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Händel-Gesellschaft
Between 1858 and 1902, the Händel-Gesellschaft ("German Handel Society") produced a collected 105-volume edition of the works of George Frideric Handel. Even though the collection was initiated by the society, many of the volumes were published by Friedrich Chrysander working alone (Chrysander was the major contributor for almost all of the volumes). The wording on the title page of the volumes is "''Georg Friedrich Händel's Werke. Ausgabe der Deutschen Händelgesellschaft''" which translates as "Georg Friedrich Handel's works. Edition of the German Handel Society". Chrysander's work has been criticised, however the scale of his achievement is also praised. The collection's abbreviation of "HG" can be used to identify individual works by Handel; for example Handel's ''Messiah'' can be referred to as "HG xlv" (with the Roman numerals "xlv" indicating that the work is in volume 45). For practical use, the HG system has been superseded by the HWV numbering system. The 105 volume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By George Frideric Handel
George Frideric Handel (23 February 1685 – 14 April 1759) composed works including 42 operas; 25 oratorios; more than 120 cantatas, trios and duets; numerous arias; odes and serenatas; solo and trio sonatas; 18 concerti grossi; and 12 organ concertos. Collected editions of Handel's works include the Händel-Gesellschaft (HG) and the Hallische Händel-Ausgabe (HHA), but the more recent Händel-Werke-Verzeichnis (HWV) publication is now commonly used to number his works. For example, Handel's ''Messiah'' can be referred to as: HG xlv, HHA i/17, or HWV 56. Some of Handel's music is also numbered based on initial publications, for example a 1741 publication by Walsh labelled twelve of Handel's concerti grossi as '' Opus 6''. Operas Incidental music Oratorios Odes and masques Cantatas Italian duets Italian trios Hymns Italian arias English songs German church cantatas Italian sacred cantatas Latin church music Anthems Canticles Concertos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Messiah (Handel)
''Messiah'' (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Bible, Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western culture#Music, Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; ''Messiah'' was his sixth work in this genre. Although its Structure of Handel's Messiah, structure resembles that of Opera#The Baroque era, opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Chrysander
Karl Franz Friedrich Chrysander (8 July 1826 – 3 September 1901) was a German music historian, critic and publisher, whose edition of the works of George Frideric Handel and authoritative writings on many other composers established him as a pioneer of 19th-century musicology. Biography Born at Lübtheen, in Mecklenburg-Schwerin, Chrysander was the son of a miller. He earned a Doctorate in Philosophy from the University of Rostock in 1853. He then focused his studies on music, and in an obituary for Chrysander in October 1901, the '' Musical Times'' said of him that :"From the beginning he assumed the role of an historian in rigorously defending the right and claims of musical masterpieces of a distant past to a legitimate and faithful reproduction, i.e., without modernising, and without instrumental or vocal additions." Chrysander is also credited with rediscovering the autograph score of Johann Sebastian Bach's '' Mass in B Minor,'' which he then sold to the Royal Li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breitkopf & Härtel
Breitkopf & Härtel is the world's oldest music publishing house. The firm was founded in 1719 in Leipzig by Bernhard Christoph Breitkopf. The catalogue currently contains over 1,000 composers, 8,000 works and 15,000 music editions or books on music. The name "Härtel" was added when Gottfried Christoph Härtel took over the company in 1795. In 1807, Härtel began to manufacture pianos, an endeavour which lasted until 1870. The Breitkopf pianos were highly esteemed in the 19th century by pianists like Franz Liszt and Clara Schumann. In the 19th century the company was for many years the publisher of the ''Allgemeine musikalische Zeitung'', an influential music journal. The company has consistently supported contemporary composers and had close editorial collaboration with Beethoven, Haydn, Mendelssohn, Schumann, Chopin, Liszt, Wagner and Brahms. In the 19th century they also published the first "complete works" editions of various composers, for instance Bach (the Bach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hallische Händel-Ausgabe
The ''Hallische Händel-Ausgabe'' ("Halle Handel Edition") is a multi-volume collection of the works of George Frideric Handel. It was first published in the 1950s: initially as an adjunct to the HG edition, but by 1958 as a collected edition in its own right. The collection's abbreviation of "HHA" can be used to identify individual works by Handel, for example Handel's ''Messiah'' can be referred to as "HHA i/17" (with the Roman numeral "i" designating "series 1"). For practical use, the HHA numbering of Handel's works has been superseded by the HWV numbering system. Published by the George Frideric Handel Society, a major new edition comprising approximately 128 volumes is being released. It is expected to be completed by 2023 in the following configuration: See also *Händel-Gesellschaft Between 1858 and 1902, the Händel-Gesellschaft ("German Handel Society") produced a collected 105-volume edition of the works of George Frideric Handel. Even though the collection w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Gottfried Gervinus
Georg Gottfried Gervinus (20 May 1805 – 18 March 1871) was a German literary and political historian. Biography Gervinus was born in Darmstadt. He was educated at the gymnasium of the town, and intended for a commercial career, but in 1825 he became a student of the university of Giessen. In 1826 he went to Heidelberg, where he attended the lectures of the historian Schlosser, who became henceforth his guide and his model. In 1828 he was appointed teacher at a private school at Frankfort-on-Main, and in 1830 ''Privatdozent'' at Heidelberg. In this period he became a friend of the young historian Karl von Hegel (the son of the Philosopher Georg Wilhelm Friedrich Hegel) and of the jurist Georg Beseler. A volume of his collected ''Historische Schriften'' procured him the appointment of professor extraordinarius; while the first volume of his ''Geschichte der poetischen Nationallitteratur der Deutschen'' (History of the poetical national literature of the Germans; 1835–1842, 5 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Seiffert
Maximilian Seiffert (9 February 1868 – 15 April 1948) was a German musicologist and editor of Baroque music. Biography Seiffert was born in Beeskow an der Spree, Germany, the son of a teacher. He was first educated at the Joachimsthal Gymnasium, in Berlin, where he studied under Philipp Spitta, and then at the University of Berlin where he received a Ph.D. in 1891 for his dissertation '' J. P. Sweelinck und seine direkten deutschen Schüler (Jan Pieterszoon Sweelinck and his German pupils)''. He died in Schleswig, Germany on the fifteenth, of April, 1948. Career As well as producing modern editions of organ pieces by Bach and Buxtehude, Seiffert was responsible for the following: *Making piano transcriptions of some of Bach's works (in association with Max Schneider). *Assisting with the editing of the Händel-Gesellschaft. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Händel-Werke-Verzeichnis
The Händel-Werke-Verzeichnis (abbreviated as HWV) is the Catalogue of Handel's Works. It was published in three volumes (in German) by Bernd Baselt between 1978 and 1986, and lists every piece of music known to have been written by George Frideric Handel. The catalogue also includes the first few bars of each piece and large amounts of factual information including manuscript sources, early prints, photographs, spurious works, etc. The catalogue does not include the full scores of Handel's works (for the full scores, see Händel-Gesellschaft and Hallische Händel-Ausgabe). Numbering The HWV thematic catalogue serves as the modern numbering system for Handel's compositions. For example, Handel's ''Messiah'' is numbered as HWV 56. The HWV numbers range from 1 to 612, however they do not represent a global date-ordering of composition; i.e. HWV 1 is not Handel's first work, nor is HWV 612 his last. Instead, the HWV numbers group works into musical categories, and provide a good ord ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Arnold (composer)
Samuel Arnold (10 August 1740 – 22 October 1802) was an English composer and organist. Arnold was born in London (his mother is said to have been Princess Amelia; his father was Thomas Arnold. He began writing music for the theatre in about the year 1764. A few years later, he became the director of music at Marylebone Gardens, for which he wrote much of his popular music. In 1777 he worked for George Colman the Elder at the Little Theatre, Haymarket. In 1783 he became organist at the Chapel Royal and in 1793 he became the organist at Westminster Abbey, where he was eventually buried. He also wrote the earliest version of Humpty Dumpty. He was a close friend and associate of Haydn. Works Arnold's best-known works include: *''The Maid of the Mill'' (1765) *''Abimelech'' (1768) *''The Prodigal Son'' (1773) *Incidental music for ''Macbeth'' (1778) *'' The Baron Kinkvervankotsdorsprakingatchdern'' (1781) *''The Castle of Andalusia'' (1782) *''Two to One'' (1784), libretto Ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Franz
Robert Franz Julius Knauth (28 June 1815 – 24 October 1892) was a German composer, mainly of lieder. Biography Franz was born in Halle, Germany, the son of Christoph Franz Knauth. In 1847, Christoph Knauth adopted his middle name Franz as his new surname, and his son followed suit. He suffered in early life from the hostility of his parents to a musical career. He was twenty years old when his father's animosity was conquered and he was allowed to live in Dessau to study organ playing under Friedrich Schneider. The two years of study under that famous teacher were advantageous chiefly in making him uncommonly intimate with the works of Bach and Händel, his knowledge of which is shown in his editions of the former's ''St Matthew Passion'', ''Magnificat'' and ten cantatas, and the latter's ''Messiah'' and ''L'Allegro'', although some of these editions have long been controversial among musicians. In 1843 he published his first book of songs, which was followed by some fifty m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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