchaikovsky (Opus 66). The score was completed in 1889, and is the second of his three ballets. The original scenario was conceived by Ivan Vsevolozhsky, and is based on Charles Perrault's '' La Belle au bois dormant''. The choreographer of the original production was Marius Petipa. The premiere performance took place at the Mariinsky Theatre in St. Petersburg on January 15, 1890. The work has become one of the classical repertoire's most famous ballets. History Tchaikovsky was approached by the Director of the Imperial Theatres in St. Petersburg, Ivan Vsevolozhsky on 25 May 1888 about a possible ballet adaptation on the subject of the story of ''Undine''. It was later decided that Charles Perrault's '' La Belle au bois dormant'' would be the story for which Tchaikovsky would co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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