Hàng Trống Painting
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Hàng Trống Painting
Hàng Trống painting (Vietnamese: Tranh Hàng Trống) is a genre of Vietnamese woodcut painting that originated from the area of Hàng Trống ( vi) and Hàng Nón streets in the Old Quarter of Hanoi, Vietnam. In the past, Hang Trong painting was an essential element of the Tết holiday in Hanoi, but today this tradition almost has disappeared and authentic Hang Trong paintings are found only in museums or fine art galleries. However, the art of making Hang Trong paintings is always considered a symbol of traditional culture and aesthetic value of Vietnam. Themes and making The common themes in Hang Trong paintings are spiritual and cultural symbols such as the white tiger (hổ trắng) or carp (cá chép), which indicate a stronger influence of Buddhism and Taoism than in Dong Ho painting. However, besides the pictures of worshipping themes, Hang Trong craftsmen also made paintings with folk themes like Dong Ho such as ''Bịt mắt bắt dê'' (blind-man's buff), ''Rồng ...
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White Tiger Hang Trong
White is the lightness, lightest color and is achromatic (having no hue). It is the color of objects such as snow, chalk, and milk, and is the opposite of black. White objects fully diffuse reflection, reflect and scattering, scatter all the visible spectrum, visible wavelengths of light. White on television and computer screens is created by a mixture of red, blue, and green light. The color white can be given with white pigments, especially titanium dioxide. In ancient Egypt and ancient Rome, priestesses wore white as a symbol of purity, and Romans wore white togas as symbols of citizenship. In the Middle Ages and Renaissance a white unicorn symbolized chastity, and a white lamb sacrifice and purity. It was the royal color of the kings of France, and of the monarchist movement that opposed the Bolsheviks during the Russian Civil War (1917–1922). Greek and Roman temples were faced with white marble, and beginning in the 18th century, with the advent of neoclassical archite ...
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