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Hubert Naich
Hubert Naich (Huberti, Huberto; Naixh, Naxhe) (c. 1513 – c. 1546) was a composer of the Renaissance, probably of Flemish origin, principally active in Rome. He was mainly a composer of madrigals, some in the ''note nere'' style.Haar, Naich, Grove online Life He was probably from Liège, although the details of his early life are uncertain, since several musicians bearing the name "Naich" were active at the church of St. Martin during the time he would have been growing up. Details of his life for the period in which he was in Rome are equally uncertain. It is known that he was active as a composer of madrigals from approximately 1540 to 1546, during which time he almost certainly knew the renowned madrigal composer Jacques Arcadelt, then singing in the Sistine Chapel choir, since they were both members of an "academy of friends" gathered around a Florentine banker who was resident in Rome (Arcadelt's membership in the group is uncertain, but considered probable). One of Arcade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Costanzo Festa
Costanzo Festa (c. 1485/1490 – 10 April 1545) was an Italian composer of the Renaissance. While he is best known for his madrigals, he also wrote sacred vocal music. He was the first native Italian polyphonist of international renown, and with Philippe Verdelot, one of the first to write madrigals, in the infancy of that most popular of all sixteenth-century Italian musical forms. Life Not much is known about his early life. He was probably born in the Piedmont near Turin, but the evidence for this is not certain, being based mainly on later documents referring to him as a ''clericis secularibus'', i.e. not a monk, from that region. His birth date has been given as early as 1480 and as late as 1495, but recent scholarship has tended to narrow the range to the late 1480s.Haar, Grove online In addition he may have been related to his slightly younger contemporary Sebastiano Festa, another early madrigal composer, also from the same region. Sebastiano's father, Jacobinus, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrigal Composers
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th c.) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. As written by Italianized Franco–Flemish composers in the 1520s, the madrigal partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry written in vernacular Italian; partly from the stylistic influence of the French chanson; and fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Composers
The Renaissance ( , ) , from , with the same meanings. is a Periodization, period in History of Europe, European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the Early modern period, early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Italian Renaissance painting#Proto-Renaissance painting, Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1540s Deaths
Year 154 ( CLIV) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Aurelius and Lateranus (or, less frequently, year 907 ''Ab urbe condita''). The denomination 154 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * King Eupator of Bosphorus pays tribute to Rome, due to the threat posed by the Alani. * The Antonine Wall is completed. Asia * Last (2nd) year of ''Yongxing'' era of the Chinese Han Dynasty. * Adalla becomes ruler of the Korean kingdom of Silla. By topic Religion * Anicetus becomes pope of Rome (approximate date). * Anicetus meets with Polycarp of Smyrna to discuss the Computus, the date of Easter in the Christian liturgical calendar. * Change of Patriarch of Constantinople from Patriarch Euzois to Patriarch Lau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1510s Births
Year 151 (CLI) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Condianus and Valerius (or, less frequently, year 904 ''Ab urbe condita''). The denomination 151 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Asia * Mytilene and Smyrna are destroyed by an earthquake. * First year of Yuanjia of the Chinese Han Dynasty. By topic Art * Detail from a rubbing of a stone relief in Wu family shrine (Wuliangci), Jiaxiang, Shandong, is made (Han dynasty). Births * Annia Galeria Aurelia Faustina, daughter of Marcus Aurelius * Zhong Yao, Chinese official and calligrapher (d. 230) Deaths * Kanishka, Indian ruler of the Kushan Empire * Novatus Saint Novatus (died c. 151) is an early Christian saint. His feast day is 20 June. Novatus and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Reese
Gustave Reese ( ; 29 November 1899 – 7 September 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) and ''Music in the Renaissance'' (1954); these two books remain the standard reference works for these two eras, with complete and precise bibliographical material, allowing for almost every piece of music mentioned to be traced back to a primary source. Early life and education Reese was born in New York City on 29 November 1899. He was an avid scholar and had interests in many areas outside music, including art, architecture, and literature. He studied law at New York University, graduating in 1921. Though he was admitted to the New York State Bar, he opted to re-enroll and pursue a Bachelor of Music from NYU, which he received in 1930. Career In 1927, however, he was already teaching classes at the university in medieval and Renaiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Haar
James Haar (July 4, 1929 – September 15, 2018) was an American musicologist and W.R. Kenan Jr. Professor Emeritus of Music at the University of North Carolina at Chapel Hill. A specialist in Renaissance music, he was the Editor-in-chief of the ''Journal of the American Musicological Society'' from 1966 to 1969 and served as the president of American Musicological Society from 1976 to 1978. He was elected a member of the American Academy of Arts and Sciences in 1987.Slonimsky, Nicolas and Kuhn, Laura (2001)"Haar, James" ''Baker's Biographical Dictionary of Musicians''. Schirmer Books. . Online version retrieved February 9, 2016 . Haar was born in St. Louis, Missouri. He received his BA from Harvard in 1950 and his MA from the University of North Carolina at Chapel Hill in 1954. He returned to Harvard to complete his PhD under John Ward and Nino Pirrotta, graduating in 1961. His doctoral dissertation, ''Musica mundana: Variations on a Pythagorean Theme'', explored the ancient be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patter Song
The patter song is characterised by a moderately fast to very fast tempo with a rapid succession of rhythmic patterns in which each syllable of text corresponds to one note. It is a staple of comic opera, especially Gilbert and Sullivan, but it has also been used in musical theatre, musicals and elsewhere."Patter song" ''OnMusic Dictionary'', Connect For Education, Inc, accessed 2 May 2014 The lyric of a patter song generally features tongue-twister, tongue-twisting rhyming text, with alliterative words and other consonant or vowel sounds that are intended to be entertaining to listen to at rapid speed. The musical accompaniment is lightly orchestrated and fairly simple, to emphasise the text.Fiss, Chapter 7 The song is often intended as a showpiece for a comic character, usually a bass ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corpus Mensurabilis Musicae
The ''Corpus mensurabilis musicae'' (CMM) is a collected print edition of most of the sacred and secular vocal music of the late medieval and Renaissance period in western music history, with an emphasis on the central Franco-Flemish and Italian repertories. CMM is a publication of the American Institute of Musicology, and consists of 109 series (individual volumes or sets of volumes) as of 2007. Renowned composers whose works have appeared in other collected editions, such as Josquin des Prez, Giovanni Pierluigi da Palestrina, and Orlande de Lassus, are generally excluded from the set. Many of the series are devoted to works of a single composer, and in some cases they are organized into sub-volumes because of their size (for example, "Volume 1" contains the works of Guillaume Dufay; it actually consists of 6 separate bound volumes, separately containing motets, masses, mass fragments, other liturgical music, and secular songs). Other series contain anthologies and contents o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franco-Flemish School
The designation Franco-Flemish School, also called Netherlandish School, Burgundian School, Low Countries School, Flemish School, Dutch School, or Northern School, refers, somewhat imprecisely, to the style of polyphonic vocal music composition originating from France and from the Burgundian Netherlands in the 15th and 16th centuries as well as to the composers who wrote it. The spread of their technique, especially after the revolutionary development of printing, produced the first true international style since the unification of Gregorian chant in the 9th century. Franco-Flemish composers mainly wrote sacred music, primarily masses, motets, and hymns. Term and controversy Several generations of Renaissance composers from the region loosely known as the Low Countries (Imperial and French fiefs ruled in personal union by the House of Valois-Burgundy in the period from 1384 to 1482)—i.e. present-day Northern France, Belgium and the Southern Netherlands—are grouped under "Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastiano Del Piombo
Sebastiano del Piombo (; c. 1485 – 21 June 1547) was an Italian painter of the High Renaissance and early Mannerism, Mannerist periods famous as the only major artist of the period to combine the colouring of the Venetian School (art), Venetian school in which he was trained with the monumental forms of the Roman school. He belongs both to the painting school of his native city, Venice, where he made significant contributions before he left for Rome in 1511, and that of Rome, where he stayed for the rest of his life, and whose style he thoroughly adopted. Born Sebastiano Luciani, after coming to Rome he became known as ''Sebastiano Veneziano'' or ''Viniziano'' ("Sebastian the Venetian"), until in 1531 he became the Keeper of the Seals#Papacy, Keeper of the Seal to the Papacy, and so got the nickname ''del Piombo'' ("of the Lead") thereafter, from his new job title of ''piombatore''. Friends like Michelangelo and Ariosto called him ''Fra Bastiano'' ("Brother Bastian"). Never a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
