Hypermnestre
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Hypermnestre
''Hypermnestre'' (''Hypermnestra'') is an opera by the French composer Charles-Hubert Gervais, first performed at the Académie Royale de Musique (the Paris Opera) on 3 November 1716. It takes the form of a ''tragédie en musique'' in a prologue and five acts. The libretto, by Joseph de Lafont, concerns the Greek myth of Hypermnestra. Discography * ''Hypermnestre,'' Katherine Watson, Hypermnestre, Mathias Vidal, Lyncée, Thomas Dolié, Danaüs, Philippe-Nicolas Martin, Arcas (ombre de Gélanor, le Nil), Chantal Santon-Jeffery, (NaÏade, bergère, Coryphée), Juliette Mars, (Isis, matelote), Manuel Nuñez Camelino (Grand Prêtre, Coryphée), Purcell Choir, Orfeo Orchestra, conducted by Giörgy Vashegyi. 2 CD Glossa 2019. 5 Diapasons. Sources * Jean-Paul C. Montagnier, « Les deux versions du cinquième acte d’''Hypermnestre'' de Charles-Hubert Gervais », ''Revue de musicologie'', 82 (1996), pp. 331-343. * Jean-Paul C. Montagnier Jean-Paul C. Montagnier (born September ...
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Charles-Hubert Gervais
Charles-Hubert Gervais (19 February 1671 – 14 January 1744) was a French composer of the Baroque era. The son of a valet to King Louis XIV's brother, Monsieur, Gervais was born at the Palais Royal in Paris and probably educated by Monsieur's musical intendants, Jean Granouillet de Sablières and Charles Lalouette. He worked as a musician for the Duc de Chartres, the future regent of France. In 1701, he married Françoise du Vivier (she died in 1723). In 1721 he was named ''sous-maître de musique'' at the Chapelle royale along with André Campra, Nicolas Bernier and Michel Richard Delalande (who had previously held the post alone). Gervais composed sacred music, 42 grans motets, 7 petits motets, cantatas, and operas, including two '' tragédies en musique''. Works Operas *''Idille sur le retour du duc de Chartres'' (1692) *'' Méduse'' (''tragédie en musique'', 1697) *''Divertissement de Fontainebleau'' (1698, attributed to Gervais) *''Hypermnestre'' (''tragédie en musiqu ...
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Hypermnestra
Hypermnestra ( grc, Ὑπερμνήστρα, ''Hypermnēstra''), in Greek mythology, was a Libyan princess as one of the 50 Danaids the daughter of King Danaus, son of King Belus of Egypt. Her mother was Elephantis and full sister to Gorgophone. Mythology Hypermnestra's father, Danaus was the twin brother of Aegyptus who demanded the marriage of the Danaids and his 50 sons. But her father Danaus who was unhappy with this kind of arrangement, decided they should flee to Argos where King Pelasgus (Gelanor) ruled. When Aegyptus and his sons arrived to take the Danaides, Danaus gave them to spare the Argives the pain of a battle. However, Danaus instructed Hypermnestra and the other Danaids to kill their husbands on their wedding night. Her forty-nine sisters followed through except her because her husband, Lynceus, honored her wish to remain a virgin. Danaus was angry with this disobedience and threw her to the Argive courts. Aphrodite intervened and saved Hypermnestra. Lynceus later ...
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György Vashegyi
György Vashegyi (born 1970) is a Hungarian harpsichordist and conductor. He founded the Purcell Choir in 1990 for a performance of ''Dido and Aeneas''. From November 2017 he was elected President of the Hungarian Academy of Arts (MMA, Magyar Művészeti Akadémia), founded 1992.György Vashegyi is the new President of MMA
"Prime Minister Viktor Orbán congratulated György Vashegyi in a letter, in which he wrote: "Culture is an expression of the strength of a nation, the embodiment of its intellectual radiation, and a pledge of its survival."


Selected recordings

* - ''Messe à 8 vo ...
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Tragédie En Musique
Tragédie en musique (, ''musical tragedy''), also known as tragédie lyrique (, ''lyric tragedy''), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from Classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Earlier works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits airs'' ...
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Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ...
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Jean-Paul C
Jean Paul or ''variation'' may refer to: Places * Rue ''Jean-Paul-II'', several streets, see List of places named after Pope John Paul II * Place ''Jean Paul II'', several squares, see List of places named after Pope John Paul II People Given name * Jean-Paul, comte de Schramm (1789–1884), count and war minister of France * Jean-Paul Behr (born 1947), French chemist * Jean-Paul Belmondo, (1933–2021), French actor * Jean-Paul Marat, French journalist and physician * Jean-Paul Duminy * Jean-Paul de Marigny, Australian football coach * Jean-Paul Fouchécourt, French tenor * Jean-Paul Gaster, American musician * Jean-Paul Valley, first Azrael from DC Comics * Jean-Paul Gaultier * Jean-Paul Lakafia * Jean-Paul 'Bluey' Maunick, British guitarist and producer * Jean-Paul Samputu, Rwandan singer * Jean-Paul Sartre (1905–1980), French existentialist philosopher, writer, and political activist * Jean-Paul Savoie, social worker and former politician in New Brunswick, Canada * ...
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French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ...
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Operas By Charles Hubert Gervais
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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